Pablo

Pablo

[pah-bloh; Sp. pah-vlaw]
Picasso, Pablo (Pablo Ruiz y Picasso), 1881-1973, Spanish painter, sculptor, graphic artist, and ceramist, who worked in France. He is generally considered in his technical virtuosity, enormous versatility, and incredible originality and prolificity to have been the foremost figure in 20th-century art.

Early Life and Work

A precocious draftsman, Picasso was admitted to the advanced classes at the Royal Academy of Art in Barcelona at 15. After 1900 he spent much time in Paris, remaining there from 1904 to 1947, when he moved to the South of France. His power is revealed in his very early works, some of which were influenced by Toulouse-Lautrec (such as Old Woman, 1901; Philadelphia Mus. of Art).

Picasso's artistic production is usually described in terms of a series of overlapping periods. In his "blue period" (1901-4) he depicted the world of the poor. Predominantly in tones of blue, these melancholy paintings (such as The Old Guitarist, 1903; Art Inst. of Chicago) are among the most popular art works of the century. Canvases from Picasso's "rose period" (1905-6) are characterized by a lighter palette and greater lyricism, with subject matter often drawn from circus life. Picasso's Parisian studio attracted the major figures of the avant-garde at this time, including Matisse, Braque, Apollinaire, and Gertrude Stein. He had already produced numerous engravings of great power and began his work in sculpture during these years.

Cubism

In 1907 Picasso painted Les Demoiselles d'Avignon (Mus. of Modern Art, New York City), a radical departure from the artistic ideas of the preceding ages and now considered the most significant work in the development toward cubism and modern abstraction (see modern art). The influence of Cézanne and of African sculpture is apparent in its fragmented forms and unprecedented distortions. The painting heralded the first phase of cubism, called analytic cubism. This severe, intellectual style was conceived and developed by Picasso, Braque, and Gris c.1909-12. Picasso's Female Nude (1910-11; Philadelphia Mus. of Art) is a representative painting and his Woman's Head (1909; Mus. of Modern Art, New York City) a representative sculpture of this style.

In the synthetic phase of cubism (after 1912) his forms became larger and more representational, and flat, bright decorative patterns replaced the earlier, more austere compositions. The Three Musicians (1921; Mus. of Modern Art, New York City) exemplifies this style. Picasso's cubist works established firmly that the work of art may exist as a significant object beyond any attempt to represent reality. During both periods of cubism experiments by Picasso and others resulted in several new techniques, including collage and papier collé.

Other Stylistic Innovations

Picasso's enormous energy and fecundity was manifested by another development. In the 1920s he drew heavily on classical themes and produced magnificent monumental nudes and monsters that were reminiscent of antiquity and rendered with a certain anguished irony. These works appeared simultaneously with synthetic cubist paintings. Picasso was for a time saluted as a forerunner of surrealism, but his intellectual approach was basically antithetical to the irrational aesthetic of the surrealist painters.

The artist sought to strengthen the emotional impact of his work and became preoccupied with the delineation of agony. In 1937 the bombing of the Spanish town of Guernica impelled him to produce his second landmark painting, Guernica (Queen Sophia Center of Art, Madrid), an impassioned allegorical condemnation of fascism and war. Long held by the Museum of Modern Art in New York City, the work was transferred to Spain's Prado in 1981, and was moved to the Queen Sofia Center of Art, Madrid, in 1992. The profits Picasso earned from a series of etchings and prints on the Guernica theme made in the 1930s went to help the Republican cause.

Later Life and Work

In his later years Picasso turned to creations of fantasy and comic invention. He worked consistently in sculpture, ceramics, and in the graphic arts, producing thousands of superb drawings, illustrations, and stage designs. With unabated vigor he painted brilliant variations on the works of other masters, including Delacroix and Velázquez, and continued to explore new aspects of his personal vision until his death. His notable later works include Rape of the Sabines (1963; Picasso Mus., Paris) and Young Bather with Sand Shovel (1971; private collection, France). By virtue of his vast energies and overwhelming power of invention Picasso remains outstanding among the masters of the ages.

