His misfortunes began with a club squabble at the Café Laurent, which was much frequented by literary men, and where he indulged in lampoons on his companions. A shower of libellous and sometimes obscene verses was written by or attributed to him, and at last he was turned out of the café. At the same time his poems, as yet printed only singly or in manuscript, acquired him a great reputation, due to the dearth of genuine lyrical poetry between Jean Racine and André de Chénier. In 1701 he was made a member of the Académie des inscriptions; he was offered, though he had not accepted, profitable places in the revenue department; he had become a favourite of the libertine but influential côterie of the Temple; and in 1710 he presented himself as a candidate for the Académie française.
Verses more offensive than ever were handed round, and gossip maintained that Rousseau was their author. Legal proceedings of various kinds followed, and Rousseau ascribed the lampoon to Bernard-Joseph Saurin. In 1712 Rousseau was prosecuted for defamation of character, and, on his non-appearance in court, was condemned to perpetual exile. He spent the rest of his life in foreign countries except for a clandestine visit to Paris in 1738; he refused to accept the permission to return which was offered him in 1716 because it was not accompanied by complete rehabilitation.
Prince Eugène and then other persons of distinction took him under their protection during his exile, and at Soleure he printed the first edition of his poetical works. He met Voltaire in Brussels in 1722. Voltaire's Le Pour et le contre is said to have shocked Rousseau, who expressed his sentiments freely. At any rate the latter had thenceforward no fiercer enemy than Voltaire. His death elicited from Jean-Jacques Lefranc, marquis de Pompignan an ode that was perhaps better than anything of Rousseau's own work. That work may be roughly divided into two sections. One consists of formal and partly sacred odes and cantatas of the stiffest character, of which perhaps the Ode a la fortune is the most famous; the other of brief epigrams, sometimes licentious and always, or almost always, ill-natured.
As an epigrammatist Rousseau is inferior only to his friend Alexis Piron. The frigidity of conventional diction and the disuse of all really lyrical rhythm which characterize his period do not prevent his odes and cantatas from showing at times true poetical faculty, though cramped, and inadequate to explain his extraordinary vogue. Few writers were so frequently reprinted during the 18th century, but even in his own century La Harpe had arrived at a truer estimate of his real value when he said of his poetry: "Le fond n'est qu'un lieu commun chargé de déclamations et même d'idées fausses."
Besides the Soleure edition mentioned above, Rousseau published an issue of his work in London in 1723.
Les Mots des autres: Lieu commun et creation romanesque dans les oeuvres de Gustave Flaubert, Nathalie Sarraute et Robert Pinget.(Review)(Brief Article)
Jan 01, 1999; Les Mots des autres: lieu commun et creation romanesque dans les oeuvres de Gustave Flaubert, Nathalie Sarraute et Robert Pinget....