John Ronald Reuel Tolkien, CBE (3 January 1892 – 2 September 1973) was an English writer, poet, philologist, and university professor, best known as the author of the high fantasy classic works The Hobbit and The Lord of the Rings.
Tolkien was Rawlinson and Bosworth Professor of Anglo-Saxon at Oxford from 1925 to 1945, and Merton Professor of English Language and Literature. from 1945 to 1959. He was a close friend of C. S. Lewis – they were both members of the informal literary discussion group known as the Inklings. Tolkien was appointed a Commander of the Order of the British Empire by Queen Elizabeth II on 28 March 1972.
After his death, Tolkien's son, Christopher, published a series of works based on his father's extensive notes and unpublished manuscripts, including The Silmarillion. These, together with The Hobbit and The Lord of the Rings, form a connected body of tales, poems, fictional histories, invented languages, and literary essays about an imagined world called Arda, and Middle-earth within it. Between 1951 and 1955 Tolkien applied the word legendarium to the larger part of these writings.
While many other authors had published works of fantasy before Tolkien, the great success of The Hobbit and The Lord of the Rings when they were published in paperback in the United States led directly to a popular resurgence of the genre. This has caused Tolkien to be popularly identified as the "father" of modern fantasy literature—or more precisely, high fantasy. Tolkien's writings have inspired many other works of fantasy and have had a lasting effect on the entire field. In 2008, The Times ranked him sixth on a list of 'The 50 greatest British writers since 1945'.
Tolkien's maternal grandparents, John and Edith Jane Suffield, were Baptists who lived in Birmingham and owned a shop in the city centre. The Suffield family had run various businesses out of the same building, called Lamb House, since the early 1800s. Beginning in 1812 Tolkien's great-great grandfather William Suffield owned and operated a book and stationery shop there; Tolkien's great-grandfather, also John Suffield, was there from 1826 with a drapery and hosiery business.
As a child, Tolkien was bitten by a large baboon spider (a type of tarantula) in the garden, an event which would have later echoes in his stories. In another such incident, a family house-boy, who thought Tolkien a beautiful child, took the baby to his kraal to show him off, returning him the next morning.
When he was three, Tolkien went to England with his mother and brother on what was intended to be a lengthy family visit. His father, however, died in South Africa of rheumatic fever before he could join them. This left the family without an income, so Tolkien's mother took him to live with her parents in Stirling Road, Birmingham. Soon after, in 1896, they moved to Sarehole (now in Hall Green), then a Worcestershire village, later annexed to Birmingham. He enjoyed exploring Sarehole Mill and Moseley Bog and the Clent Hills and Malvern Hills, which would later inspire scenes in his books, along with other Worcestershire towns and villages such as Bromsgrove, Alcester, and Alvechurch and places such as his aunt's farm of Bag End, the name of which would be used in his fiction.
Mabel tutored her two sons, and Ronald, as he was known in the family, was a keen pupil. She taught him a great deal of botany, and awakened in her son the enjoyment of the look and feel of plants. Young Tolkien liked to draw landscapes and trees, but his favourite lessons were those concerning languages, and his mother taught him the rudiments of Latin very early. He could read by the age of four, and could write fluently soon afterwards. His mother allowed him to read many books. He disliked Treasure Island and The Pied Piper, and thought Alice's Adventures in Wonderland by Lewis Carroll was amusing but disturbing. He liked stories about "Red Indians" and the fantasy works by George MacDonald. In addition, the "Fairy Books" of Andrew Lang were particularly important to him and their influence is apparent in some of his later writings.
Tolkien attended King Edward's School, Birmingham and, while a student there, helped "line the route" for the coronation parade of King George V, being posted just outside the gates of Buckingham Palace. He later attended St. Philip's School.
Mabel Tolkien was received into the Roman Catholic Church in 1900 despite vehement protests by her Baptist family, who then stopped all financial assistance to her. She died of acute complications of diabetes in 1904, when Tolkien was 12, at Fern Cottage in Rednal, which they were then renting. Mabel Tolkien was then about 34 years of age, about as long as a person with diabetes mellitus type 1 could live with no treatment—insulin would not be discovered until two decades later. For the rest of his own life Tolkien felt that his mother had become a martyr for her faith. This feeling had a profound effect on his own Catholic beliefs.
