Uppercase, capital, or large letter in calligraphy, in contrast to the minuscule, lowercase, or small letter. All the letters in a majuscule script are contained between a single pair of real or theoretical horizontal lines. The earliest known Roman majuscule letters are in the style known as square capitals, distinguished by downstrokes that are heavier than upstrokes and by serifs (short strokes at right angles to the top and bottom of a letter). Square capitals were used mainly in inscriptions on Roman imperial monuments. Rustic capitals, used in books and official documents, formed a freer, more elliptical script. Roman cursive capitals, a running-hand script used for notes and letters, were a forerunner of the minuscule scripts that appeared later.
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Lowercase letters in calligraphy, in contrast to majuscule, or uppercase letters. Unlike majuscules, minuscules are not fully contained between two real or hypothetical lines; their stems can go above or below the line. Developed by Alcuin in the 8th century, it allowed the division of writing into sentences and paragraphs by beginning sentences with capital letters and ending them with periods. The script was originally rounded, but gradually the strokes became heavier until it became what is now known as Gothic or black letter script.
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Black letter, type as used in the 42-line Bible issued at Mainz, 1456.
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