Charles Martin "Chuck" Jones (September 21, 1912 – February 22, 2002) was an American animator, cartoon artist, screenwriter, producer, and director of animated films, most memorably of Looney Tunes and Merrie Melodies shorts for the Warner Bros. Cartoons studio. He directed many of the classic short animated cartoons starring Bugs Bunny, Daffy Duck, the Road Runner & Wile E. Coyote, Pepé Le Pew and the other Warners characters, including Duck Amuck, One Froggy Evening and What's Opera, Doc? (all three of which were later inducted into the National Film Registry) and Jones' famous "Hunting Trilogy" of Rabbit Fire, Rabbit Seasoning, and Duck! Rabbit! Duck! (1951–1953).
After his career at Warners ended in 1962, Jones started Sib Tower 12 Productions and began producing cartoons for Metro-Goldwyn-Mayer, including a new series of Tom & Jerry shorts and the television adaptation of Dr. Seuss' How the Grinch Stole Christmas!. He later started his own studio, Chuck Jones Productions, which created several one-shot specials, and periodically worked on Looney Tunes related works.
Many of Jones' cartoons of the 1930s and early 1940s were lavishly animated, but audiences and fellow Schlesinger staff members found them lacking in genuine humor. Often slow-moving and overbearing with "cuteness", Jones' early cartoons were an attempt to follow in the footsteps of Walt Disney's shorts (especially with such cartoons as Tom Thumb in Trouble and the Sniffles cartoons). Jones finally broke away from traditional animation conventions with the cartoon The Dover Boys in 1942. Jones credits this cartoon as the film where he "learned how to be funny." The Dover Boys is also one of the first uses of Stylized animation in American film, breaking away from the more realistic animation styles influenced by the Disney Studio. This was also the period where Jones created many of his lesser-known characters, including Charlie Dog, Hubie and Bertie, and The Three Bears. Despite their relative obscurity today, the shorts starring these characters represent some of Jones' earliest work that was strictly intended to be funny.
During the World War II years, Jones worked closely with Theodor Geisel (also known as Dr. Seuss) to create the Private Snafu series of Army educational cartoons. Private Snafu comically educated soldiers on topics like spies and laziness in a more risque way than general audiences would have been used to at the time. Jones would later collaborate with Seuss on a number of adaptations of Seuss' books to animated form, most importantly How the Grinch Stole Christmas! in 1966.
Jones hit his stride in the late 1940s, and continued to make his best-regarded works through the 1950s. Jones-created characters from this period includes Claude Cat, Marc Antony and Pussyfoot, Charlie Dog, Michigan J. Frog, and his three most popular creations, Pepe LePew, the Road Runner, and Wile E. Coyote. Jones based the Coyote on Mark Twain's Roughing It, in which Twain describes the coyote as "a long, slim, sick and sorry-looking skeleton" that is "a living, breathing allegory of Want. He is always hungry". The Road Runner cartoons, in addition to the cartoons that are considered his masterpieces (all written and conceived by Michael Maltese), Duck Amuck, One Froggy Evening, and What's Opera, Doc? are today hailed by critics as some of the best cartoons ever made.
The staff of the Jones' Unit A were as important to the success of these cartoons as Jones himself. Key members included writer Maltese, layout artist/background designer/co-director Maurice Noble, animator and co-director Abe Levitow, and animators Ken Harris and Ben Washam.
In 1950, Jones and Maltese began working on Rabbit Fire, a short that changed Daffy Duck's personality forever. They decided to make him a totally different character; instead of the wacky, comic relief character he had been, they turned Daffy into a vain, egomaniacal prima donna wanting to steal the spotlight from Bugs Bunny. Of his versions of Bugs and Daffy, Chuck Jones has said, "Bugs is who we want to be. Daffy is who we are."
Jones remained at Warner Bros. throughout the 1950s, except for a brief period in 1953 when Warner closed the animation studio. During this interim, Jones found employment at Walt Disney Pictures, where he teamed with Ward Kimball for a four month period of uncredited work on Sleeping Beauty (1959). Upon the reopening of the Warner animation department, Jones was rehired & reunited with most of his unit.