Bibliography

See biography by J. Richardson (Vol. I-III, 1991-2007); catalog of his retrospective at the Museum of Modern Art, New York City (1980); biographical studies by G. Stein (1938), R. Penrose (1981), A. S. Huffington (1988), P. Daix (1993), and N. Mailer (1995); personal reminiscences by J. Sabertés (tr. 1948) and F. Oliver (1965, 1988); R. Penrose, The Sculpture of Picasso (1967); P. Daix and G. Boudaille, Picasso: The Blue and Rose Period (tr. 1967); D. Cooper, Picasso Theatre (1968); C. Czwiklitzer, Picasso's Posters (tr. 1971); J. E. Cirlot, Picasso: Birth of a Genius (1972); R. Penrose and J. Golding, ed., Picasso in Retrospect (1973); P. Leighton, Re-ordering the Universe: Picasso and Anarchism, 1897-1914 (1989); W. Rubin, H. Seckel, and J. Cousins, Les Demoiselles d'Avignon (1995).

Morillo, Pablo, 1778-1837, Spanish general. Sent in 1815 to put down the revolution in New Granada, he captured Cartagena, quelled (1816) the insurrection in Bogotá, and then marched into present-day Venezuela. His military occupations were ruthless and bloody. Under orders from Spain he negotiated (1820) an armistice with Simón Bolívar. Soon recalled at his own request, he continued to serve the crown in the wars in Spain.
Neruda, Pablo, 1904-73, Chilean poet, diplomat, and Communist leader. He changed his original name, Neftalí Ricardo Reyes Basualto, so that his railroad-worker father would not discover that he was a poet. Neruda's highly personal poetry brought him enormous acclaim. After 1927 he was in consular service in East Asia, Argentina, Mexico, and Europe. A surrealist, Neruda revitalized everyday expressions and employed bold metaphors in free verse. His evocative poems are filled with grief and despair and bespeak a quest for simplicity. They celebrate the dramatic Chilean landscape and rage against the exploitation of the indigenous people. In his writings and during his political career as a leader of the Chilean Communist party (which he joined in 1945) and as a diplomat, Neruda exerted a wide influence in Latin America. His many volumes of poetry include Crepusculario [twilight book] (1919, his first book), Twenty Love Poems and One Song of Despair (1924, tr. 1969), the surrealistic Residence on Earth and Other Poems (1933, tr. 1946), Canto general (1950), Elemental Odes (1954, tr. 1961), Nuevas odas elementales [new elemental odes] (1955), A New Decade: 1958-1967 (tr. 1969), Extravagaria (1958, tr. 1974), New Poems: 1968-1970 (tr. 1972), and Toward the Splendid City (tr. 1974). Neruda was awarded the 1971 Nobel Prize in Literature during his service as Chilean ambassador to France. Neruda died in Chile during the week of the 1973 military coup.

See his Early Poems (tr. 1969), Selected Poems (tr. 1970), and The Poetry of Pablo Neruda (2003); P. Neruda, N. Parra, and M. Gottlieb, Pablo Neruda and Nicanor Parra Face to Face (1997).

(born March 10, 1844, Pamplona, Spain—died Sept. 20, 1908, Biarritz, France) Spanish violinist. After his debut at age eight, he was sent to study in Madrid, where the queen gave him the Stradivarius that he would play his whole life. After finishing his studies in Paris, he toured the world. He had many pieces written for him (by Max Bruch, Camille Saint-Saëns, etc.) and wrote scores of brilliant virtuoso works himself, including Zigeunerweisen (1878) and the Carmen Fantasy (1883).

Learn more about Sarasate (y Navascuéz), Pablo (Martín Melitón) de with a free trial on Britannica.com.

