The book is noted for its colorful description of people and places along the Mississippi River. By satirizing Southern antebellum society that was already a quarter-century in the past by the time of publication, the book is an often scathing look at entrenched attitudes, particularly racism. The drifting journey of Huck and his friend Jim, a runaway slave, down the Mississippi River on their raft may be one of the most enduring images of escape and freedom in all of American literature.
The book has been popular with young readers since its publication, and taken as a sequel to the comparatively innocuous The Adventures of Tom Sawyer. It has also been the continued object of study by serious literary critics. The book was criticized upon release because of its coarse language, and became even more controversial in the 20th century because of its perceived use of racial stereotypes and because of its frequent use of the word "nigger".
Twain initially conceived of the work as a companion to The Adventures of Tom Sawyer that would follow Huck Finn through adulthood. Beginning with a chapter he had deleted from the earlier novel, Twain began work on a manuscript he originally titled Huckleberry Finn's Autobiography. Twain worked on the manuscript off and on for the next several years, ultimately abandoning his original plan of following Huck's development into adulthood. He appeared to have lost interest in the manuscript while it was in progress, and set it aside for several years. After making a trip down the Mississippi, Twain returned to his work on the novel. Upon completion, the novel's title closely paralleled its predecessor's: Adventures of Huckleberry Finn (Tom Sawyer's Comrade).
Unlike The Adventures of Tom Sawyer, Twain's Adventures of Huckleberry Finn does not have the definite article "the" as a part of its proper title. Writer Sara Baker has hypothesized that this absence represents the fundamentally uncompleted nature of Huck's adventures — while Tom's adventures were completed (at least at the time) at the end of his novel, Huck's narrative ends with his stated intention to head West.
Mark Twain composed the story in pen on notepaper between 1876 and 1883. The 665 pages of the original manuscript contain voluminous and lengthy changes and amendments that provide insights into Clemens's creative process. Paul Needham, who supervised the authentication of the manuscript for Sotheby's books and manuscripts department in New York in 1991, stated, "What you see is [Clemens's] attempt to move away from pure literary writing to dialect writing". For example, Twain revised the opening line of Huck Finn three times. He initially wrote, "You will not know about me," which he changed to, "You do not know about me," before settling on the final version, "You don't know about me without you have read a book by the name of 'The Adventures of Tom Sawyer'; but that ain't no matter." The revisions also show how Twain reworked his material to strengthen the characters of Huck and Jim, as well as his sensitivity to the debate then current over literacy and voting.
A later version was the first typewritten manuscript delivered to a printer.
Huck Finn was eventually published on December 10, 1884, in Canada and England, and on February 18, 1885, in the United States. The American publication was delayed because someone defaced an illustration on one of the plates creating an obscene joke. Thirty-thousand copies of the book had been printed before the obscenity was discovered. A new plate was made to correct the illustration and repair the existing copies.
Huck's life is changed by the sudden appearance of his shiftless father, "Pap", an abusive parent and drunkard. Although Huck is successful in preventing his Pap from acquiring his fortune, Pap forcibly gains custody of Huck and the two move to the backwoods where Huck is kept locked inside his father's cabin. Equally dissatisfied with life with his father, Huck escapes from the cabin, elaborately fakes his own death, and sets off down the Mississippi River.
The vendetta comes to a head when Buck's sister, Sophia Grangerford, elopes with Harney Shepherdson. In the resulting conflict, all of the remaining Grangerford males are shot and killed, and upon seeing Buck's corpse, Huck is too devastated to write about everything that happened. However, Huck does describe how he narrowly avoids his own death in the gunfight, later reuniting with Jim and the raft and together fleeing farther south on the Mississippi River.
As these schemes unfold, Huck sees the attempted lynching of a southern gentleman, Colonel Sherburn, after Sherburn kills a harmless town drunk. Sherburn faces down the lynch mob with a loaded rifle and forces them to back down after an extended speech regarding what he believes to be the essential cowardice of "Southern justice," the lynch mob. (This vignette, which stands out as disconnected from the remaining plot, is thought to represent Twain's own contradictory and misanthropic impulses — Huck, the outcast, essentially flees from Southern society, while Sherburn, the gentleman, confronts it, albeit in a brutal, destructive fashion.)