Prior to her death, Mabel Tolkien had assigned the guardianship of her sons to Fr. Francis Xavier Morgan of the Birmingham Oratory, who was assigned to bring them up as good Catholics. Tolkien grew up in the Edgbaston area of Birmingham. He lived there in the shadow of Perrott's Folly and the Victorian tower of Edgbaston Waterworks, which may have influenced the images of the dark towers within his works. Another strong influence was the romantic medievalist paintings of Edward Burne-Jones and the Pre-Raphaelite Brotherhood; the Birmingham Museum and Art Gallery has a large and world-renowned collection of works and had put it on free public display from around 1908.
In 1911, while they were at King Edward's School, Birmingham, Tolkien and three friends, Rob Gilson, Geoffrey Smith and Christopher Wiseman, formed a semi-secret society which they called "the T.C.B.S.", the initials standing for "Tea Club and Barrovian Society", alluding to their fondness for drinking tea in Barrow's Stores near the school and, illicitly, in the school library. After leaving school, the members stayed in touch, and in December 1914, they held a "Council" in London, at Wiseman's home. For Tolkien, the result of this meeting was a strong dedication to writing poetry.
In the summer of 1911, Tolkien went on holiday in Switzerland, a trip that he recollects vividly in a 1968 letter, noting that Bilbo's journey across the Misty Mountains ("including the glissade down the slithering stones into the pine woods") is directly based on his adventures as their party of 12 hiked from Interlaken to Lauterbrunnen, and on to camp in the moraines beyond Mürren. Fifty-seven years later, Tolkien remembered his regret at leaving the view of the eternal snows of Jungfrau and Silberhorn ("the Silvertine (Celebdil) of my dreams"). They went across the Kleine Scheidegg on to Grindelwald and across the Grosse Scheidegg to Meiringen. They continued across the Grimsel Pass and through the upper Valais to Brig, and on to the Aletsch glacier and Zermatt.
In October of the same year, Tolkien began studying at Exeter College, one of the constituent colleges of the University of Oxford. He initially studied Classics but changed to English Language, graduating in 1915.
On the evening of his twenty-first birthday, Tolkien wrote to Edith a declaration of his love and asked her to marry him. Edith replied saying that she had already agreed to marry another man, but that she had done so because she had believed Tolkien had forgotten her. The two met up and beneath a railway viaduct renewed their love; Edith returned her engagement ring and announced that she was marrying Tolkien instead. Following their engagement Edith converted to Catholicism at Tolkien's insistence. They were formally engaged in Birmingham, in January 1913, and married in Warwick, England, at Saint Mary Immaculate Catholic Church on 22 March 1916.
The United Kingdom was then engaged in fighting World War I, and Tolkien volunteered for military service and was commissioned in the British Army as a Second Lieutenant in the Lancashire Fusiliers. He trained with the 13th (Reserve) Battalion on Cannock Chase, Staffordshire, for eleven months. He was then transferred to the 11th (Service) Battalion with the British Expeditionary Force, arriving in France on 4 June 1916. He later wrote: Tolkien served as a signals officer during the Battle of the Somme, participating in the Battle of Thiepval Ridge. He came down with trench fever, a disease carried by the lice which were so very plentiful in No Man's Land, on 27 October 1916. According to the memoirs of the Reverend Mervyn S. Evers, Anglican chaplain to the Lancashire Fusilliers: Tolkien was invalided to England on 8 November 1916. Many of his dearest friends, including Gilson and Smith of the T.C.B.S., were killed in the war. In later years, Tolkien indignantly declared that those who searched his works for parallels to the Second World War were entirely mistaken: The weak and emaciated Tolkien spent the remainder of the war alternating between hospitals and garrison duties, being deemed medically unfit for general service. It was at this time Edith bore their first son, John Francis Reuel Tolkien.
When he was stationed at Kingston upon Hull, he and Edith went walking in the woods at nearby Roos, and Edith began to dance for him in a clearing among the flowering hemlock: This incident inspired the account of the meeting of Beren and Lúthien, and Tolkien often referred to Edith as "my Lúthien.
During his time at Pembroke, Tolkien wrote The Hobbit and the first two volumes of The Lord of the Rings, largely at 20 Northmoor Road in North Oxford, where a blue plaque was placed in 2002. He also published a philological essay in 1932 on the name 'Nodens', following Sir Mortimer Wheeler's unearthing of a Roman Asclepieion at Lydney Park, Gloucestershire, in 1928.
