Lao She

Lao She

[lou shuh]
Lao She, pseud. of Shu She-yü or Shu Ch'ing-ch'un,, 1899-1966, Chinese writer. He wrote his first novels while teaching Chinese at the Univ. of London's School of Oriental Studies (1924-30). He continued to teach and write in China during the 1930s, receiving high praise for his novel Camel Xiangzi (1939, tr. 1981). In the 1950s he wrote a number of popular plays with Marxist themes, including The Teahouse (1958), but fell victim to the Red Guards at the outset of the Cultural Revolution and was either murdered or driven to suicide. His fiction was noted for its farcical tone. Translations of his work include The Crescent Moon and Other Stories (1985) and The Two Mas (1984).

See studies by G. Kao (1980) and D. D. Wang (1992).

Lao She (February 3, 1899August 24, 1966) was a notable Chinese writer. A novelist and dramatist, he was one of the most significant figures of 20th century Chinese literature, and is perhaps best known for his novel Camel Xiangzi or Rickshaw Boy (駱駝祥子) and the play Teahouse (茶館). He was of Manchu ethnicity.

Biography

His original name was Shū Qìngchūn (舒庆春)(Sumuru in Manchu). He was born in Beijing, to a poor family of the Sūmuru clan belonging to the Red Banner. His father, who was a guard soldier, died in a street battle with the Eight-Power Allied Forces in 1901. To support her family and Lao Shê's private tutoring, his mother did laundry. "During my childhood," Lao She later recalled, "I didn't need to hear stories about evil ogres eating children and so forth; the foreign devils my mother told me about were more barbaric and cruel than any fairy tale ogre with a huge mouth and great fangs. And fairy tales are only fairy tales, whereas my mother's stories were 100 percent factual, and they directly affected our whole family." (Lao Shê in Modern Chinese Writers, ed. by Helmut Martin and Jeffrey Kinkley, 1992). In 1913, he was admitted to the Beijing Normal Third High School (currently Beijing Third High School), but had to leave after several months because of financial difficulties. In the same year, he was accepted into the Beijing Institute for Education, where he graduated in 1918.

Between 1918 and 1924 he was involved as administrator and faculty member at a number of primary and secondary schools in Beijing and Tianjin. He was highly influenced by the May Fourth Movement (1919). He stated, "[The] May Fourth [Movement] gave me a new spirit and a new literary language. I am grateful to [The] May Fourth [Movement], as it allowed me to become a writer."

He went on to serve as lecturer in the Chinese section of the (then) School of Oriental Studies (now the School of Oriental and African Studies) at the University of London from 1924 to 1929. During his time in London, he absorbed a great deal of English literature and began his own writing. His later novel 二马 (Ma and Son) drew on these experiences.

In the summer of 1929, he left Britain for Singapore, teaching at the Chinese High School 华侨中学). Between his return to China in the spring of 1930 until 1937, he taught at several universities, including Cheeloo University (齐鲁大学) and Shandong University (Qingdao).

The outbreak of the second Sino-Japanese War (1937-45) radically altered Lao She's views. Between the years 1937 and 1945 he wrote a number of plays, worked as a propagandist, and headed the All-China Anti-Japanese Writers Federation. After World War II Lao She published a gigantic novel in three parts, Sishi Tongtang (abridged translation The Yellow Storm). It dealt with life in Peking during the Japanese occupation of Manchuria. Between the years 1946 and 1949 Lao She lived in the United States on a cultural grant at the invitation of the Department of State. When the People's Republic was established in 1949, Lao She returned to China.

Like thousands of other intellectuals in China, he experienced mistreatment in the Cultural Revolution of the mid-1960s. Red Guards of the Cultural Revolution had attacked him as a counterrevolutionary. They paraded him through the streets and beat him in public. Greatly humiliated both mentally and physically, he committed suicide by drowning himself in a Beijing lake in 1966. His relatives were accused of implication in his "crimes" but continued to rescue his manuscripts after his death, hiding them in coal piles and a chimney and moving them from house to house.

He was married to Hu Jieqing and they had four children, one son and three daughters.

