Space: 1999 (ITC Entertainment and RAI, 1975-77) is a British science-fiction television series. In the series, nuclear waste from Earth is stored on the moon. The waste explodes in a catastrophic accident on September 13, 1999, which knocks the moon out of its orbit and sends it and the 311 inhabitants of Moonbase Alpha hurtling uncontrollably into outer space. The series was the last produced by the partnership of 1999, famous for the TV series Thunderbirds, Captain Scarlet and the Mysterons, Fireball XL5, and UFO.
Space: 1999 is the last in a long line of successful science-fiction series that the Andersons produced as a working partnership, beginning with Supercar in the early Sixties and including the famed marionette fantasy series Stingray, Thunderbirds, Captain Scarlet, and Joe 90, as well as the gritty live-action alien-invasion drama UFO. Space: 1999 owes much of the visual design to pre-production work for the never-made second series of UFO, which would have featured a more extensive Moonbase.
Special effects director Brian Johnson and most of his team went on to work on Ridley Scott's Alien, followed by Star Wars Episode V: The Empire Strikes Back. Many of the spacecraft were designed around their prescribed functionality rather than being glistening starships, adding a sense of realism that would be replicated in future science-fiction features.
The "moon city uniforms" for the first season were designed by Rudi Gernreich, while other costumes were designed by production designer Keith Wilson, who was also responsible for set design.The costumes for season 2 were by Emma Porteous. The opening credits for the first season featured a dramatic fanfare composed by Barry Gray; it was Gray's final composition for Anderson. The second season was scored by composer Derek Wadsworth.
Unlike the darkly lit sets often used in more modern science fiction, Space: 1999's Moonbase Alpha set design was typically bright, white, acrylic and quite unusual among the science fiction genre, clearly influenced by the futuristic sterility of Kubrick's 2001 sets. Signage in a space-age font, rarely seen today but popular in the 1970s, was used throughout the sets to create the impression of a computerized environment. Despite this, the first season was able to generate a moody feel by the use of light and shadow.
The headline stars of Space: 1999 were American actors Martin Landau and Barbara Bain, who were married at the time and had previously appeared together in Mission: Impossible. In an effort to appeal to the huge US television market, perhaps to sell the series to one of the major American networks , Landau and Bain were cast at the insistence of Lew Grade against the strong objections of Sylvia Anderson, who wanted British actors. Also appearing as regular cast members were Barry Morse (as Professor Victor Bergman in the first season) and Catherine Schell (as the alien Maya in the second season). The programme also brought Australian actor Nick Tate to public attention. Over the course of its two series the programme featured guest appearances by many notables including Christopher Lee, Joan Collins, Peter Cushing, Ian McShane, Leo McKern, Patrick Troughton, Sarah Douglas, Stuart Damon and Brian Blessed. (Both Damon and Blessed appeared in two different episodes portraying two different characters. , ) Roy Dotrice appeared in the first episode as Commissioner Simmonds, and at the end of the episode it appeared that he would be a regular character, however by the second episode the character had vanished without a trace, only to appear midway through the first season in the episode "Earthbound", his only other appearance on the show.
In the US, efforts to sell the television series to the major networks failed and as a result it was syndicated to local stations. In the months leading to the beginning of the fall (autumn) 1975 television season (in the US, September is traditionally the month in which new TV series begin), Landau and Bain participated in special preview screenings in select cities Landau is said to have personally contacted editors of the widely read and influential TV Guide magazine in some markets to secure coverage of Space: 1999 in its pages upon learning of ITC's somewhat poor promotional efforts. While most of the US stations that aired Space: 1999 were independent (such as powerful Chicago station WGN-TV, Los Angeles station KHJ-TV, and New York City's WPIX-TV), a handful were affiliated with the major networks (such as San Francisco's KRON-TV, at the time a strong NBC affiliate) and sometimes pre-empted regular network programming to show episodes of the series; most US stations broadcast the episodes in the weekday evening hour just before prime time or on weekends. The series was broadcast in 96 countries, mostly from 1975-79. However, it aired in its entirety in very few countries. Often there were long gaps between first run and rerun or even within first run.