Of Tolkien's academic publications, the 1936 lecture "Beowulf: the Monsters and the Critics" had a lasting influence on Beowulf research. Lewis E. Nicholson said that the article Tolkien wrote about Beowulf is "widely recognized as a turning point in Beowulfian criticism", noting that Tolkien established the primacy of the poetic nature of the work as opposed to the purely linguistic elements. At the time, the consensus of scholarship deprecated Beowulf for dealing with childish battles with monsters rather than realistic tribal warfare; Tolkien argued that the author of Beowulf was addressing human destiny in general, not as limited by particular tribal politics, and therefore the monsters were essential to the poem. Where Beowulf does deal with specific tribal struggles, as at Finnsburg, Tolkien argued firmly against reading in fantastic elements. In the essay, Tolkien also revealed how highly he regarded Beowulf: "Beowulf is among my most valued sources," and this influence can be seen in The Lord of the Rings.
In 1945, Tolkien moved to Merton College, Oxford, becoming the Merton Professor of English Language and Literature, in which post he remained until his retirement in 1959. Tolkien completed The Lord of the Rings in 1948, close to a decade after the first sketches.
Tolkien also helped to translate the Jerusalem Bible, which was published in 1966.
It was the arrival of Charles Williams, who worked for the Oxford University Press, that changed the relationship between Tolkien and Lewis. Lewis' enthusiasm shifted almost imperceptibly from Tolkien to Williams, especially during the writing of Lewis' third novel That Hideous Strength.
Tolkien had for a long time been extremely bothered by what he perceived as Lewis's Anti-Catholicism. In a letter to his son Christopher, he declared:
Lewis' growing reputation as a Christian apologist and his return to the Anglican fold also annoyed Tolkien, who had a deep resentment of the Church of England. By the mid-forties, Tolkien felt that Lewis was receiving a good deal "too much publicity for his or any of our tastes".
Tolkien and Lewis might have grown closer during their days at Headington, but this was prevented by Lewis' marriage to Joy Davidman. Tolkien felt that Lewis expected his friends to pay court to her, even though as a bachelor in the thirties, he had often ignored the fact that his friends had wives to go home to. Tolkien also may have felt jealous about a woman's intrusion into their close friendship, just as Edith Tolkien had felt jealous of Lewis' intrusion into her marriage. It did not help matters that Lewis did not initially tell Tolkien about his marriage to Davidman or that when Tolkien finally did find out, he also discovered that Lewis had married a divorcee, which was offensive to Tolkien's Catholic beliefs. Tolkien described the marriage as "very strange".
The cessation of Tolkien's frequent meetings with Lewis in the 1950s marked the end of the 'clubbable' chapter in Tolkien's life, which started with the T.C.B.S. at school and ended with the Inklings at Oxford.
His friendship with Lewis was nevertheless renewed to some degree in later years. As Tolkien was to comment in a letter to Priscilla after Lewis' death in November, 1963:
Tolkien was appointed by Queen Elizabeth II a Commander of the Order of the British Empire in the New Year's Honours List of 1 January 1972 and received the insignia of the Order at Buckingham Palace on 28 March 1972.
Edith Tolkien died on 29 November 1971, at the age of 82. Tolkien had the name Lúthien engraved on the stone at Wolvercote Cemetery, Oxford. When Tolkien died 21 months later on 2 September 1973, at the age of 81, he was buried in the same grave, with Beren added to his name. The engravings read:
Tolkien had an intense dislike for the side effects of industrialization, which he considered to be devouring the English countryside. For most of his adult life, he was disdainful of automobiles, preferring to ride a bicycle. This attitude can be seen in his work, most famously in the portrayal of the forced "industrialization" of The Shire in The Lord of the Rings.
