See C. Wittke, Tambo and Bones: A History of the American Minstrel Stage (1930, repr. 1968).
Form of entertainment popular in the U.S. in the 19th and early 20th centuries. It originated in the 1830s with the popular white performer Thomas D. Rice, known as “Jim Crow,” who wore the stylized makeup called blackface and performed songs and dances in a stereotyped imitation of African Americans. Blackfaced white minstrel troupes were particularly popular in the U.S. and England in 1840–80 and included groups such as the Christy Minstrels, who played on Broadway for 10 years and had songs composed for them by Stephen Foster. The minstrel show included an opening chorus and frequent exchanges of jokes between the emcee, Mr. Interlocutor, and the end men, Mr. Tambo (who played the tambourine) and Mr. Bones (who rattled the bones), interspersed with ballads, comic songs, and instrumental numbers (usually on the banjo and violin), as well as individual acts, soft-shoe dances, and specialty numbers. Minstrel troupes composed of African Americans were formed after the Civil War; in general, minstrel shows were the only theatrical medium in which black performers of the period could support themselves. Minstrel shows had effectively disappeared by the early 20th century, but the effects of their racial stereotyping persisted in performance mediums well into mid century.
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While the show started off being broadcast in (genuine) black-and-white, the show was one of the very first to be moved to colour by the BBC in 1967.
Several famous personalities guested on the show, while others started their careers there. Comedian Lenny Henry was one such star, being the first black comedian to appear, in 1975.
When a revival of the Black And White Minstrel Show was proposed by fictional television presenter Roger Mellie, Tom states "Television bade good riddance to that racist rubbish decades ago".