It was shown in Italy as Spazio: 1999, France as Cosmos: 1999, Denmark as Månebase Alpha, Portugal (broadcast in 1976 and 1977, it gathered a vast audience) as Espaço: 1999, Brazil as Espaço: 1999, Germany as Mondbasis Alpha 1, Spain as Espacio: 1999, Sweden as Månbas Alpha 1999, Poland as Kosmos 1999, Finland as Avaruusasema Alfa, in Argentina as Cosmos: 1999, Chile, Venezuela, and Colombia as Espacio: 1999 and in Mexico as Odisea 1999. The series was also broadcast in 1976 in South Africa as Alpha 1999, and was dubbed into Afrikaans.
Countries where the show was popular include Poland, Ethiopia, South Africa, Turkey, Greece, the Netherlands, Belgium, Portugal, Japan, Malaysia, Canada, Mexico, Philippines, Singapore, South Korea and Taiwan. One of the first previews of the series was in Australia on the Seven Network in July 1975, but the station later split the first series into two seasons. The second season was shown in 1979.
In the UK, the episodes of the show's second season were shown sporadically over a period of a couple of years, starting in 1976 while the last episodes were still in production. In some regions the final first-run episodes appeared in 1978, more than a year after they were produced; in other regions of the UK, the second series was never shown.
The concept of traveling through space encountering aliens and strange worlds is similar to Star Trek and Lost In Space, although the production's visual aesthetics were heavily influenced by 2001: A Space Odyssey. In another nod to Kubrick's epic, the first series of Space: 1999 tended to explore mystical and metaphysical themes, although the revamped second series would centre on more "action-oriented" plots and dynamic character interaction.
|Martin Landau||Commander John Koenig, leader of Moonbase Alpha||Commander||(47 episodes, 1975-1978)|
|Barbara Bain||Doctor Helena Russell, head of Medical Section||Medical||(48 episodes, 1975-1978)|
|Nick Tate||Alan Carter, third in command, chief pilot||Reconnaissance||(45 episodes, 1975-1978)|
|Zienia Merton||Sandra Benes, data analyst||Service||(37 episodes, 1975-1977, 1999)|
|Catherine Schell||Maya, science officer||Command Center||(24 episodes, 1976-1978)|
|Anton Phillips||Doctor Bob Mathias, Helena's deputy||Medical||(24 episodes, 1975-1976)|
|Barry Morse||Professor Victor Bergman, third in command, science adviser||None||(24 episodes, 1975-1976)|
|Prentis Hancock||Paul Morrow, second in command, Main Mission controller and base executive officer||Main Mission||(23 episodes, 1975-1976)|
|Clifton Jones||David Kano, third in command, computer operations officer||Technical||(23 episodes, 1975-1976)|
|Tony Anholt||Tony Verdeschi, second in command, head of Security and Command Center controller||Command Center / Security||(23 episodes, 1976-1978)|
|Suzanne Roquette||Tanya Alexander, base operations officer||Main Mission||(19 episodes, 1975-1976)|
|John Hug||Bill Fraser, pilot||Command Center||(9 episodes, 1976-1977)|
|Yasuko Nagazumi||Yasko, operative||Service||(8 episodes, 1976-1977)|
|Jeffrey Kissoon||Doctor Ben Vincent, Helena's deputy||Medical||(7 episodes, 1976-1977)|
|Alibe Parsons||Alibe, operative||Command Center||(3 episodes, 1977-1978)|
|Sam Dastor||Doctor Ed Spencer, Helena's deputy||Medical||(3 episodes, 1977)|
The Moon would take many thousands of years to reach another star system, and would almost certainly never encounter anything of interest considering the overwhelming predominance of empty space in the universe. The writers introduced various "space warps", including a "Black Sun", to abruptly shift the Moon to another area of space, often with other dramatic effects. The series occasionally implies the existence of an omnipotent entity controlling the Moon's travel, presumably including the times when it enters planetary orbit and leaves again. There are many other complications and counterfacts, such as a never-ending supply of Eagles and fuel for them, dust or smoke floating and explosive sounds transmitting in a vacuum, and inaccurate astronomical terminology.
Some series writers, including head writer Johnny Byrne, have stated that had the series been totally rooted in actual physics, the Moon would never have left orbit. A significant suspension of disbelief — and physics — is required for Space: 1999 to work, especially considering the plot of many of its episodes. One might even consider Space: 1999 more fantasy than science fiction, considering the mystic and unscientific plots of many scripts.