Many have commented on a number of potential parallels between the Middle-earth saga and events in Tolkien's lifetime. The Lord of the Rings is often thought to represent England during and immediately after World War II. Tolkien ardently rejected this opinion in the foreword to the second edition of the novel, stating he preferred applicability to allegory. This theme is taken up in greater length in his essay "On Fairy-Stories", where he argues fairy-stories are so apt because they are consistent with themselves and some truths about reality. He concludes that Christianity itself follows this pattern of inner consistency and external truth. His belief in the fundamental truths of Christianity and their place in mythology leads commentators to find Christian themes in The Lord of the Rings, despite its noticeable lack of overt religious references, religious ceremony or appeals to God. This is not surprising, since the phenomena which in our real world give rise to religious impulses are, in Middle-earth, an ordinary and expected part of the natural world. Use of religious references was frequently a subject of disagreement between Tolkien and C.S. Lewis, whose work is often overtly allegorical. This having been said, Tolkien, on many occasions, spoke of the Catholicity or overt Catholic nature of his work.
His love of myths and devout faith came together in his assertion that he believed that mythology is the divine echo of "the Truth". This view was expressed in his poem Mythopoeia, and his idea that myths held "fundamental truths" became a central theme of the Inklings in general.
I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy from Latin to English. My grandfather obviously didn't agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.According to a recent article:
The question of racist or racialist elements in Tolkien's views and works has been the matter of some scholarly debate. Christine Chism distinguishes accusations as falling into three categories: intentional racism, unconscious Eurocentric bias, and an evolution from latent racism in Tolkien's early work to a conscious rejection of racist tendencies in his late work.
The treatment of colour nearly always horrifies anyone going out from Britain.
In 1968, he objected to a description of Middle-earth as "Nordic", a term he said he disliked due to its association with racialist theories. Tolkien had nothing but contempt for Adolf Hitler, whom he accused of "perverting ... and making for ever accursed, that noble northern spirit" which was so dear to him. However, he could get just as agitated over "lesser evils" that struck nearer home; he denounced anti-German fanaticism in the British war effort during World War II. In 1944, he wrote in a letter to his son Christopher:
Beginning with The Book of Lost Tales, written while recuperating from illnesses contracted during The Battle of the Somme, Tolkien devised several themes that were reused in successive drafts of his legendarium. The two most prominent stories, the tales of Beren and Lúthien and that of Túrin, were carried forward into long narrative poems (published in The Lays of Beleriand).
One of the greatest influences on Tolkien was the Arts and Crafts polymath William Morris. Tolkien wished to imitate Morris's prose and poetry romances, along with the general style and approach, he took elements such as the Dead Marshes in The Lord of the Rings and Mirkwood.
Edward Wyke-Smith's Marvellous Land of the Snergs, with its 'table-high' title characters, strongly influenced the incidents, themes, and depiction of Bilbo's race in The Hobbit.
Tolkien also cited H. Rider Haggard's novel She in a telephone interview: 'I suppose as a boy She interested me as much as anything—like the Greek shard of Amyntas [Amenartas], which was the kind of machine by which everything got moving.' A supposed facsimile of this potsherd appeared in Haggard's first edition, and the ancient inscription it bore, once translated, led the English characters to She's ancient kingdom. Critics have compared this device to the Testament of Isildur in The Lord of the Rings and Tolkien's efforts to produce as an illustration a realistic page from the Book of Mazarbul. Critics starting with Edwin Muir have found resemblances between Haggard's romances and Tolkien's.
Tolkien wrote of being impressed as a boy by S. R. Crockett's historical novel The Black Douglas and of basing the Necromancer (Sauron) on its villain, Gilles de Retz. Incidents in both The Hobbit and Lord of the Rings are similar in narrative and style to the novel, and its overall style and imagery have been suggested as an influence on Tolkien.
Tolkien was much inspired by early Germanic, especially Anglo-Saxon literature, poetry and mythology, which were his chosen and much-loved areas of expertise. These sources of inspiration included Anglo-Saxon literature such as Beowulf, Norse sagas such as the Volsunga saga and the Hervarar saga, the Poetic Edda, the Prose Edda, the Nibelungenlied and numerous other culturally related works.
Despite the similarities of his work to the Volsunga saga and the Nibelungenlied, which were the basis for Richard Wagner's opera series,Tolkien dismissed critics' direct comparisons to Wagner, telling his publisher, "Both rings were round, and there the resemblance ceases." However, some criticsbelieve that Tolkien was, in fact, indebted to Wagner for elements such as the "concept of the Ring as giving the owner mastery of the world... Two of the characteristics possessed by the One Ring, its inherent malevolence and corrupting power upon minds and wills, were not present in the mythical sources but have a central role in Wagner's opera.
