This is a list of songs that either originated in
blackface minstrelsy or are otherwise closely associated with that tradition. Songwriters and publication dates are given where known.
A
B
- "Babylon Is Fallen", Henry Clay Work (1863)
- "Back Side of Albany"
- "The Band of Niggers! From 'Ole Virginny State'" (1844)
- "The Bee-Gum", G. Willig (1833)
- "Billy Patterson", Dan Emmett (1860)
- "The Black Brigade", Dan Emmett (1863)
- "Blue Tail Fly" (a.k.a. "Jimmy Crack Corn") c. 1846
- "The Boatman's Dance", credited to Dan Emmett (1843) (Emmett, Boston, 1840s or 1842) (Nathan 131-2, 186, 191, 193, 320-3)
- "Bonja Song" (c. 1820)
- "Bowery Gals" (a.k.a. "As I Was Lumbering")
- "Bress Dat Lubly Yaller Gal"
- "Briggs' Breakdown", Z. Bacchus
C
D
- "Dandy Broadway Swell", Elias Howe (1849)
- "Dandy Jim from Caroline" (and variants), Dan Emmett (c. 1844)
- "Dar He Goes! Dats Him!", Dan Emmett (1844)
- "Dere Be Any Malted Licker Here?"
- "Darkey Money Musk" (a.k.a. "Money Must", "Holyrood or Moneymusk", "Sir Archibald Grant of Monymusk's Reel"), Daniel Dow (1780)
- "Darkies' Pastime
- "Dearest May"
- "Dick Myers' Jig", published by Dan Emmett
- "Dinah's Wedding Day"
- "Division Street Jig", Z. Bacchus
- "Dixie" (a.k.a. "Dixie's Land", "I Wish I Was in Dixie"), usually attributed to Dan Emmett, 1859
- "Do Fare You Well Ladies" (1840s)
- "Do I Do I Don't Do Nothing" (1825)
- "Dr. Hekok Jig", Z. Bacchus, published by Dan Emmett(Nathan 200, 203, 208, 486-7)
E
- "Eelam Moore Jig", Dan Emmett (before 1854)
- "Effects of the Brogue", (a.k.a. "Tatter Jack") Dan Emmett (by 1861)
F
- "[[Far You Well Ladies|Far [Fare] You Well Ladies]]"
- "Farewell My Lilly Dear", Stephen Foster (1851)
- "The Fine Old Color'd Gentleman", Dan Emmett (1843)
- "De Floating Scow Quickstep" (a.k.a. "Oh Carry Me Back to Old Virginny"*), E. Ferrett (1847)
- "Forty Hosses in de Stable", J. Kierman (1840s)
- "The Free Nigger", sung by R. W. Pelham (1841)
G
H
I
J
K
L
M
N
O
- \"(O Lud Gals,) Gib Me [Us] Chaw Terbakur\", words by Dan Emmett (1843)
- \"Oh, Come along John\" a.k.a. \"Walk along John\" (1843)
- \"Oh, Ladies All!\", Dan Emmett (published 1858, probably written in the 1840s)
- \"Oh! Susanna\"
- \"Old Bob Ridley\", Charles White (1855)
- \"Old Dan Tucker\", words by Dan Emmett (1843)
- \"Old Folks at Home\", Stephen Foster (1851)
- \"Old Joe\", F. M. Brower (1844)
- \"Old Joe Golden
- \"Old Johnny Boker\"
- \"Old King Crow\"
- \"Old K. Y. Ky.\", Dan Emmett (1860)
- \"Old Tar River\"/Ole Tare River\" (1840)
- \"Ole Bull and Old Dan Tucker\" (1844)
- \"The Ole Grey Goose\" (1844)
- \"De Ole Jawbone\" (and variants), perhaps Joel Sweeney (1840)
- \"Ole Pee Dee\", J. P. Carter (1844)
- \"Ole Virginny Break Down\" (1841)
- \"Oh Lemuel\", Stephen Foster (1850)
- \"Oh! Susanna, Stephen Foster (1847)
- \"Old Uncle Ned\", Stephen Foster (1848)
- \"Owl Creek Quickstep\", Dan Emmett
P
Q
R
S
T
U
V
W
Y
Z
Notes
References
- Abel, E. Lawrence (2000). Singing the New Nation: How Music Shaped the Confederacy, 1861-1865. Mechanicsburg, Pennsylvania: Stackpole Books.
- The Canebrake Minstrels (2003). Website for Finer than Frog Hair. Accessed 12 September 2005.
- Cockrell, Dale (1997). Demons of Disorder: Early Blackface Minstrels and Their World. Cambridge University Press.
- Lott, Eric (1993). Love and Theft: Blackface Minstrelsy and the American Working Class. Oxford University Press. ISBN 0-19-509641-X.
- Mahar, William J. (1999). Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. Chicago: University of Illinois Press.
- Nathan, Hans (1962). Dan Emmett and the Rise of Early Negro Minstrelsy. Norman: University of Oklahoma Press.
- Sacks, Howard L. and Sacks, Judith Rose (1993). Way up North in Dixie: A Black Family's Claim to the Confederate Anthem. Washington: Smithsonian Institution Press.
- Scheytt, Jochen. "The Minstrel Show" Accessed 8 September 2005.
- Winans, Robert B. (1985). Liner notes to The Early Minstrel Show. New York: Recorded Anthology of American Music, Inc.
See also