The Eames Lounge Chair and ottoman, correctly titled Eames Lounge (670) and Ottoman (671) were released in 1956 after years of development by designers Charles and Ray Eames for the Herman Miller furniture company. It was the first chair the Eames designed for a high-end market. These furnishings are made of molded plywood and leather. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art.
Other creative uses of materials include the seat cushions - which eschew standard stapled or nailed upholstery. Instead the cushions are sewn with a zipper around the outer edge that connects them to a stiff plastic backing. The backing affixes to the plywood shells with a series of hidden clips and rings. This design, along with the hidden shock mounts in the armrest allow the outside veneer of the chair to be unmarred by screws or bolts. The chair has a low seat which is permanently fixed at a recline. The seat of the chair swivels on a cast aluminum base, with glides that are threaded so that the chair may remain level.
It first appeared on the Arlene Francis 'Home" show broadcast on the NBC television network in the USA in 1956. The chair has become iconic with Modern style design although when it was first made Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy" (sic). Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt". Immediately following the début Herman Miller launched an advertising campaign that highlighted the versatility of the chair. Print ads depicted the 670 in a Victorian parlor, occupied by a grandmother shelling peas on the front porch of an American Gothic style house, and in the middle of a sunny field of hay. One notable advertisement was produced by the Eames for Herman Miller warning consumers against imitations and knockoffs.
Since its introduction, the chair has been in continuous production by Herman Miller in America. Later, Vitra began producing the chair for the European market. Immediately following its release other furniture companies began to copy the chair's design. Some copies were direct knockoffs, while others were merely 'influenced' by the design. Most notably Plycraft Company, now defunct, issued dozens of chairs that directly mimicked or were in-the-style-of the Eames 670. More recently the Chinese market, as well as other European companies, have begun making direct copy knockoffs. However, Herman Miller and Vitra remain the only two companies to produce these chairs with the Eames name attached.
The Eames Lounge Chair appeals to people for several reasons. It is a classic design that has been in production continuously since its creation. In addition to the style, it is also very comfortable, a combination not always found in high design. Additionally, some people find it desirable purely for reasons of Conspicuous consumption - the chair with Ottoman retail for around $3,200 or more, depending on the selection of veneer and leather (leathers by Edelmen, recently offered by Herman Miller, add considerably to the cost). In part the appeal of the chair comes from its comfort. The Eames focused first on usability in their designs.