Dimitra Fimi, along with Douglas Anderson, John Garth and many other prominent Tolkien scholars show that Tolkien also drew influence from a variety of Celtic (Scottish , Welsh and Gaelic) history and legends, though after the Silmarillion manuscript was rejected, in part for its 'eye-splitting' Celtic names, Tolkien rejected their Celtic origin:
A major philosophical influence on his writing is Alfred the Great's Anglo-Saxon translation of Boethius' Consolation of Philosophy, known as the Lays of Boethius. Characters in The Lord of the Rings such as Frodo, Treebeard, and Elrond make noticeably Boethian remarks. Also, Catholic theology and imagery played a part in fashioning Tolkien's creative imagination, suffused as it was by his deeply religious spirit.
Tolkien at first intended The Lord of the Rings to be a children's tale in the style of The Hobbit, but it quickly grew darker and more serious in the writing. Though a direct sequel to The Hobbit, it addressed an older audience, drawing on the immense back story of Beleriand that Tolkien had constructed in previous years, and which eventually saw posthumous publication in The Silmarillion and other volumes. Tolkien's influence weighs heavily on the fantasy genre that grew up after the success of The Lord of the Rings.
The Lord of the Rings became immensely popular in the 1960s and has remained so ever since, ranking as one of the most popular works of fiction of the 20th century, judged by both sales and reader surveys. In the 2003 "Big Read" survey conducted by the BBC, The Lord of the Rings was found to be the "Nation's Best-loved Book". Australians voted The Lord of the Rings "My Favourite Book" in a 2004 survey conducted by the Australian ABC. In a 1999 poll of Amazon.com customers, The Lord of the Rings was judged to be their favourite "book of the millennium". In 2002 Tolkien was voted the 92nd "greatest Briton" in a poll conducted by the BBC, and in 2004 he was voted 35th in the SABC3's Great South Africans, the only person to appear in both lists. His popularity is not limited to the English-speaking world: in a 2004 poll inspired by the UK’s "Big Read" survey, about 250,000 Germans found The Lord of the Rings to be their favourite work of literature.
Tolkien had appointed his son Christopher to be his literary executor, and he (with assistance from Guy Gavriel Kay, later a well-known fantasy author in his own right) organized some of the unpublished material into a single coherent volume, published as The Silmarillion in – his father had previously attempted to get a collection of 'Silmarillion' material published in 1937 before writing The Lord of the Rings.
In Christopher Tolkien followed The Silmarillion with a collection of more fragmentary material under the title Unfinished Tales. In subsequent years (–) he published a large amount of the remaining unpublished materials together with notes and extensive commentary in a series of twelve volumes called The History of Middle-earth. They contain unfinished, abandoned, alternative and outright contradictory accounts, since they were always a work in progress, and Tolkien only rarely settled on a definitive version for any of the stories. There is not complete consistency between The Lord of the Rings and The Hobbit, the two most closely related works, because Tolkien never fully integrated all their traditions into each other. He commented in 1965, while editing The Hobbit for a third edition, that he would have preferred to completely rewrite the entire book due to the style of its prose.
More recently, in , the collection was completed with the publication of The Children of Húrin by HarperCollins (in the UK and Canada) and Houghton Mifflin in the USA. The novel tells the story of Túrin Turambar and his sister Nienor, children of Húrin Thalion. The material was compiled by Christopher Tolkien from The Silmarillion, Unfinished Tales, The History of Middle-earth and unpublished works.
The Department of Special Collections and University Archives of John P. Raynor, S.J., Library at Marquette University in Milwaukee, Wisconsin preserves many of Tolkien's manuscripts; other original material is in Oxford University's Bodleian Library. Marquette has the manuscripts and proofs of The Lord of the Rings, The Hobbit and other works, including Farmer Giles of Ham, while the Bodleian holds the Silmarillion papers and Tolkien's academic work.
Privately, Tolkien was attracted to "things of racial and linguistic significance", and he entertained notions of an inherited taste of language, which he termed the "native tongue" as opposed to "cradle tongue" in his 1955 lecture English and Welsh, which is crucial to his understanding of race and language. He considered West Midlands dialect of Middle English to be his own "native tongue", and, as he wrote to W. H. Auden in 1955, "I am a West-midlander by blood (and took to early west-midland Middle English as a known tongue as soon as I set eyes on it)".
