See F. G. Ham and C. S. Warmbrodt, The Morris Hillquit Papers (1969).
See study by M. Fried (1971).
See L. D. Akerly, The Morris Manor (1916).
After failing to win reelection to the Congress Morris moved to Philadelphia and resumed his law practice. A series of newspaper articles on finance secured him the post of assistant to Robert Morris (no relative) in handling the finances of the new government (1781-85). In this position he planned the U.S. decimal coinage system. As a member of the U.S. Constitutional Convention of 1787 Morris played an active role, defending a strong centralized government and a powerful executive, opposing concessions on slavery, and putting the Constitution into its final literary form. He remained, however, a champion of aristocracy who distrusted democratic rule.
In 1789 Moris went to France as a private business agent, remained in Europe, and was appointed (1792) U.S. minister to France. During the French Revolution his sympathies lay with the royalists; he even helped plan a scheme to rescue Louis XVI. His recall was requested in 1794, but he traveled for several years before returning to America in 1798. From 1800 to 1803, Morris, a Federalist, was a U.S. senator from New York. He then retired to his estate. He condemned the War of 1812, going so far as to recommend the severance of the federal union. Morris was a strong advocate of the Erie Canal and served as chairman (1810-13) of the canal commission.
See his Diary of the French Revolution (1939), edited by his great-granddaughter, Beatrix Cary Davenport; biographies by T. Roosevelt (1888, repr. 1972), D. Walther (tr. 1934), and R. Brookhiser (2003); M. M. Mintz, Gouverneur Morris and the American Revolution (1970).
Since the 1980s Morris's dances have attracted great interest for their craftsmanship, ingenuity, musicality, and iconoclastic choreography as well as their sometimes eclectic and always live musical accompaniments; his solo performance of O Rangasayee, for example, was danced to an Indian raga. He won particular acclaim for The Hard Nut (1991), a campily ebullient version of The Nutcracker set in the 1960s. Generally less ironic and more serious in tone, his other works include L'Allegro, Il Penseroso, ed Il Moderato (1988), Dido and Aeneas (1989), The Office (1995), Greek to Me (2000), a dance version of the Virgil Thomson-Gertrude Stein opera Four Saints in Three Acts (2001), the ballet The Garden (2001), the modern dance pieces V (2002), All Fours (2004), and Rock of Ages (2005), a new version of the classic ballet Sylvia (2004), Mozart Dances (2006), a joyous vaudevillesque version of Purcell's King Arthur (2006), and a new ballet to Prokofiev's score for Romeo and Juliet (2008). Morris officially retired as a dancer in 2006.
See biography by J. Acocella (1993, repr. 2004); J. Escoffier and M. Lore, ed., Mark Marris's l'Allegro, Il Pensoroso, ed Il Moderato: A Celebration (2001); T. Grimm, dir., Dance in America: Mark Morris with the Mark Morris Dance Group (video, 1986).
See biography by E. P. Oberholtzer (1903, repr. 1968); W. G. Sumner, The Financier and the Finances of the American Revolution (1891, repr. 1968); C. L. Ver Steeg, Robert Morris, Revolutionary Financier (1954, repr. 1972).
While at Oxford, Morris, along with his lifelong friend Edward Burne-Jones, became deeply interested in the ritual and architecture of the Middle Ages. However, Morris's great awakening came through his readings of John Ruskin, whose ideas on aestheticism and social progress he gradually adopted. In 1856, after being apprenticed to an architect, Morris attached himself to the brotherhood of Pre-Raphaelites and through the encouragement of Dante Gabriel Rossetti began to paint and write. In 1858 he published his first volume of poems, The Defence of Guenevere and Other Poems. This was followed by The Life and Death of Jason (1867) and The Earthly Paradise (3 vol., 1868-70), in which a group of medieval Norse wanderers seek a land where there is no death or misery. Although popular in its time, his poetry is not widely read today.
With friends, he started (1861) the firm of decorators later famous as Morris and Company, which, in reaction to growing industrialism, sought a return to the working operations of the Middle Ages and a revitalization of the splendor of medieval decorative arts (see arts and crafts). He made carvings, stained glass, tapestries, carpets, wallpaper, chintzes, and furniture. Today he is especially known for his fabric and wallpaper designs, gracefully elaborate all-over patterns usually based on floral or animal motifs. In the 1870s he founded the Society for the Preservation of Ancient Buildings.