With Freiberger's arrival, numerous changes were made for Year 2. The most visible change was the absence of Professor Bergman (Barry Morse). Morse's departure was due to a salary dispute, but he would later claim he was glad to leave, and told Anderson: "I would rather play with grown-ups for a while." With Morse gone, this led to the addition of Catherine Schell as the resident alien Maya. Her character could provide "outside observation of human behaviour" as provided by the character of Mr. Spock on Star Trek. Maya shared Spock's logical approach to problem-solving, but differed in that she was a fully emotional person. Most importantly, however, her abilities as a shapeshifter, which allowed her to "molecularly transform" into any creature for an hour at a time, were designed to add a certain "wow" factor to the newly-revamped series. (Ms. Schell had previously guest starred as a different character in the Year 1 episode Guardian of Piri).
In addition to Bergman, Year 1 secondary characters Paul Morrow (Prentis Hancock), David Kano (Clifton Jones) and Tanya Alexander (Suzanne Roquette) also disappeared from the cast (Paul and Tanya's disappearance was explained in the Powys Media book The Forsaken by John Kenneth Muir). Dr. Mathias (Anton Phillips) was present in the first two Year 2 episodes, was mentioned in the third episode, and then also disappeared without a trace. His character was initially replaced by Dr. Ben Vincent (Jeffrey Kissoon), and by Dr. Raul Nunez (Raul Newey) for one episode, but towards the end of the season, the role of Dr. Russell's colleague in Medical Center was filled by Dr. Ed Spencer (Sam Dastor). Like Dr. Mathias, Alan Carter (Nick Tate) was also to have been written out of the series, but he had become so popular with fans that he remained. Sandra Benes (Zienia Merton) remained with the series as well, but her name was shortened to "Sahn" and her character was rather minimized in its role, when she did sporadically appear. To make matters more confusing, the novelisations of the second series written by Michael Butterworth had Sahn referred to as an Asian male character. Butterworth didn't realise Sandra and Sahn were the same character.
Along with Maya, Tony Anholt was added to the cast in Year 2 as Security Chief Tony Verdeschi, a character who neither appeared nor was ever mentioned in Year 1. His character was designed to serve primarily as a secondary male action hero, and he also became a romantic interest for Maya. The character was made an Italian national at the insistence of the Italian backers, who wanted more Italian presence on the show.
No on-screen explanations were offered for these cast changes. One scene in The Metamorph mentioning Bergman's death was scripted and filmed, but cut from the final edit. The Moonbase Alpha Technical Manual explains that Bergman died due to a faulty spacesuit, an explanation also mentioned in passing in the Year 2 novel Planets of Peril. Likewise, it was mentioned in the Year 2 Writers' Bible that Morrow and Kano had died in an Eagle crash between seasons, but this backstory was, again, never referred to onscreen. The Technical Manual also explains that Dr. Mathias, supposedly Alpha's psychiatrist (although he seems to be more Russell's assistant) transferred to another section of the base. Once again, this was never stated onscreen.
Other changes included the main titles and theme music. The montage of events from Breakaway and the episode about to unfold featured in Year 1 was dropped in favor of a special-effects sequence depicting the Moon being blown out of orbit into space. With Morse gone, Schell was featured in her place as a regular alongside Landau and Bain, and all three were depicted in action-oriented images as opposed to the mannequin-like stances Landau and Bain had assumed in the Year 1 main titles. New series composer Derek Wadsworth's new theme dropped Barry Gray's alternation between stately, orchestral passages and funky rhythmic ones in favour of a more consistently contemporary piece.
Rudi Gernreich's minimalist costumes were considerably modified from their original unisex design to include an optional skirt for women and much more detail work on the tunic portion, including stripes, patches and photo ID badges. In addition, colourful jackets – generally red, blue or orange – became part of most characters' ensembles. The more expansive Main Mission set, with its balcony and glass windows revealing the lunar surface, was scrapped in favour of a more compact Command Center, supposedly deep underground. (Once again, this change was explained in the Year 2 Writers' Bible and Technical Notebook as necessary for security, but never shared with viewers). The Medical Center and Alphans' living quarters became smaller, while the interior of the Eagle Transporter was updated with additional buttons, flashing lights and viewscreens, while the Eagle also lost a section of corridor between the passenger module and the cockpit. The sombre mood created in Year 1 by the effective use of light and shadow in the filming of Moonbase Alpha interiors was abandoned in favor of a generally brighter cinematography, and even the lettering used in signage and costuming—most noticeable on spacesuits and Eagle Transporter doors—changed to a simpler, less futuristic style.
