The writer's father, William Emerson, a descendant of New England clergymen, was minister of the First Unitarian Church in Boston. Emerson's early years were filled with books and a daily routine of studious and frugal homelife. After his father's death in 1811, his eccentric but brilliant aunt, Mary Moody Emerson, became his confidante and stimulated his independent thinking. At Harvard (1817-21) he began recording his thoughts in the famous Journal. Poor health hindered his studies at the Harvard divinity school in 1825, and in 1826, after being licensed to preach, he was forced to go south because of incipient tuberculosis. In 1829 he became pastor of the Old North Church in Boston (Second Unitarian). In the same year he married Ellen Tucker, whose death from tuberculosis in 1831 caused him great sorrow.
Emerson's personal religious scruples and, in particular, his conviction that the Lord's Supper was not intended by Jesus to be a permanent sacrament led him into conflict with his congregation. In 1832 he retired from his only pastorate. On a trip to Europe at this time he met Carlyle (who became a close friend), Coleridge, and Wordsworth. Through these notable English writers, Emerson's interest in transcendental thought began to blossom. Other strong influences on his philosophy, besides his own Unitarian background, were Plato and the Neoplatonists, the sacred books of the East, the mystical writings of Swedenborg, and the philosophy of Kant. He returned home in 1834, settled in Concord, Mass. and married (1835) his second wife, Lydia Jackson.
During the early 1830s Emerson began an active career as writer and lecturer. In 1836 he published anonymously his essay Nature, based on his early lectures. It is in that piece that he first set forth the main principles of transcendentalism, expressing a firm belief in the mystical unity of nature. He attracted wide attention with "The American Scholar," his Phi Beta Kappa oration at Harvard in 1837, in which he called for independence from European cultural leadership. In his lecture at the Harvard divinity school in 1838, his admonition that one could find redemption only in one's own soul was taken to mean that he repudiated Christianity. This caused such indignation that he was not invited to Harvard again until 1866, when the college granted him an honorary degree.
In 1840 Emerson joined with others in publishing The Dial, a magazine intended to promulgate transcendental thought. One of the younger contributors to The Dial was Henry David Thoreau, who lived in the Emerson household from 1841 to 1843 and became Emerson's most famous disciple. The first collection of Emerson's poems appeared in 1847. In spite of his difficulty in writing structurally correct verse, he always regarded himself essentially as a poet. Among his best-known poems are "Threnody," "Brahma," "The Problem," "The Rhodora," and "The Concord Hymn."
It was his winter lecture tours, however, which dominated the American lecture circuit in the 1830s and first made Emerson famous among his contemporaries. These lectures received their final form in his series of Essays (1841; second series, 1844). The most notable among them are "The Over-Soul," "Compensation," and "Self-Reliance." From 1845-47 he delivered a series of lectures published as Representative Men (1850). After a second trip to England, in 1847, he gave another series of lectures later published as English Traits (1856). During the 1850s he became strongly interested in abolitionism, and he actively supported war with the South after the attack on Fort Sumter. His late lecture tours are contained in The Conduct of Life (1860) and Society and Solitude (1870). Though his last years were marked by a decline in his mental powers, his literary reputation continued to spread. Probably no writer has so profoundly influenced American thought as Emerson.
Emerson's son, Edward Waldo Emerson, 1844-1930, was a graduate of Harvard medical school. After his father's death he devoted himself to editing and to writing about the literary men of his father's generation. He was the editor of the Centenary edition (12 vol., 1903-4) of Emerson's works, and, with W. E. Forbes, of the Journals of Ralph Waldo Emerson (10 vol., 1909-14).
See Emerson's letters (10 vol.; vol. I-VI ed. by R. L. Rusk, 1939; vol. VII-X ed. by E. M. Tilton, 1990-95); biographies by O. W. Holmes (1885), V. W. Brooks (1932), E. Wagenknecht (1974), G. W. Allen (1981), R. D. Richardson, Jr. (1995), and L. Buell (2003); studies by J. Bishop (1964), J. Porte (1966, repr. 1979), K. W. Cameron, ed. (1967), S. E. Whicher (2d ed. 1971), C. Baker (1995), K. S. Sacks (2003), and R. D. Richardson (2009).