(born Oct. 25, 1881, Málaga, Spain—died April 8, 1973, Mougins, France) Spanish-born French painter, sculptor, printmaker, ceramicist, and stage designer. Trained by his father, a professor of drawing, he exhibited his first works at 13. After moving permanently to Paris in 1904, he replaced the predominantly blue tones of his so-called Blue Period (1901–04) with those of pottery and flesh in his Rose Period (1904–06). His first masterpiece, Les Demoiselles d'Avignon (1907), was controversial for its violent treatment of the female body and the masklike faces derived from his study of African art. From 1909 to 1912 Picasso worked closely with Georges Braque—the only time Picasso ever worked with another painter in this way—and they developed what came to be known as Cubism. The artists presented a new kind of reality that broke away from Renaissance tradition, especially from the use of perspective and illusion. Neither Braque nor Picasso desired to move into the realm of total abstraction in their Cubist works, although they implicitly accepted inconsistencies such as different points of view, different axes, and different light sources in the same picture. By 1912 they had taken Cubism further by gluing paper and other materials onto their canvases. Between 1917 and 1924 Picasso designed stage sets for five ballets for Sergey Diaghilev's Ballets Russes. In the 1920s and '30s, the Surrealists spurred him to explore new subject matter, particularly the image of the Minotaur. The Spanish Civil War inspired perhaps his greatest work, the enormous Guernica (1937), whose violent imagery condemned the useless destruction of life. After World War II he joined the Communist Party and devoted his time to sculpture, ceramics, and lithography as well as painting. In his late years he created variations on the works of earlier artists, the most famous being a series of 58 pictures based on Las Meninas of Diego Velázquez. For nearly 80 of his 91 years Picasso devoted himself to an artistic production that contributed significantly to and paralleled the whole development of modern art in the 20th century.

Learn more about Picasso, Pablo (Ruiz y) with a free trial on Britannica.com.

(born Oct. 25, 1881, Málaga, Spain—died April 8, 1973, Mougins, France) Spanish-born French painter, sculptor, printmaker, ceramicist, and stage designer. Trained by his father, a professor of drawing, he exhibited his first works at 13. After moving permanently to Paris in 1904, he replaced the predominantly blue tones of his so-called Blue Period (1901–04) with those of pottery and flesh in his Rose Period (1904–06). His first masterpiece, Les Demoiselles d'Avignon (1907), was controversial for its violent treatment of the female body and the masklike faces derived from his study of African art. From 1909 to 1912 Picasso worked closely with Georges Braque—the only time Picasso ever worked with another painter in this way—and they developed what came to be known as Cubism. The artists presented a new kind of reality that broke away from Renaissance tradition, especially from the use of perspective and illusion. Neither Braque nor Picasso desired to move into the realm of total abstraction in their Cubist works, although they implicitly accepted inconsistencies such as different points of view, different axes, and different light sources in the same picture. By 1912 they had taken Cubism further by gluing paper and other materials onto their canvases. Between 1917 and 1924 Picasso designed stage sets for five ballets for Sergey Diaghilev's Ballets Russes. In the 1920s and '30s, the Surrealists spurred him to explore new subject matter, particularly the image of the Minotaur. The Spanish Civil War inspired perhaps his greatest work, the enormous Guernica (1937), whose violent imagery condemned the useless destruction of life. After World War II he joined the Communist Party and devoted his time to sculpture, ceramics, and lithography as well as painting. In his late years he created variations on the works of earlier artists, the most famous being a series of 58 pictures based on Las Meninas of Diego Velázquez. For nearly 80 of his 91 years Picasso devoted himself to an artistic production that contributed significantly to and paralleled the whole development of modern art in the 20th century.

Learn more about Picasso, Pablo (Ruiz y) with a free trial on Britannica.com.

orig. Neftalí Ricardo Reyes Basoalto

Pablo Neruda.