Tolkien considered languages inseparable from the mythology associated with them, and he consequently took a dim view of auxiliary languages: in 1930 a congress of Esperantists were told as much by him, in his lecture A Secret Vice, "Your language construction will breed a mythology", but by 1956 he had concluded that "Volapük, Esperanto, Ido, Novial, &c, &c, are dead, far deader than ancient unused languages, because their authors never invented any Esperanto legends".
The popularity of Tolkien's books has had a small but lasting effect on the use of language in fantasy literature in particular, and even on mainstream dictionaries, which today commonly accept Tolkien's idiosyncratic spellings dwarves and dwarvish (alongside dwarfs and dwarfish), which had been little used since the mid-1800s and earlier. (In fact, according to Tolkien, had the Old English plural survived, it would have been dwerrows.) He also coined the term eucatastrophe, though it remains mainly used in connection with his own work.
The hands and minds of many artists have indeed been inspired by Tolkien's legends. Personally known to him were Pauline Baynes (Tolkien's favourite illustrator of The Adventures of Tom Bombadil and Farmer Giles of Ham) and Donald Swann (who set the music to The Road Goes Ever On). Queen Margrethe II of Denmark created illustrations to The Lord of the Rings in the early 1970s. She sent them to Tolkien, who was struck by the similarity they bore in style to his own drawings.
However, Tolkien was not fond of all the artistic representation of his works that were produced in his lifetime, and was sometimes harshly disapproving. In 1946, he rejected suggestions for illustrations by Horus Engels for the German edition of The Hobbit as "too Disnified",
Tolkien was sceptical of the emerging Tolkien fandom in the United States, and in 1954 he returned proposals for the dust jackets of the American edition of The Lord of the Rings:
In 1958, after receiving a screenplay for a proposed movie adaptation of The Lord of the Rings by Morton Grady Zimmerman, Tolkien wrote:
Tolkien went on to criticize the script scene by scene ("yet one more scene of screams and rather meaningless slashings"). But Tolkien was in principle open to the idea of a movie adaptation. He sold the film, stage and merchandise rights of The Hobbit and The Lord of the Rings to United Artists in 1968. However, guided by an intense hatred of their past work, Tolkien expressly forbade that The Walt Disney Company should ever become involved in any future productions.
United Artists never made a film, although director John Boorman was planning a live-action film in the early 1970s. In 1976 the rights were sold to Tolkien Enterprises, a division of the Saul Zaentz Company, and the first movie adaptation of The Lord of the Rings appeared in 1978, an animated rotoscoping film directed by Ralph Bakshi with screenplay by the fantasy writer Peter S. Beagle. It covered only the first half of the story of The Lord of the Rings. In 1977 an animated TV production of The Hobbit was made by Rankin-Bass, and in 1980 they produced an animated The Return of the King, which covered some of the portions of The Lord of the Rings that Bakshi was unable to complete.
From 2001 to 2003, New Line Cinema released The Lord of the Rings as a trilogy of live-action films that were filmed in New Zealand and directed by Peter Jackson. The series was successful, performing well commercially and winning numerous Oscars.
There are six blue plaques that commemorate places associated with Tolkien, one in Oxford, one in Harrogate, and four in Birmingham. The Birmingham plaques commemorate three of his childhood homes right up to the time he left to attend Oxford University. The Oxford plaque commemorates the residence where Tolkien wrote The Hobbit and most of The Lord of the Rings. The Harrogate plaque commemorates the residence where Tolkien convalesced from trench fever.
|Address||Commemoration||Date unveiled||Issued by|
| Sarehole Mill|
Hall Green, Birmingham
|"Inspired" 1896–1900(i. e. lived nearby)||15 August 2002|| Birmingham Civic Society and|
The Tolkien Society
| 1 Duchess Place|
|Lived near here 1902–1910||Unknown||Birmingham Civic Society|
| 4 Highfield Road|
|Lived here 1910–1911||Unknown|| Birmingham Civic Society and|
The Tolkien Society
| Plough and Harrow|
Hagley Road, Birmingham
|Stayed here June 1916||June 1997||The Tolkien Society|
| 20 Northmoor Road|
|Lived here 1930–1947||3 December 2002||Oxfordshire Blue Plaques Board|
| 96 Valley Drive|