John Bale (21 November, 1495–November, 1563) was an English churchman, historian and controversialist, and Bishop of Ossory. He wrote the oldest known historical verse drama in English (on the subject of King John), and developed and published a very extensive list of the works of British authors down to his own time, just as the monastic libraries were being dispersed.
He became the last Prior of the Ipswich Carmelite house, elected in 1533. He abandoned his monastic vocation, and got married, saying, "that I might never more serve so execrable a beast, I took to wife the faithful Dorothy." He obtained the living of Thorndon, Suffolk, but in 1534 was summoned before the Archbishop of York for a sermon against the invocation of saints preached at Doncaster, and afterwards before John Stokesley, Bishop of London, but he escaped through the powerful protection of Thomas Cromwell, whose notice he is said to have attracted by his miracle plays.
In these plays Bale denounced the monastic system and its supporters in unrestrained language and coarse imagery. The prayer of Infidelitas which opens the second act of his Three Laws is an example of his profane parody. These somewhat brutal productions were intended to impress popular feeling, and Cromwell found in him an invaluable instrument. When Cromwell fell from favour in 1540, Bale fled with his wife and children to Flanders. He returned on the accession of King Edward VI, and received the living of Bishopstoke, Hampshire, being promoted in 1552 to the Irish see of Ossory. He refused to be consecrated by the Roman Catholic rites of the Irish church, and won his point, though the Dean of Dublin made a protest against the revised office during the ceremony.
When the accession of Queen Mary inaugurated a violent reaction in matters of religion, he was forced to get out of the country again. He tried to escape to Scotland, but on the voyage was captured by a Dutch man-of-war, which was driven by bad weather into St Ives, Cornwall. Bale was arrested on suspicion of treason, but soon released. At Dover he had another narrow escape, but he eventually made his way to the Netherlands and thence to Frankfurt and Basel. During his exile he devoted himself to writing. After his return, on the accession of Queen Elizabeth I, he received (1560) a prebendal stall at Canterbury, where he died and was buried in the cathedral.
But the English people remained in the bondage of Rome,—
Elsewhere John is called a Lollard and accused of "heretycall langage," and he is finally poisoned by a monk of Swinestead. Allegorical characters are mixed with the real persons. Ynglonde vidua (Widow England) represents the nation, and the jocular element is provided by Sedwyson (sedition), occupying the role of Vice in a pure morality play. One actor was obviously intended to play many parts, for stage directions such as "Go out Ynglond, and dress for Clargy" are by no means uncommon.
The original manuscript of Kynge Johan was discovered between 1831 and 1838 among the Corporation (i.e. local government) Papers at Ipswich, where it was probably performed, for there are references to charitable foundations by King John in the town (which received its Town Charter from John in 1200 AD) and neighbourhood. It is described at the end of the manuscript as two plays, but there is no obvious division, only the end of the first act being noted. The first part is corrected by Bale: the second half is in his handwriting, but his name nowhere occurs. In the list of his works, however, he mentions a play De Joanne Anglorum Rege (Of King John of the English), written in idiomate materno (in the mother tongue).
This chronological catalogue of British authors and their works was partly founded on the Collectanea and Commentarii of John Leland. Bale was an indefatigable collector and worker, and personally examined many of the valuable libraries of the Augustinian and Carmelite houses before their dissolution. His work contains much information that would otherwise have been hopelessly lost. His autograph note-book is preserved in the Selden Collection of the Bodleian Library, Oxford. It contains the materials collected for his two published catalogues arranged alphabetically, without enlargement on them nor the personal remarks which colour the completed work. He includes the sources for his information. He noted: "I have bene also at Norwyche, our second citye of name, and there all the library monuments are turned to the use of their grossers, candelmakers, sopesellers, and other worldly occupyers... As much have I saved there and in certen other places in Northfolke and Southfolke concerning the authors names and titles of their workes, as I could, and as much wold I have done through out the whole realm, yf I had been able to have borne the charges, as I am not."
John Pitts or Pitseus (1560–1616), an English Roman Catholic exile, founded on Bale's work his Relationum historicarum de rebus anglicis tomus primus (Paris, 1619), better known by its running title of De Illustribus Angliae scriptoribus. This is really the fourth book of a more extensive work. He omits the Wycliffite and Protestant divines mentioned by Bale, and the most valuable section is the lives of the Roman Catholic exiles resident in Douai and other French towns. He asserts (Nota de Joanne Bale) that Bale's Catalogus was a misrepresentation of John Leland's work, though in all likelihood he only knew Leland's work through his reading of Bale.