(born July 12, 1904, Parral, Chile—died Sept. 23, 1973, Santiago) Chilean poet and diplomat. He began writing poetry at age 10, and at 20 he published his most widely read work, Twenty Love Poems and a Song of Despair (1924), inspired by an unhappy love affair. In 1927 he was named an honorary consul, and he later represented Chile in several Asian and Latin American countries; late in life he was ambassador to France. While in Asia he began Residence on Earth (1933, 1935, 1947), a verse cycle remarkable for its examination of social decay and personal isolation. In 1945 he was elected senator and joined the Communist Party; he later spent years in exile when the government turned toward the right. Canto General (1950), his great epic poem about the American continents, was deeply influenced by Walt Whitman and is the culminating expression of his political beliefs. Elemental Odes (1954) celebrates common, everyday objects. He was awarded the Nobel Prize for Literature in 1971.

Learn more about Neruda, Pablo with a free trial on Britannica.com.

orig. Neftalí Ricardo Reyes Basoalto

Pablo Neruda.

(born July 12, 1904, Parral, Chile—died Sept. 23, 1973, Santiago) Chilean poet and diplomat. He began writing poetry at age 10, and at 20 he published his most widely read work, Twenty Love Poems and a Song of Despair (1924), inspired by an unhappy love affair. In 1927 he was named an honorary consul, and he later represented Chile in several Asian and Latin American countries; late in life he was ambassador to France. While in Asia he began Residence on Earth (1933, 1935, 1947), a verse cycle remarkable for its examination of social decay and personal isolation. In 1945 he was elected senator and joined the Communist Party; he later spent years in exile when the government turned toward the right. Canto General (1950), his great epic poem about the American continents, was deeply influenced by Walt Whitman and is the culminating expression of his political beliefs. Elemental Odes (1954) celebrates common, everyday objects. He was awarded the Nobel Prize for Literature in 1971.

Learn more about Neruda, Pablo with a free trial on Britannica.com.

Pablo is a census-designated place (CDP) in Lake County, Montana, United States. The population was 1,814 at the 2000 census. It is the seat of government of the Flathead Indian Reservation.

Geography

Pablo is located at (47.601740, -114.116817).

According to the United States Census Bureau, the CDP has a total area of 4.9 square miles (12.6 km²), all of it land.

Demographics

As of the census of 2000, there were 1,814 people, 622 households, and 475 families residing in the CDP. The population density was 372.5 people per square mile (143.8/km²). There were 674 housing units at an average density of 138.4/sq mi (53.4/km²). The racial makeup of the CDP was 43.44% White, 0.17% African American, 51.16% Native American, 0.11% Asian, 0.06% Pacific Islander, 0.72% from other races, and 4.36% from two or more races. Hispanic or Latino of any race were 3.31% of the population.

There were 622 households out of which 47.7% had children under the age of 18 living with them, 45.2% were married couples living together, 22.7% had a female householder with no husband present, and 23.5% were non-families. 20.4% of all households were made up of individuals and 6.4% had someone living alone who was 65 years of age or older. The average household size was 2.89 and the average family size was 3.27.

In the CDP the population was spread out with 38.5% under the age of 18, 9.9% from 18 to 24, 27.9% from 25 to 44, 17.0% from 45 to 64, and 6.7% who were 65 years of age or older. The median age was 26 years. For every 100 females there were 90.3 males. For every 100 females age 18 and over, there were 86.8 males.

The median income for a household in the CDP was $26,771, and the median income for a family was $28,615. Males had a median income of $20,982 versus $19,907 for females. The per capita income for the CDP was $14,672. About 22.7% of families and 28.1% of the population were below the poverty line, including 30.2% of those under age 18 and 9.2% of those age 65 or over.

References

External links

Search another word or see pabloon Dictionary | Thesaurus |Spanish
Copyright © 2014 Dictionary.com, LLC. All rights reserved.
  • Please Login or Sign Up to use the Recent Searches feature