Jewish humour is the long tradition of humour in Judaism dating back to the Torah and the Midrash, but generally refers to the more recent stream of verbal, self-deprecating and often anecdotal humour originating in Eastern Europe and which took root in the United States over the last hundred years. Beginning with vaudeville, and continuing through radio, stand-up comedy, film, and television, a disproportionately high percentage of American and Russian comedians have been Jewish.
Hillel Halkin in his essay about Jewish humour traces some roots of the Jewish self-deprecating humour to the medieval influence of Arabic traditions on the Hebrew literature by quoting a witticism from Yehuda Alharizi's Tahkemoni.
A more recent one is an egalitarian tradition among the Jewish communities of Eastern Europe in which the powerful were often mocked subtly, rather than attacked overtly—as Saul Bellow once put it, "oppressed people tend to be witty." Jesters known as badchens used to poke fun at prominent members of the community during weddings, creating a good-natured tradition of humour as a levelling device. Rabbi Moshe Waldoks, a scholar of Jewish humour, argued:
After Jews began to emigrate to America in large numbers, they, like other minority groups, found it difficult to gain mainstream acceptance and obtain upward mobility. (As Lenny Bruce lampooned, "He was charming... They said, 'C'mon! Let's go watch the Jew be charming!'") The newly-developing entertainment industry, combined with the Jewish humour tradition, provided a potential route for Jews to succeed. One of the first successful radio "sitcoms," The Goldbergs, featured a Jewish family. As radio and television matured, many of its most famous comedians, including Jack Benny, Sid Caesar, George Burns, Henny Youngman and Milton Berle, were Jewish. The Jewish comedy tradition continues today, with Jewish humour much entwined with that of mainstream humour, as comedies like Seinfeld and Curb Your Enthusiasm indicate.
Sigmund Freud in his Wit and the Unconscious, among other things, analyzes the nature of the Jewish jokes.
The lives of the early hasidim, while not funny in and of themselves, are rich in humorous incidents. The dealings between rabbis, tzaddikim, and peasants form a rich tapestry of lore.
Chelm tales were told by authors like Sholom Aleichem and Isaac Bashevis Singer. A typical Chelm story might begin, "It is said that after God made the world, he filled it with people. He sent off an angel with two sacks, one full of wisdom and one full of foolishness. The second sack was of course much heavier. So after a time it started to drag. Soon it got caught on a mountaintop and so all the foolishness spilled out and fell into Chelm."
Here are a few examples of a Chelm tale:
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In his subsequent wanderings throughout Ukraine, he became a familiar figure at restaurants and inns.
Eventually he settled down at the court of Rabbi Boruch of Medzhybizh, grandson of the Baal Shem Tov. The rabbi was plagued by frequent depressions, and Hershele served as a sort of court jester, mocking the rabbi and his cronies, to the delight of the common folk.
After his death he was remembered in a series of pamphlets recording his tales and witty remarks.
He was the subject of several epic poems, a novel, a comedy performed in 1930 by the Vilna Troupe, and a U.S. television program in the 1950s. Two illustrated children's books, The Adventures of Hershel of Ostropol, and Hershel and the Hanukkah Goblins, have been published. Both books were written by Eric Kimmel and illustrated by Trina Schart Hyman. In 2002, a play entitled Hershele the Storyteller was performed in New York City.
Or, on a similar note:
And another example, a direct slice of galgenhumor (gallows humour):
There is also this sort of humour originating in the United States, such as this one:
This one combines accusations of the lack of patriotism and avarice:
Or, on differences between Orthodox, Conservative and Reform movements:
In particular, Reform Jews may be lampooned for their rejection of traditional Jewish beliefs. An example, from one of Woody Allen's early stand-up routines:
Jokes have been made about the shifting of gender roles (in the more traditional Orthodox movement, women marry at a young age and have many children, while the more liberal Conservative and Reform movements make gender roles more egalitarian, even ordaining women as Rabbis). The Reconstructionist movement was the first to ordain homosexuals, all of which leads to this joke:
In Without Feathers, Woody Allen takes ignorance to an absurd level:
Often jokes revolve around the social practice of the Jewish religion:
As with most ethnicities, jokes have often mocked Jewish accents, sometimes gently, other times, not so much. One of the kinder examples is:
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About traditional roles of men and women in Jewish families:
Or, on parenting, (from David Bader's Haikus for Jews):
or
Regarding hypochondria:
Or, on kvetching,
A version of that joke is quoted in Born To Kvetch: Yiddish Language and Culture in All Its Moods, by Michael Wex, who writes,
"It contains virtually every important element of the Yiddish-speaking mind-set in easily accessible form: the constant tension between the Jewish and the non-Jewish; the faux naivete that allows the old man to pretend that he isn't disturbing anyone; the deflation of the other passenger's hopes, the disappointment of all his expectations after he has watered the Jew; and most importantly of all, the underlying assumption, the fundamental idea that kvetching - complaining - is not only a pastime, not only a response to adverse or imperfect circumstance, but a way of life that has nothing to do with the fulfillment or frustration of desire.
Or, much more succinctly,
A few more examples:
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And finally, possibly the most gigantic clash of religions:
Or Or Or, in the last years of the Soviet Union: Or
There are also jokes on different groups in Israel, such as Moroccan Jews:
Or about the Israelis' view of themselves:
Finally, in a clash of Rabbinical humor and Israeli humor:
On February 14, 2006, in response to the Jyllands-Posten Muhammad cartoons controversy, and, in particular, to the International Holocaust Cartoon Competition, an Israeli group announced an Israeli Anti-Semitic Cartoons Contest. The contest was opened to Jewish cartoonists only, who were invited to poke fun at their own religion and ethnicity.