Block or brick partially embedded in a wall, with one end projecting out from the face. The weight of added masonry above counterbalances the cantilever and keeps the block from falling out of the wall. Corbeling often occurs over several courses, with each block or brick overhanging the one below so as to resemble a set of inverted steps. The form may be continuous, as in a corbeled arch, or a series of separate brackets, as on a medieval battlement. Corbeling was used extensively before the development of true arches and vaults.
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In architecture a corbel (or console) is a piece of stone jutting out of a wall to carry any superincumbent weight. A piece of timber projecting in the same way was called a "tassel" or a "bragger". The technique of corbelling, where rows of corbels deeply keyed inside a wall support a projecting wall or parapet, has been used since Neolithic times. It is common in Medieval architecture and in the Scottish baronial style as well as in the Classical architectural vocabulary, such as the modillions of a Corinthian cornice and in ancient Chinese architecture.
The word "corbel" comes from Old French and derives from the Latin corbellus, a diminutive of corvus (a raven) which refers to the beak-like appearance. Similarly, the French refer to a corbel as corbeau (a crow) or as cul-de-lampe, Italians as mensola, the Germans as Kragstein. The usual word in French for a corbel in a Classical context is modillon. A corbeau is a bracket-corbel, which is usually a load-bearing internal feature. A cul-de-lampe is a kind of bracket-corbel supporting a vault. In traditional Chinese architecture, such a load-bearing structural element is called dougong and has been used since the late centuries BCE.
Norman (Romanesque) corbels often have a plain appearance, although they may be elaborately carved with stylised heads of humans, animals or imaginary "beasts", and sometimes with other motifs (Kilpeck church in Herefordshire is a notable example, with 85 of its original 91 carved corbels still surviving).
Similarly, in the Early English period, corbels were sometimes elaborately carved, as at Lincoln Cathedral, and sometimes more simply so. Corbels sometimes end with a point apparently growing into the wall, or forming a knot, and often are supported by angels and other figures. In the later periods the carved foliage and other ornaments used on corbels resemble those used in the capitals of columns.
Throughout England, in half-timber work, wooden corbels abound, carrying window-sills or oriel windows in wood, which also are often carved.
The corbels carrying the arches of the corbel tables in Italy and France were often elaborately moulded, and sometimes in two or three courses projecting over one another; those carrying the machicolations of English and French castles had four courses.
In modern chimney construction a corbel table is constructed on the inside of a flue in the form of a concrete ring beam supported by a range of corbels. The corbels can be either in-situ or pre-cast concrete. The corbel tables described here are built at approximately ten metre intervals to ensure stability of the barrel of refractory bricks constructed thereon.
In medieval architecture the technique was used to support upper storeys or a parapet projecting forward from the wall plane, often to form machicolation where openings between corbels could be used to drop things on attackers. This later became a decorative feature, without the openings. Corbelling supporting upper stories and particularly supporting projecting corner turrets subsequently became a characteristic of the Scottish baronial style.
Mediaeval timber-framed buildings often employ jettying, where upper stories are cantilevered out on projecting wooden beams in a similar manner to corbelling.