See A. Einstein, The Italian Madrigal (3 vol., 1949); J. Kerman, The Elizabethan Madrigal (1962); J. Roche, The Madrigal (1972).
Form of vocal chamber music, usually polyphonic and unaccompanied, of the 16th–17th centuries. It originated and developed in Italy, under the influence of the French chanson and the Italian frottola. Usually written for three to six voices, madrigals came to be sung widely as a social activity by cultivated amateurs, male and female. The texts were almost always about love; most prominent among the poets whose works were set to music are Petrarch, Torquato Tasso, and Battista Guarini. In Italy, Orlande de Lassus, Luca Marenzio, Don Carlo Gesualdo, and Claudio Monteverdi were among the greatest of the madrigalists; Thomas Morley, Thomas Weelkes, and John Wilbye created a distinguished body of English madrigals.
Learn more about madrigal with a free trial on Britannica.com.
Madrigal usually refers to Madrigal (music), a European musical form of the sixteenth and seventeenth centuries
Madrigal may also refer to: