Country and western music is directly descended from the folk songs, ballads, and popular songs of the English, Scottish, and Irish settlers of the U.S. southeastern seaboard. Its modern lyrics depict the emotions and experience of rural and (currently) urban poor whites; they often tell frankly of illicit love, crime, and prison life. Over the last 50 years country and western music has gained a nationwide audience. Since 1925 the "Grand Ole Opry," a Saturday night performance featuring country and western singers, has been broadcast weekly from Nashville, Tenn.
Many of the musicians have been influenced by African-American blues (see jazz) and gospel music, but the performers and audience are almost all white. Leading performers include Jimmy Rodgers, the Carter Family, Hank Williams and his son, Tex Ritter, Chet Atkins, Patsy Cline, Johnny Cash, June Carter-Cash, Merle Haggard, Waylon Jennings, George Jones, Loretta Lynn, Tammy Wynette, Charley Pride, Charlie Rich, Dolly Parton, and Willie Nelson. In the 1960s and 70s, country and western music significantly influenced the development of rock music. Since then, it has undergone a national revival with performers such as Ricky Scaggs, Garth Brooks, the Judds, Tanya Tucker, and Reba McEntire achieving great popularity.
See B. C. Malone, Country Music USA (1968); P. Hemphill, The Nashville Sound (1971); C. Brown, Music USA: America's Country and Western Music (1985); K. Sparkman, A People and Their Music (2000); D. Jannings, Sing Me Back Home: Love, Death, and Country Music (2008).
For the history of the three provinces up to 1936, see Basques. Shortly after the outbreak of civil war in 1936 the Spanish government granted the three provinces autonomy. The Basque nationalist leader, José Antonio de Aguirre, was elected president of the autonomous government, but a large part of its territory was soon in insurgent hands. The fighting was over by Sept., 1937, and the new Franco regime abolished Basque autonomy. Basque nationalism remained strong, however, and the region achieved autonomy again in 1979, electing its first parliament the following year. In their campaign for Basque self-determination, the militant Basque Homeland and Freedom (Euzkadi Ta Azkatasuna; ETA) has been responsible for much terrorism; a 1998-99 cease-fire by the ETA ended without a negotiated settlement. Batasuna, the political party associated with the ETA, was suspended in 2002 and banned in 2003; previous parties associated with the ETA had been subjected to similar bannings. In recent years the regional government has sought even greater autonomy. A plan for "free association" with Spain was passed by the region's parliament in 2004, but the plan was not approved by the Spanish Cortes. In Mar., 2006, the ETA announced a "permanent" cease-fire, and called for negotiations; the Spanish government agreed to talks three months later. A bombing in Dec., 2006, however, ended the chance for talks, and in June, 2007, the ETA ended its cease-fire.
Skiing in open country over rolling, hilly terrain. It originated in Scandinavia as a means of travel as well as recreation. The skies used are longer, narrower, and lighter than those used in Alpine skiing, and bindings allow more heel movement. The standard lengths of international races range from 10 to 50 km (6.2–31 mi) for men and 5 to 30 km (3.1–18.6 mi) for women. It has been included on the Olympics program since the first Winter Olympics in 1924.
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Long-distance running over open country. It developed as a competitive event in the mid-19th century. Though originally included in the revived Olympics, it was dropped after 1924 as not suitable for summer competition (most cross-country races are held in the fall or early winter). The first international women's competition was held in 1967. Standard distances are 12,000 m (7.5 mi) for men, and 2,000–5,000 m (1.25–3 mi) for women. Though rules for championship competitions have been established, world records are not kept because of the varying difficulty of courses.
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Musical style that originated among whites in rural areas of the southern and western U.S. The term country and western music was adopted by the music industry in 1949 to replace the derogatory hillbilly music. Its roots lie in the music of the European settlers of the Appalachians and other areas. In the early 1920s the genre began to be commercially recorded; Fiddlin' John Carson recorded its first hit. Radio programs such as Nashville's
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Type of social dance for couples, popular in the 17th century. Derived from English folk dance, the country dance is performed in one of three forms: circular or round; “longways,” with rows of couples facing each other; and geometric, in squares or triangles. The main source of country-dance steps and songs is John Playford's The English Dancing Master (1650). The dance was the basis for the 19th-century quadrille. It was taken by colonists to North America as the Virginia reel and, in modified form, as the square dance. There was a modest revival in the 20th century.
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Region, western central Jamaica. Covering some 500 sq mi (1,300 sq km), the area has typical karst topography, with conical hills rising above sinkholes with sharp, precipitous sides (called “cockpits”). This inhospitable terrain provided refuge for runaway slaves, who became guerrilla fighters when the English conquered Jamaica in 1665. Their descendants today number about 5,000 and still maintain some independence: all land belongs to the community, they pay no taxes, and the central government may interfere only in case of a capital crime.
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Cultural region, extreme southwestern France. It extends from the Anie Peak of the Pyrenees to the coast around Biarritz on the Bay of Biscay. The region has been largely spared the problems associated with Basque separatism in Spain's Basque Country. Fishing and tourism are economic mainstays.
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