Morris also became interested in politics and reform, joining (1883) the socialist Democratic Federation and forming (1884) the Socialist League. Two notable prose works came out of this political phase, The Dream of John Ball (1888) and News from Nowhere (1891). In these works Morris contrasts the ugliness of the machine world with the poetry and beauty of the Middle Ages, setting forth the doctrine that art is the expression of joy in labor rather than an exclusive luxury. He made no distinction between art and craft and saw fine design and workmanship as the salvation of the industrial society. His last artistic venture, and one of his most important, was the Kelmscott Press in Hammersmith (est. 1890), where he designed the type, page borders, and bindings of fine books. Morris had a profound influence on the printing industry with his brilliant graphic contrast of ink with page and his elegantly designed type.
See his collected works (24 vol., 1910-15; repr. 1966); his lectures, ed. by E. D. Le Mire (1969); selections, ed. by his daughter, May Morris (1936, repr. 1962); biographies by J. W. Mackail (1912, repr. 1970), P. Henderson (1967), and F. MacCarthy (1995); studies by P. R. Thompson (1967) and R. Watkinson (1967).
See his memoirs Will's Boy (1981), Solo (1983), and A Cloak of Light (1985). See studies by L. Howard (1968) and G. B. Crump (1978).
Ritual folk dance mainly danced in rural England from about the 15th century. The name, a variant of “Moorish,” possibly arose in reference to the dancers' blacking their faces as part of the ritual disguise. It is principally a fertility dance, performed especially in the spring. Danced by groups of men often dressed in white and wearing bells on their legs, the steps are varied and intricate and are maintained in a jog-trot while handkerchiefs are waved in both hands. It calls for individual characters such as a hobbyhorse and a fool.
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William Morris, drawing by C.M. Watts
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(born Feb. 9, 1931, Kansas City, Mo., U.S.) U.S. artist. His first one-man exhibition of paintings was held in San Francisco in 1957. In 1960, while living in New York City, he began producing large, monochromatic geometric sculptures, groups of which he exhibited in specific spatial relationships. His work of this period greatly affected the Minimalist movement, which sought to reduce art to its essence by eliminating personal expression and historical allusion. From the late 1960s, however, Morris moved toward a more spontaneous, if anonymous, expressiveness. He experimented in a wide variety of forms, including the “happening”; “dispersal pieces,” in which materials were strewn in apparent randomness on the gallery floor; and environmental projects. His work of the 1970s showed a preoccupation with paradoxes of mental and physical imprisonment.
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(born Oct. 31, 1827, Brattleboro, Vt., U.S.—died July 31, 1895, Rewport, R.I.) U.S. architect. He studied in Europe from 1843 to 1854, becoming the first U.S. architecture student at the École des Beaux-Arts in Paris. He returned to the U.S. to establish the Beaux-Arts style there. His work was eclectic, ranging from ornate early French Renaissance to monumental Classicism to a picturesque villa style. He worked on the extension of the U.S. Capitol and designed the Tribune building in New York City (1873; since destroyed) and the facade of the Metropolitan Museum of Art (1900–02), also in New York. Among the mansions he designed for the new commercial aristocracy is the Breakers in Newport, R.I. (1892–95), which was created in an opulent Renaissance style for the Vanderbilts. Hunt was a founder of the American Institute of Architects.
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William Morris, drawing by C.M. Watts
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(born Feb. 9, 1931, Kansas City, Mo., U.S.) U.S. artist. His first one-man exhibition of paintings was held in San Francisco in 1957. In 1960, while living in New York City, he began producing large, monochromatic geometric sculptures, groups of which he exhibited in specific spatial relationships. His work of this period greatly affected the Minimalist movement, which sought to reduce art to its essence by eliminating personal expression and historical allusion. From the late 1960s, however, Morris moved toward a more spontaneous, if anonymous, expressiveness. He experimented in a wide variety of forms, including the “happening”; “dispersal pieces,” in which materials were strewn in apparent randomness on the gallery floor; and environmental projects. His work of the 1970s showed a preoccupation with paradoxes of mental and physical imprisonment.
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(born Aug. 29, 1956, Seattle, Wash., U.S.) U.S. dancer and choreographer. He formed the Mark Morris Dance Group in 1980. It was the resident company at the Théâtre Royal de la Monnaie in Brussels (1988–91), returned to the U.S. in 1991, and made its permanent home in Brooklyn in 2001. Known for his daring style, he has choreographed many works for his own company as well as for opera productions and television performances, including The Hard Nut (1991), his modernized version of The Nutcracker.