The Duke and the King's schemes reach their climax when the two grifters impersonate the brothers of Peter Wilks, a recently deceased man of property. Using an absurd English accent, the King manages to convince most of the townspeople that he and the Duke are Wilks's brothers recently arrived from England, and proceeds to liquidate Wilks's estate. Huck is upset at the men's plan to steal the inheritance from Wilks's daughters and actual brothers, as well as their actions in selling Wilks's slaves and separating their families. To thwart their plans, Huck steals the money the two have acquired and hides it in Wilks's coffin. Shortly thereafter, the two con men are exposed when two other men claiming to be the Wilks's true brothers arrive. However, when the money is found in Wilks's coffin, the Duke and the King are able to escape in the confusion, rejoining Huck and Jim on the raft.
Huck discovers, upon arriving at the house in which Jim is being held, that the King has sold his supposed interest in the slave Jim for forty dollars to Silas Phelps, Tom Sawyer's uncle. In a parallel to the con men's earlier scheme with the Wilks family, Silas's wife, Aunt Sally, mistakes Huck for Tom himself, and Huck plays along, hoping to find a way to free Jim. Shortly after, Tom himself arrives for a visit, and agrees to join Huck's scheme, pretending to be his own half-brother, Sid Sawyer.
Jim reveals the secret of the Royal Nonesuch before the two rogues are able to set their confidence game into motion. That night the Duke and King are captured by the townspeople, and are tarred and feathered and run out of town on a rail.
Rather than simply sneaking Jim out of the shed where he is being held, Tom develops an elaborate plan to free him, involving secret messages, hidden tunnels, a rope ladder sent in Jim's food, and other elements from popular novels, including a note to the Phelps warning them of an Indian tribe stealing their runaway slave. Huck and Jim go along with the plan, but Tom is shot in the leg during the resulting pursuit. Rather than complete his escape, Jim insists that Huck return to town and find a doctor to treat him. This is the first time that Jim demands something from a white person; Huck explains this by saying "I knowed he was white on the inside...so it was all right now." Jim and Tom are then captured and brought back by the doctor.
Throughout the story, Huck is in moral conflict with the received values of the society in which he lives, and while he is unable to consciously refute those values even in his thoughts, he makes a moral choice based on his own valuation of Jim's friendship and human worth, a decision in direct opposition to the things he has been taught. Mark Twain in his lecture notes proposes that "a sound heart is a surer guide than an ill-trained conscience," and goes on to describe the novel as "...a book of mine where a sound heart and a deformed conscience come into collision and conscience suffers defeat.
The Concord (Mass.) Public Library committee has decided to exclude Mark Twain's latest book from the library. One member of the committee says that, while he does not wish to call it immoral, he thinks it contains but little humor, and that of a very coarse type. He regards it as the veriest trash. The library and the other members of the committee entertain similar views. characterizing it as rough, coarse, and inelegant, dealing with a series of experiences not elevating, the whole book being more suited to the slums than to intelligent, respectable people.Twain later remarked to his editor, "Apparently, the Concord library has condemned Huck as 'trash and only suitable for the slums.' This will sell us another five thousand copies for sure!"
Many subsequent critics, Ernest Hemingway among them, have deprecated the final chapters, claiming the book "devolves into little more than minstrel-show satire and broad comedy" at the point Jim is stolen from the boys by the slave-catcher. Hemingway declared, "All modern American literature comes from" Huck Finn, and hailed it as "the best book we've had." He cautioned, however, "If you must read it you must stop where the Nigger Jim is stolen from the boys. That is the real end. Pulitzer Prize winner Ron Powers states in his Twain biography (Mark Twain: A Life) that "Huckleberry Finn endures as a consensus masterpiece despite these final chapters," in which Tom Sawyer leads Huck through elaborate machinations to rescue Jim.
Much modern scholarship of Huckleberry Finn has focused on its treatment of race. Many Twain scholars have argued that the book, by humanizing Jim and exposing the fallacies of the racist assumptions of slavery, is an attack on racism. Others have argued that the book falls short on this score, especially in its depiction of Jim. According to Professor Stephen Railton of the University of Virginia, Twain was unable to fully rise above the stereotypes of black people that white readers of his era expected and enjoyed. Twain therefore resorted to minstrel show-style comedy to provide humor at Jim's expense, and ended up confirming rather than challenging late-19th century racist stereotypes.
Because of this controversy over whether Huckleberry Finn is racist or anti-racist, and because the word "nigger" is frequently used in the novel, many have questioned the appropriateness of teaching the book in the U.S. public school system. According to the American Library Association, Huckleberry Finn was the fifth most frequently challenged book in the United States during the 1990s.