Freiberger emphasized action-adventure in Year 2 stories to the exclusion of metaphysical themes explored in Year 1. Of Year 1, he commented, "They were doing the show as an English show, where there was no story, with the people standing around and talking. In the first show I did, I stressed action as well as character development, along with strong story content, to prove that 1999 could stand up to the American concept of what an action-adventure show should be." Since Year 1 was quite serious in tone, one of Frieberger's ways to accomplish this objective was to inject humor into Year 2 stories whenever possible, but much of it seemed to fans as forced, especially at the conclusion of an episode, where the Alphans were seen as jovial and light-hearted despite whatever violent or tragic events may have previously befallen them.
Members of the Space: 1999 cast became disenchanted with the scripts. Martin Landau: "They changed it because a bunch of American minds got into the act and they decided to do many things they felt were commercial. Fred Freiberger helped in some respects, but, overall, I don't think he helped the show, I think he brought a much more ordinary, mundane approach to the series." . Under the pseudonym of Charles Woodgrove, Fred Freiberger wrote three episodes, The Rules of Luton, The Beta Cloud and Space Warp, known pejoratively as the "Woodgrove Trilogy" for its simplistic approach to storytelling. One particular episode (All That Glisters, which dealt with the threat of an intelligent rock) was of such allegedly deficient quality that it sparked a confrontation between Freiberger and the cast. Landau disliked the story so strongly that he wrote the following notes on his copy of the script: "All the credibility we're building up is totally forsaken in this script!"; "...Story is told poorly!"; and "The character of Koenig takes a terrible beating in this script — We're all shmucks!" Anholt revealed that, "the more the cast complained about a script's flaws, the more intractable and unyielding Freiberger became."
Year 2 did nevertheless fare admirably on CBC Television in Canada, airing in English in a family viewing period, late Saturday afternoons, with a mostly undisrupted run and rerun of all 24 episodes from September, 1976 through September, 1977. And Year 2 episodes ran in French Canada-wide during the same broadcast year, in early evening on Saturdays. Ratings were sufficient for a full additional year's transmission of Year 1 in the English CBC Saturday programming slot in 1977-1978. Episodes of both Year 1 and Year 2 were repeated regionally in Canada in English and French through the early-to-mid-1980s, to an enthusiastic reception by the general viewing audience. YTV Canada broadcast both seasons with reportedly good ratings in 1990-1992, in a late Saturday afternoon airtime closely matching that of the CBC English network in the 1970s.
Alas, the presentation of Year 2 was not as consistent elsewhere in the world. Some Year 2 episodes did not air in the UK until nearly two years after they were produced. Plans were nevertheless put in place for a third season, but dropping ratings and a resulting lack of syndication and commercial sponsor sales led to the series' cancellation. Landau later faulted ITC Entertainment president Lew Grade's foray into film production; the projected budget for the third season was, coincidentally, equivalent to the advertising budget for Raise the Titanic!, and it came down to one or the other .
While the third season of Space: 1999 never actually entered production, the producers and studio were initially quite interested in continuing the show. As Year Two continued it became more and more apparent that this was simply not going to happen, and eventually the series simply came to a stop with the episode "The Dorcons". However, during the first half of the second series, a number of details about the shape of the third year began to emerge.
Filmed August 29, 1999 "Message From Moonbase Alpha" was first shown at Space: 1999 Breakway Convention in Los Angeles, California on September 13, 1999 -- the day the events in episode 1 of the series were supposed to take place. "Message From Moonbase Alpha" is on the "SPACE: 1999 Bonus Disk" which is available in the US, Canada. "Message From Moonbase Alpha" is also available on a DVD bonus disc in France and in Italy. It is also on the UFO Space:1999 documentaries DVD produced by Fanderson.
The seven minute clip features only Zienia Merton reprising her role as Sandra Benes delivering a final message to Earth as the only crew member left while a massive exodus to a habitable planet takes place with the rest of the crew. This basically gave the series the finality it never had in its initial run.