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(born , Jan. 31, 1752, Morrisania house, Manhattan—died Nov. 6, 1816, Morrisania house) American statesman and financial expert. He was admitted to the bar (1771) and served in the New York Provincial Congress (1775–77) and the Continental Congress (1778–79). He distrusted the democratic tendencies of colonists who wanted to break with England, but his belief in independence led him to join their ranks. As assistant superintendent of finance (1781–85), he proposed the decimal coinage system that became the basis for U.S. currency. A delegate to the Constitutional Convention, he helped write the final draft of the Constitution of the United States. He served as minister to France (1792–94) and as a U.S. Senator (1800–03), and he was the first chairman of the Erie Canal commission (1810–16).
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(born Nov. 24, 1912, Baltimore, Md., U.S.—died Sept. 7, 1962, Washington, D.C.) U.S. painter. He studied painting at the Maryland Institute and worked as an easel painter for the WPA Federal Art Project. Inspired by Helen Frankenthaler's colour stain technique, in 1954 he began a series of paintings h1d Veils, featuring stained vertical waves of colour; these works had an impersonal, nonpainterly quality. During this period he became associated with the New York school of Abstract Expressionism. His later work featured diagonal parallel streams of colour that flowed across the bottom corners of the picture plane. In his last series, Stripes, bunched, straight vertical bands of colour are surrounded by empty canvas.
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Cape, in the Peary Land region, northern Greenland, on the Arctic Ocean. Situated 440 mi (710 km) from the North Pole, it is one of the world's most northerly points of land. Robert E. Peary was the first explorer to reach it in 1900; it was named for Morris K. Jesup, a merchant-banker who financed polar expeditions.
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(born Aug. 1, 1869, Riga, Latvia—died Oct. 7, 1933, New York, N.Y., U.S.) U.S. socialist leader. He immigrated to the U.S. in 1886, joined the Socialist Labor Party, and helped found the United Hebrew Trades in 1888. When the party split, he led a moderate faction to help form the Social Democratic Party, which in 1901 became the Socialist Party. As the party's chief theoretician, he defined its position of pacifism during World War I and defended many socialists in court. He was twice the Socialist Party's unsuccessful candidate for mayor of New York (1917, 1932).
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(born Aug. 29, 1956, Seattle, Wash., U.S.) U.S. dancer and choreographer. He formed the Mark Morris Dance Group in 1980. It was the resident company at the Théâtre Royal de la Monnaie in Brussels (1988–91), returned to the U.S. in 1991, and made its permanent home in Brooklyn in 2001. Known for his daring style, he has choreographed many works for his own company as well as for opera productions and television performances, including The Hard Nut (1991), his modernized version of The Nutcracker.
Learn more about Morris, Mark with a free trial on Britannica.com.
(born Nov. 24, 1912, Baltimore, Md., U.S.—died Sept. 7, 1962, Washington, D.C.) U.S. painter. He studied painting at the Maryland Institute and worked as an easel painter for the WPA Federal Art Project. Inspired by Helen Frankenthaler's colour stain technique, in 1954 he began a series of paintings h1d Veils, featuring stained vertical waves of colour; these works had an impersonal, nonpainterly quality. During this period he became associated with the New York school of Abstract Expressionism. His later work featured diagonal parallel streams of colour that flowed across the bottom corners of the picture plane. In his last series, Stripes, bunched, straight vertical bands of colour are surrounded by empty canvas.
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(born Oct. 31, 1827, Brattleboro, Vt., U.S.—died July 31, 1895, Rewport, R.I.) U.S. architect. He studied in Europe from 1843 to 1854, becoming the first U.S. architecture student at the École des Beaux-Arts in Paris. He returned to the U.S. to establish the Beaux-Arts style there. His work was eclectic, ranging from ornate early French Renaissance to monumental Classicism to a picturesque villa style. He worked on the extension of the U.S. Capitol and designed the Tribune building in New York City (1873; since destroyed) and the facade of the Metropolitan Museum of Art (1900–02), also in New York. Among the mansions he designed for the new commercial aristocracy is the Breakers in Newport, R.I. (1892–95), which was created in an opulent Renaissance style for the Vanderbilts. Hunt was a founder of the American Institute of Architects.
