Lee, Peggy, 1920-2002, American singer and songwriter, b. Jamestown, N.D., as Norma Deloris Egstrom. Lee became famous for her singular voice—sexy, subtle, simultaneously smoky and cool—and her unique jazz-inflected interpretations of popular tunes. She began singing as a teenager and hit the big time in 1941 when Benny Goodman hired her. She scored her first big hit in 1942 with "Why Don't You Do Right?" Leaving Goodman's band in 1943, she became a solo act and cowrote (with husband Dave Barbour) and performed a number of popular songs including "It's a Good Day" (1947) and the 1948 chart-topper "Mañana." Lee wrote or cowrote more than 200 songs and recorded more than 600, among them the sultry "Fever" (1958) and "Is That All There Is?" (1969), her late-career anthem. Lee was in several films, notably acting in The Jazz Singer (1952) and Pete Kelly's Blues (1955), voiced such animated features as The Lady and the Tramp (1955), appeared on numerous television programs, and continued to perform into the 1990s.

See her autobiography (1989, rev. ed. 2002); chronology by R. Strom (2005); biography by P. Richmond (2006).

Guggenheim, Peggy (Marguerite Guggenheim), 1898-1979, American modern art patron and collector, b. New York City. The daughter of Benjamin, niece of Solomon, and grand-daughter of Meyer Guggenheim, she grew up in luxury, inherited a fortune, and became a friend, patron, and sometime lover to a number of avant-garde artists and writers. She moved to Paris (1930) and then to London, where she opened (1938) Guggenheim Jeune, a gallery showing mainly abstract and surrealist art, e.g., works by Brancusi, Kandinsky, Magritte, and Max Ernst, whom she married (and divorced). World War II impelled her return (1941) to New York, where she opened (1942) Art of This Century, one of the earliest and most important venues for abstract expressionism, a movement whose artists she actively supported. Guggenheim amassed a superb collection of modern art, which was installed in her Venice palazzo when she moved there in 1946. The Peggy Guggenheim Collection is now administered by the Solomon R. Guggenheim Foundation.

See her memoirs (1946 and 1960, combined and updated 1980); biographies by J. B. Weld (1986) and A. Gill (2002); L. Flint, Handbook: The Peggy Guggenheim Collection (1983), L. Tacou-Rumney, Peggy Guggenheim: A Collector's Album (1996).

Fleming, Peggy, 1948-, American ice skater, b. San Jose, Calif. She began skating at age 9, and after distinguished accomplishments as a juvenile and novice skater, she was U.S. Ladies Champion from 1964 to 1968, Olympic champion in 1968, and World Champion in 1966, 1967, and 1968. In 1968 she became a professional ice skater; she retired in 1976. Her style was marked not only by superb technical control but also by an exceptional sense of music and dance. Since retiring from figure skating, she has worked as a skating commentator on televsion.

See her The Long Program (with P. Kaminsky, 1999).

Bacon, Peggy, 1895-1987, American illustrator, caricaturist, and etcher, b. Ridgefield, Conn. She illustrated more than 60 books including works by George Ade, Carl Sandburg, and Louis Untermeyer, as well as her own poems and her stories for children. Her shrewd and caustic observations have found expression in her writings and in her graphic work. Socialist Meeting (Metropolitan Mus.) is characteristic. Among her published works are Off with Their Heads (1934); Cat-Calls (1935), a volume of light verse; and, for children, The Ghost of Opalina (1967) and Magic Touch (1968). Bacon was married (1920-40) to the painter Alexander Brook.
Peggy may refer to:

See also

  • Peggy-Ann, a 1926 musical comedy by Rodgers and Hart

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