A library classification is a system of coding and organizing library materials (books, serials, audiovisual materials, computer files, maps, manuscripts, realia) according to their subject and allocating a call number to that information resource. Similar to classification systems used in biology, bibliographic classification systems group entities that are similar together typically arranged in a hierarchical tree structure. A different kind of classification, called a 'faceted' system, is also widely used. This synthesises a class mark from various aspects of the subject.
Classification of a piece of work consists of two steps. Firstly the 'aboutness' of the material is ascertained. Next, a call number,(essentially a book's address), based on the classification system will be assigned to the work using the notation of the system.
It is important to note that unlike subject heading or Thesauri where multiple terms can be assigned to the same work, in classification systems, each work can only be placed in one class. This is due to shelving purposes: A book can have only one physical place. However in classified catalogs one may have main entries as well as added entries. Most classification systems like DDC and Library of Congress classification, also add a cutter number to each work which adds a code for the author of the work.
Classification systems in libraries generally play two roles. Firstly they facilitate subject access by allowing the user to find out what works or documents the library has on a certain subject. Secondly, they provide a known location for the information source to be located (e.g where it is shelved).
Until the 19th century, most libraries had closed stacks, so the library classification only served to organize the subject catalog. In the 20th century, libraries opened their stacks to the public and started to shelve the library material itself according to some library classification to simplify subject browsing.
Some classification systems are more suitable for aiding subject access, rather than for shelf location. For example, UDC which uses a complicated notation including plus, colons are more difficult to use for the purpose of shelf arrangement but are more expressive compared to DDC in terms of showing relationships between subjects. Similarly faceted classification schemes are more difficult to use for shelf arrangement, unless the user has knowledge of the citation order.
Depending on the size of the library collection, some libraries might use classification systems solely for one purpose or the other. In extreme cases a public library with a small collection might just use a classification system for location of resources but might not use a complicated subject classification system. Instead all resources might just be put into a couple of wide classes (Travel, Crime, Magazines etc). This is known as a "mark and park" classification method, more formally called reader interest classification
In terms of functionality, classification systems are often described as
There are few completely enumerative systems or faceted systems, most systems are a blend but favouring one type or the other. The most common classification systems, LCC and DDC, are essentially enumerative, though with some hierarchical and faceted elements (more so for DDC), especially at the broadest and most general level. The first true faceted system was the Colon classification of S. R. Ranganathan.
(The above systems are the most common in the English-speaking world.)
Newer classification systems tend to use the principle of synthesis (combining codes from different lists to represent the different attributes of a work) heavily, which is comparatively lacking in LC or DDC.
As a result of differences in Notation, history, use of enumeration, hierarchy, facets, classification systems can differ in the following ways
Describing Music Materials: A Manual for Descriptive Cataloging of Printed and Recorded Music, Music Videos, and Archival Music Collections, for Use with AACR2 and APPM.(Review)
Dec 01, 1998; 3rd ed. By Richard P. Smiraglia, rev. and enl. with the assistance of Taras Pavlovsky. (Soldier Creek Music Series, 5.) Lake...