For most of his youth, Bolaño was a vagabond, living at one time or another in Chile, Mexico, El Salvador, France and Spain, where he finally settled down in the early 1980s in the small Catalan beach town of Blanes. There he died of a liver disorder he suffered from for more than a decade. He was survived by his Spanish wife and their two children, whom he once called "my only motherland." Bolaño named his only son Lautaro, after the Mapuche leader Lautaro, who resisted the Spanish conquest of Chile, as related in the sixteenth-century epic La araucana.
A crucial episode in his life, mentioned in different forms in several of his works, occurred in 1973, when he left Mexico for Chile to "help build the revolution." During his travels to Chile, he met revolutionary poet Roque Dalton in El Salvador. After Augusto Pinochet's coup against Salvador Allende, he was arrested; Bolaño spent eight days1 in custody, although he did not suffer torture, and was rescued by two former classmates who had become prison guards. In the 1970s, he became a Trotskyist and a founding member of infrarrealismo, a minor poetic movement. Although deep down he always felt like a poet, in the vein of his beloved Nicanor Parra, he is known for his novels, novellas, and short story collections. Six weeks before he died, his fellow Latin American novelists hailed him as the most important figure of his generation at an international conference he attended in Seville. He counted among his closest friends novelists Rodrigo Fresán and Enrique Vila-Matas.
Although a hard-working, devoted writer all his life, Bolaño only began publishing regularly in the late 1990s. He immediately became a widely respected figure in Spanish and Latin American letters. In a rapid succession, he published a widely acclaimed series of works, the most important of which are the novel Los detectives salvajes (The Savage Detectives), the novella Nocturno de Chile (By Night in Chile), and, posthumously, the novel 2666. His two collections of short stories Llamadas telefónicas and Putas asesinas were awarded literary prizes.
The Savage Detectives has been compared by Jorge Edwards to Julio Cortázar's Rayuela and José Lezama Lima's Paradiso. In a review in El País, the Spanish critic Ignacio Echevarría declared it "the novel that Borges would have written." (An avid reader, Bolaño often expressed his love for Borges and Cortázar's work, and once concluded an overview of contemporary Argentinian literature by saying that "one should read Borges more.") The central section of The Savage Detectives presents a long, fragmentary series of testimonies about the trips and adventures of Arturo Belano and Ulises Lima between 1976-1995, trips and adventures that take them from Mexico DF to several places in Europe, to Israel and even Liberia during the civil war in the mid-nineties. The testimonies are framed at the beginning and end of the novel by the story of their quest of Cesárea Tinajero, the founder of "real visceralismo," a Mexican avant-garde literary movement of the twenties. The aspiring, 17-year-old poet García Madero tells us first about the poetic and social scene around the new "visceral realists." He later closes the novel with his account of their escape from Mexico City to the state of Sonora and how they end up in the fictional city of Santa Teresa, which reappears in 2666. Bolaño called The Savage Detectives "a love letter to my generation."
The novel 2666 was published in 2004. At 1100 pages, the novel is divided in five "parts," four and a half of which were finished before Bolaño's death. Focused on the unsolved and still ongoing serial murders of Ciudad Juárez (Santa Teresa in the novel), the apocalyptic 2666 depicts the horror of the 20th century through a wide cast of characters, including the secretive, Pynchon-like German writer Archimboldi.