In the early-1960s, Jones and his wife Dorothy wrote the screenplay for the animated feature Gay Purr-ee. The finished film would feature the voices of Judy Garland, Robert Goulet and Red Buttons as cats in Paris, France. The feature was produced by UPA, and directed by his former Warner collaborator, Abe Levitow. Jones moonlit to work on the film, since he had an exclusive contract with Warner Bros. UPA completed the film and made it available for distribution in 1962; it was picked up by Warner Bros. When Warner discovered that Jones had violated his exclusive contract with them, they fired him. Not long after, Jack Warner closed the studio's animation shop (Jones frequently claimed, including in the aforementioned autobiography, that this happened because Warner finally learned they weren't making Mickey Mouse cartoons).
As the Tom and Jerry series wound down (it would be discontinued in 1967), Jones moved on to television. In 1966, he produced and directed the TV special How the Grinch Stole Christmas!, featuring the voice and facial features of Boris Karloff. Jones continued to work on TV specials such as Horton Hears A Who! (1970), but his main focus during this time was the feature film The Phantom Tollbooth, which did lukewarm business when MGM released it in 1970. Jones co-directed 1969's The Pogo Special Birthday Special, based on the Walt Kelly comic strip, and voiced the characters of Porky Pine and Bun Rab.
MGM closed the animation division in 1970, and Jones once again started his own studio, Chuck Jones Productions. He produced a children's TV series for the American Broadcasting Company called The Curiosity Shop in 1971. His most notable work during this period was three animated TV adaptations of short stories from Rudyard Kipling's The Jungle Book: Mowgli's Brothers, The White Seal and Rikki-Tikki-Tavi. Jones resumed working with Warner Bros. in 1976 with the animated TV adaptation of The Carnival of the Animals with Bugs Bunny and Daffy Duck. Jones also produced the 1979 movie The Bugs Bunny/Road Runner Movie which was a compilation of Jones' best theatrical shorts; Jones produced new Road Runner shorts for The Electric Company series and Bugs Bunny's Looney Christmas Tales (1979), and even newer shorts were made for Bugs Bunny's Bustin' Out All Over (1980).
In 1988, Jones contributed to the creation of London's Museum of the Moving Image (MOMI) by spending several days working high on scaffolding creating a chase sequence directly onto the high walls of the museum.
Jones was an historical authority as well as a major contributor to the development of animation throughout the 20th century. He received an honorary degree from Oglethorpe University in 1993.
In his later years, Jones became the most vocal alumnus of the Termite Terrace studio, frequently giving lectures, seminars, and working to educate newcomers in the animation field. Many of his principles, therefore, found their way back into the mainstream animation consciousness, and can be seen in films such as Cats Don't Dance, The Rip Borsley Show, The Emperor's New Groove and Lilo & Stitch.
For his contribution to the motion picture industry, Jones has a star on the Hollywood Walk of Fame at 7011 Hollywood Blvd.
Jones, whose work had been nominated eight times over his career for an Oscar (winning thrice, for For Scent-imental Reasons, So Much for So Little, and The Dot and the Line), received an Honorary Academy Award in 1996 by the Board of Governors of the Academy of Motion Picture Arts and Sciences, for "the creation of classic cartoons and cartoon characters whose animated lives have brought joy to our real ones for more than half a century."
Jones' final Looney Tunes cartoon was From Hare to Eternity in 1996/1997, which starred Bugs Bunny and Yosemite Sam, with Greg Burson voicing Bugs. The cartoon was dedicated to Friz Freleng, who had passed on in 1995. Jones did produce a few more Looney Tunes-based and non-related cartoons, a noticeable one being Chariots of Fur, his final Road Runner cartoon, in 1994.
Jones, the last surviving animation director from the "Termite Terrace" days of the WB cartoons, died of heart failure in 2002. He was cremated after the funeral service and his ashes were scattered at sea.
However, Jones had one final involvement, even after his death, and that was with the Looney Tunes cartoon Daffy Duck for President, which was based on a book that Jones had written; the character designs even copied Jones' style. The cartoon was originally scheduled to be released in 2000, but delays forced the cartoon to be held back until 2004.
I am still astonished that somebody would offer me a job and pay me to do what I wanted to do.
Everyone has 200,000 bad drawings in them, the sooner you get them out the better.
Every time you draw a caricature you lose a friend.
I could dream about being Bugs Bunny but when I woke up, I was still Daffy Duck.