Works

His first important novel, Luotuo Xiangzi (骆驼祥子, "Camel Xiangzi," widely known in the West as "Rickshaw Boy" or "Rickshaw"), was published in 1936. It describes the tragic life of a rickshaw puller in Beijing of the 1920s and is considered to be a classic of modern Chinese literature. The English version Rickshaw Boy became a US bestseller in 1945; it was an unauthorized translation that added a bowdlerized happy ending to the story. In 1982, the original version was made into a film of the same title.

Among Lao Shê's most famous stories is 'Crescent Moon', written in the early stage of his creative life. It depicts the miserable life of a mother and daughter and their deterioration into prostitution. "I used to picture an ideal life, and it would be like a dream," the daughter thinks. "But then, as cruel reality again closed in on me, the dream would quickly pass, and I would feel worse than ever. This world is no dream - it's a living hell. " (from 'Crescent Moon')

Lao She was a member of the Cultural and Educational Committee in the Government Administration Council, a deputy to the National People's Congress, a member of the Standing Committee of the Chinese People's Political Consultative Conference, vice-chairman of the All-China Federation of Literature and Art and vice-chairman of the Union of Chinese Writers as well as chairman of the Beijing Federation of Literature and Art. He was named a 'People's Artist' and a 'Great Master of Language'. His plays, such as Long Xugou(1951, Dragon Beard Ditch), became ideologically didactic, and did not reach the level of his former work. Shen Ruan written in 1960, on the sixtieth anniversary of the Boxer uprising, was a four-act play about the Boxers. Lao She emphasized the anti-imperialistic zeal of the Boxers and the burning and killing carried out by the allied powers. During the Cultural Revolution, Lao She was publicly denounced and criticized, as a number of other writers and intellectuals. On October 24, 1966, Lao She was murdered or driven to suicide. His last novel, The Drum Singers (1952), was first published in English in the United States.

His other important works include Si Shi Tong Tang (四世同堂, abridged translation The Yellow Storm, directly translated into "Four Generations under One Roof" 1944–1950), a novel describing the life of the Chinese people during the Japanese Occupation; Cat Country (猫城记) a satire which is sometimes seen as the first important Chinese science fiction novel, Cha Guan (茶馆, "Teahouse"), a play written in 1957; and Lao Zhang de Zhexue (老张的哲学, "The Philosophy of Old Zhang"), his first published novel, written in London (1926).

Lao She's most frequently performed plays is Cha Guan (Teahouse), which was written in 1957. The events are set in the Beijing teahouse of Wang Lifa during three different periods: 1898 under the empire, the 1910s under the warlords and around 1945 after WW II. "In the teahouses one could hear the most absurd stories," Lao She writes of the scene set in 1898, "such as how a in a certain place a huge spider had turned into a demon and was then struck by lightning. One could also come in contact with the strangest of views; for example, that foreign troops could be prevented from landing by building a Great Wall along the sea coast." Lao She follows the lives of Wang and his customers. Ambivalently Wang and his friends demonstrate the failure of their lives towards the end by a mock funeral, welcoming the new society. The teahouse is requisitioned as a club and Wang is offered a job as doorman - however, he has already hanged himself. - The Beijing People's Art Theatre performed the play in 1980 in West Germany and France during the three-hundredth anniversary of the Comédie-Française.

Legacy

Since the fall of Jiang Qing, guiding hand of the Cultural Revolution, in 1971, Lao She's works have been republished. In 1979, he was posthumously "rehabilitated" by the Communist Party. Several of his stories have been made into films, including This Life of Mine (1950, dir. by Shi Hui), Dragon Beard Ditch (1952, dir. by Xian Qun), Rickshaw Boy (1982, dir. by Zifeng Ling), The Teahouse (1982, dir. by Xie Tian), The Crescent Moon (1986, dir. by Huo Zhuang), The Drum Singers (1987, dir. by Tian Zhuangzhuang ), and The Divorce. Tian Zhuangzhuang's film version of The Drum Singers (1987) was mostly shot on location in Sichuan.

The Laoshe Tea House (老舍茶馆), a popular tourist attraction in Beijing that opened in 1988 and features regular performances of traditional music, is named for Lao She.

References

  • Encyclopædia Britannica 2005 Ultimate Reference Suite DVD, "Lao She"

External links

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