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(born Aug. 1, 1869, Riga, Latvia—died Oct. 7, 1933, New York, N.Y., U.S.) U.S. socialist leader. He immigrated to the U.S. in 1886, joined the Socialist Labor Party, and helped found the United Hebrew Trades in 1888. When the party split, he led a moderate faction to help form the Social Democratic Party, which in 1901 became the Socialist Party. As the party's chief theoretician, he defined its position of pacifism during World War I and defended many socialists in court. He was twice the Socialist Party's unsuccessful candidate for mayor of New York (1917, 1932).
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(born , Jan. 31, 1752, Morrisania house, Manhattan—died Nov. 6, 1816, Morrisania house) American statesman and financial expert. He was admitted to the bar (1771) and served in the New York Provincial Congress (1775–77) and the Continental Congress (1778–79). He distrusted the democratic tendencies of colonists who wanted to break with England, but his belief in independence led him to join their ranks. As assistant superintendent of finance (1781–85), he proposed the decimal coinage system that became the basis for U.S. currency. A delegate to the Constitutional Convention, he helped write the final draft of the Constitution of the United States. He served as minister to France (1792–94) and as a U.S. Senator (1800–03), and he was the first chairman of the Erie Canal commission (1810–16).
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(born Jan. 1, 1909, Phoenix, Airz., U.S.—died May 29, 1998, Paradise Valley, Ariz.) U.S. senator. He headed the family department-store business from 1937, and during World War II he was a U.S. Air Force pilot (1941–45). A Republican, he was elected to the U.S. Senate in 1952, and he quickly established himself as a strong conservative, calling for a harsh diplomatic stance toward the Soviet Union, opposing arms-control negotiations with that country, and accusing the Democrats of creating a quasi-socialist state at home. In 1964 he won the Republican nomination for president but lost the election to Democratic Pres. Lyndon B. Johnson largely because of popular fears that Goldwater would provoke a nuclear war with the Soviets. Returning to the Senate (1969–87), he helped persuade Richard Nixon to resign in 1974. Goldwater moderated many of his views in later years, and he became a symbol of high-minded conservatism.
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(born Feb. 4, 1842, Copenhagen, Den.—died Feb. 19, 1927, Copenhagen) Danish critic and scholar. His published lectures at the University of Copenhagen, Main Currents in 19th-Century Thought, 6 vol. (1872–90), catalyzed the breakthrough from Romanticism to realism in Danish literature. His calls for writers to work in the service of progressive ideas and the reform of modern society, along with his championing of such writers as Henrik Ibsen and August Strindberg, earned strong conservative opposition but exerted enormous influence throughout Scandinavia. His other critical works include Men of the Modern Breakthrough (1883) and Danish Poets (1877).
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Cape, in the Peary Land region, northern Greenland, on the Arctic Ocean. Situated 440 mi (710 km) from the North Pole, it is one of the world's most northerly points of land. Robert E. Peary was the first explorer to reach it in 1900; it was named for Morris K. Jesup, a merchant-banker who financed polar expeditions.
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(born Feb. 4, 1842, Copenhagen, Den.—died Feb. 19, 1927, Copenhagen) Danish critic and scholar. His published lectures at the University of Copenhagen, Main Currents in 19th-Century Thought, 6 vol. (1872–90), catalyzed the breakthrough from Romanticism to realism in Danish literature. His calls for writers to work in the service of progressive ideas and the reform of modern society, along with his championing of such writers as Henrik Ibsen and August Strindberg, earned strong conservative opposition but exerted enormous influence throughout Scandinavia. His other critical works include Men of the Modern Breakthrough (1883) and Danish Poets (1877).
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(born Jan. 1, 1909, Phoenix, Airz., U.S.—died May 29, 1998, Paradise Valley, Ariz.) U.S. senator. He headed the family department-store business from 1937, and during World War II he was a U.S. Air Force pilot (1941–45). A Republican, he was elected to the U.S. Senate in 1952, and he quickly established himself as a strong conservative, calling for a harsh diplomatic stance toward the Soviet Union, opposing arms-control negotiations with that country, and accusing the Democrats of creating a quasi-socialist state at home. In 1964 he won the Republican nomination for president but lost the election to Democratic Pres. Lyndon B. Johnson largely because of popular fears that Goldwater would provoke a nuclear war with the Soviets. Returning to the Senate (1969–87), he helped persuade Richard Nixon to resign in 1974. Goldwater moderated many of his views in later years, and he became a symbol of high-minded conservatism.
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