Emerson, Lake & Palmer (ELP) were an English progressive rock supergroup. In the 1970s, the band was extremely popular, selling over 35 million albums and headlining huge concerts. The band consisted of Keith Emerson (keyboards), Greg Lake (guitar, bass guitar, vocals) and Carl Palmer (drums, percussion).
After playing at a few of the same concerts, Emerson and Lake tried working together and found their styles to be not only compatible, but complementary. They wanted to be a keyboard/bass/drum band, and so searched out a drummer.
Before settling on Carl Palmer, they approached Mitch Mitchell of The Jimi Hendrix Experience; Mitchell was uninterested but passed the idea to Jimi Hendrix. Hendrix, tired of his band and wanting to try something different, expressed an interest in playing with the group. The British press, after hearing about this, speculated that such a supergroup would have been called HELP, or "Hendrix, Emerson, Lake & Palmer".. Due to scheduling conflicts, such plans were not immediately realised, but the initial three planned a jam session with Hendrix after their second concert at the Isle of Wight Festival (their debut being in Plymouth Guildhall six days earlier), with the possibility of him joining. Hendrix died shortly thereafter, so the three pressed on as Emerson, Lake and Palmer.
Greg Lake made this comment on ELP's discussions with Hendrix:
Their first four years were a creatively fertile period. Lake produced their first six albums, starting with Emerson, Lake and Palmer (1970), which contained the hit "Lucky Man". Their best known early performance had been a relatively modest show at the August 1970 Isle of Wight Festival, one of the last of the great Woodstock-era festivals. At the end of their set, Emerson and Lake lit two cannons either side of the stage.
Tarkus (1971) was their first successful concept album, described as a story about "reverse evolution". The March 1971 live recording (Newcastle, UK) of the band's interpretation of Modest Mussorgsky's Pictures at an Exhibition was issued as a low-priced record, the success of which contributed to the band's overall popularity. The 1972 album Trilogy contained ELP's best-selling single, the understated "From the Beginning".
In 1973, the band had garnered enough recognition to form their own record label, Manticore Records, and purchased an abandoned cinema as their own rehearsal hall. In late 1973, Brain Salad Surgery, with an eye-catching sleeve designed by H. R. Giger, was released and became the band's best-known studio album. The lyrics were partly written by Peter Sinfield, who was the lyricist for King Crimson's first four albums. The subsequent world tours were documented with a massive three-LP live recording, Welcome Back my Friends to the Show that Never Ends.
By April 1974, ELP were top of the bill during the California Jam Festival, pushing co-stars Deep Purple to second billing. ELP's California Jam performance was broadcast nationwide in the US and is often seen as the summit of the band's career.
The ELP sound was dominated by the Hammond organ and Moog synthesizer of the flamboyant Emerson. The band's compositions were heavily influenced by classical music in addition to jazz and – at least in their early years – hard rock. Many of their pieces are arrangements of, or contain quotations from, classical music, and they can be said to fit into the sub-genre of symphonic rock.
Onstage, the band exhibited an unorthodox mix of virtuoso musicianship and over-the-top theatrical bombast. Their extravagant and often aggressive live shows received much criticism in this regard – although in retrospect it was all rather small change compared to later rock spectacles: the theatrics were limited to a Persian carpet, a grand piano spinning end-over-end, a rotating percussion platform, and a Hammond organ being thrown around on stage to create feedback. Emerson often used a knife given to him by Lemmy (who had roadied for Emerson's previous band, The Nice) to force the keys on the organ to stay down. Another unusual factor was that Emerson took a full Moog modular synthesizer (an enormous, complex, and unpredictable instrument under the best of conditions) on the road with him, which added greatly to a tour's complexity.
