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erwin - 9 reference results
Wilson, Charles Erwin, 1890-1961, American industrialist and cabinet officer, b. Minerva, Ohio. He was an electrical engineer with Westinghouse Electric and Manufacturing Company from 1909 to 1919 and designed the first automobile starters made by Westinghouse. In 1919 he joined General Motors Corp., becoming (1926) president of Delco Remy Corp., a subsidiary. Vice president of General Motors from 1929 to 1939, he became executive vice president in 1939 and president in 1941. In World War II he supervised the huge war production activity in which General Motors was engaged. He is credited with formulating the cost-of-living wage formula that General Motors first inserted in its union contract in 1948. From 1953 to 1957 he was President Eisenhower's Secretary of Defense.
Schrödinger, Erwin, 1887-1961, Austrian theoretical physicist. He was educated at Vienna, taught at Breslau and Zürich, and was professor at the Univ. of Berlin (1927-33), fellow of Magdalen College, Oxford (1933-36), and professor at the Univ. of Graz (1936-38), the Dublin Institute for Advanced Studies (1940-57), and the Univ. of Vienna (1957-61). Schrödinger is known for his mathematical development of wave mechanics (1926), a form of quantum mechanics (see quantum theory), and his formulation of the wave equation that bears his name. The Schrödinger equation is the most widely used mathematical tool of the modern quantum theory. For this work he shared the 1933 Nobel Prize in Physics with P. A. M. Dirac.

See studies by C. W. Kilmister, ed. (1987) and W. J. Moore (1989).

Rommel, Erwin, 1891-1944, German field marshal. He entered the army in 1910 and rose slowly through the ranks. In 1939, Adolf Hitler made him a general. Rommel brilliantly commanded an armored division in the attack (1940) on France. In Feb., 1941, he took the specially trained tank corps, the Afrika Korps, into Libya. For his successes there he was made field marshal and earned the name "the desert fox." In 1942 he pressed almost to Alexandria, Egypt, but was stalled by fierce British resistance and lack of supplies. A British offensive overwhelmed (Oct.-Nov., 1942) the German forces at Alamein (see North Africa, campaigns in). Rommel was recalled to Germany before the Afrika Korps's final defeat. He was a commander in N France when the Allies invaded Normandy in June, 1944. Allied success led Rommel, who had lost his respect for Hitler, to agree to a plot to remove Hitler from office. Wounded in an air raid in July, he had just recovered when he was forced to take poison because of his part in the attempt on Hitler's life in July, 1944.

See his memoirs and correspondence of World War II. (The Rommel Papers, ed. by B. H. Liddell Hart, 1953); biography by D. Young (1950, repr. 1969); studies by R. Lewin (1968, repr. 1972) and C. Douglas-Hume (1973).

Piscator, Erwin, 1893-1966, German theatrical director and producer who, with Bertolt Brecht, was the foremost exponent of epic theater, a genre that emphasizes the sociopolitical context rather than the emotional content or aesthetics of the play. He worked experimentally in Berlin after 1919. As director of the Volksbühne (1924-27), and later at his own theater (on Nollendorfplatz), he produced social and political plays especially suited to his theories. His dramatic aims were utilitarian—to influence voters or clarify Communist policies. He used mechanized sets, lectures, movies, and mechanical devices that appealed to his audiences. In 1927 he produced a notable adaptation of a Czech novel (tr. The Good Soldier Schweik). Piscator went to the United States in 1939 and became director of the Dramatic Workshop and the Studio Theater, which he founded in New York City. He returned to Germany c.1958; he was appointed manager and director of the Volksbühne in West Berlin and received honors from the West German government for his contribution to the arts. His influence on European and American production methods was extensive.

See C. D. Innes, Erwin Piscator's Political Theatre (1974).

Panofsky, Erwin, 1892-1968, American art historian, b. Germany, Ph.D. Univ. of Freiburg, 1914. After teaching (1921-33) at the Univ. of Hamburg and serving as professor of fine arts at New York Univ., he joined (1935) the faculty at the Institute for Advanced Study, Princeton, N.J. His writings are among the most important of the 20th cent. in art history. Panofsky contributed studies, particularly in the realm of iconography, of the medieval, Renaissance, mannerist, and baroque periods. He is admired for his immense erudition, his discoveries, and his profound observations, laced with touches of humor. Among his principal works in English are Studies in Iconology (1939, 2d ed. 1962), Albrecht Dürer (1943, 4th ed. 1955), Early Netherlandish Painting (1953), and Renaissance and Renascenses in Western Art (2d ed. 1965). Other writings include The Codex Huygens and Leonardo da Vinci's Art Theory (1940), Abbot Suger on the Abbey Church of St.-Denis and Its Art Treasures (1946), Gothic Architecture and Scholasticism (1951), Galileo as a Critic of the Arts (1954), Meaning in the Visual Arts (1955), Correggio's Camera di San Paolo (1961), Tomb Sculpture (1964), Idea: A Concept in Art Theory (1924, tr. 1968), and Problems in Titian, Mostly Iconographic (1969).
Freundlich, Erwin Finlay, 1885-1964, German astronomer. Freundlich obtained a doctorate in mathematics at Göttingen, then joined the Royal Observatory at Berlin, where he worked under the direction of Albert Einstein. His observations of the motion of Mercury, which differs slightly from the Newtonian prediction, were published in 1913 and helped convince the scientific community of the validity of Einstein's theory of relativity. In 1921, Freundlich joined the new Einstein Institute at Potsdam, and in 1929 he observed a solar eclipse that yielded data intriguingly different from the Einstein prediction. His speculations on these data and on astronomical red shifts, published and defended during the last half of his life, are still controversial.

Erwin Rommel, 1941.

(born Nov. 15, 1891, Heidenheim an der Brentz, Württemberg, Ger.—died Oct. 14, 1944, Herrlingen, near Ulm) German army commander in World War II. A teacher at military academies, he wrote the acclaimed textbook Infantry Attacks (1937). He commanded a panzer division in the invasion of France (1940), then led his Afrika Korps troops in early successes against the Allies in the North Africa Campaign. He became known as the “Desert Fox” for his audacious surprise attacks, and he was promoted to field marshal. In 1942 he was ordered to attack Cairo and the Suez Canal, despite his request to withdraw his exhausted troops. After his defeat in the Battles of El Alamein and retreat into Tunisia, he returned to Germany and in 1944 was given command of the defense of the northwestern French coast. His tactical suggestions were ignored, and after the Allied Normandy Campaign began, he became convinced that the war could not be won. Implicated in the July Plot to kill Adolf Hitler, he was ordered to take poison so that Hitler could avoid a trial of the esteemed “people's marshal.”

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(born March 30, 1892, Hannover, Ger.—died March 14, 1968, Princeton, N.J., U.S.) German-born U.S. art historian. A professor at the University of Hamburg (1926–33), he fled Nazi Germany for the U.S. and in 1935 began teaching at Princeton's Institute for Advanced Study. He gained prominence for his studies in iconography, the study of symbols and themes in works of art. His writings are distinguished by their variety of subjects, critical penetration, erudition, and rich allusions to literature, philosophy, and history. Among his major works are the groundbreaking Studies in Iconology (1939), Albrecht Dürer (1943), and Early Netherlandish Painting (1953).

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