ELP then took a three-year break to reinvent its music but lost contact with the changing musical scene. The band toured the US and Canada in 1977 and 1978 on a killing schedule of night after night performances – some with a full orchestra, which was a heavy burden on the tour revenues. These late-1970s tours found ELP working harder than ever to stay in touch with their audience. But as disco, punk rock, corporate rock and New Wave styles began to alter the musical landscape, ELP could no longer generate the excitement of being forerunners in musical innovation. Eventually, they drifted apart due to personality conflicts and irreconcilable differences concerning musical direction.
Their last studio album of the 1970s, Love Beach (1978), was dismissed even by the trio itself, who admitted it was delivered to fulfill a contractual obligation. The Love Beach album has been ill-received not only by the music press but also by the fans, who easily understood that the group was tired, something Greg Lake admitted in various interviews. Side One features Lake and consists of several shorter songs in a late 70's attempt to put something in the pop charts. Side Two's composition, "Memoirs of an Officer and a Gentleman", is a four-part narration of the tale of a soldier in the Second World War, and his ordeal of love and death as well as tragedy and triumph. The album's cover engendered no small amount of ridicule, with Palmer complaining the group looked like the Bee Gees.
The original ELP lineup reformed and issued a 1992 comeback album, Black Moon, on JVC. Their 1992/1993 world tours were successful, culminating in a performance at the Wiltern Theatre in Los Angeles in early 1993 that has been heavily bootlegged. But, reportedly, Palmer suffered from carpal tunnel syndrome and Emerson has been treated for a repetitive stress disorder in one hand. Although some have attributed the disappointment of the follow-up album In the Hot Seat (1994) to these problems, it is self-evident that physical limitations do not cause a lack of musical inspiration.
Emerson and Palmer recovered to tour again. The last ELP tours were in 1996, 1997, and 1998. Their tour schedules brought them to Japan, South America, Europe, the USA and Canada and ELP played fresh new versions of older work. However enjoyable these tours were, ELP played in significantly smaller venues for significantly smaller audiences (sometimes fewer than 500 people, as in Belo Horizonte, Brazil). Their last show was in San Diego, California, on August 31, 1998. Conflicts about a new album inspired a new and final break up. Greg Lake insisted on producing the next album, having produced all successful ELP albums in the early 1970s. Keith Emerson complained in public (on the internet) that although he and Carl Palmer worked out on a daily basis to maintain their musical skills, Greg Lake did not make the effort to do the same. Lake admitted that he did not train his voice: a few live shows were generally enough to get it in shape, he claimed.
In 2003, UK independent label Invisible Hands Music released a 3CD box set under the title Reworks: Brain Salad Perjury. This was a new work created by Keith Emerson in collaboration with British dance maverick Mike Bennett, using sampling technology and with an eye on club and ambient music styles. Emerson and Bennett sampled musical elements from the entire ELP oeuvre, creating entirely new music in an exotic, electronica style, opening with a dramatic reinterpretation of Fanfare For The Common Man. The musical complexity of the source material provided rich pickings for sampling and while not universally loved by ELP fans, the album found favour with critics and, impressively, the dance music community. Cuts from the album were widely played in clubs and, fleetingly at least, the band's music found a gigantic new audience who had never heard (or even heard of) Emerson Lake & Palmer.
Keith Emerson toured Britain with his old bandmates from The Nice during 2003, and played another tour with The Keith Emerson Band across North America and Europe. Drummer Carl Palmer tours on an irregular basis with his Carl Palmer Band, playing electric guitar adaptations of ELP's keyboard work on the club circuit. Greg Lake has toured the USA with Ringo Starr in 2001, and most recently has recorded with The Who. Lake has recently formed his own band featuring David Arch, Florian Opahle, Brett Morgan, Trevor Barry and Josh Grafton and toured the UK in Autumn 2005. The band was due to do a tour of the USA in September 2006 but was cancelled because of management problems. In 2006, Carl Palmer rejoined the other three members of Asia for a 25th reunion world tour.