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concert - 5 reference results
concert, in music, public performance of a group of musical compositions. Originally the word referred simply to a group of musicians playing together; concerts by a solo performer are properly called recitals. The earliest recorded public concerts were organized by a London violinist, John Banister, in 1672. Many orchestral concerts were given in the 18th cent., and early in the 19th cent., which saw great development of concert life; public concerts of chamber music were often given. In the American colonies, the first concert on record took place in Boston in 1731.
Concert of Europe, term used in the 19th cent. to designate a loose agreement by the major European powers to act together on European questions of common interest. The concert emerged after the Congress of Vienna (1814-15) and included the Quadruple Alliance powers of Great Britain, Austria, Prussia, and Russia, and, as of 1818, France as well. It aimed to preserve peace by concerted diplomatic action reinforced by periodic conferences dealing with problems of mutual concern.

Woodwind instrument in which the sound is produced by blowing against a sharp edge. In its broad sense, a flute may be end-blown, like the recorder, or may have a globular shape, like the ocarina. In its narrow sense, discussed below, flute refers to the transverse flute of Western music. The transverse flute, a tubular instrument held sideways to the right, appeared in Greece and Etruria by the 2nd century BC. By the 16th century a family of boxwood flutes, with fingerholes but no keys, was in use in Europe. Keys began to be added in the late 17th century. Theobald Boehm's 19th-century innovations resulted in the modern flute, which permits thorough expressive control and great agility. The cylindrical tube may be made of wood or, more often, a precious metal or alloy. Its range is from about middle C to the C three octaves higher. The flute family includes the piccolo (pitched an octave higher), the alto flute, and the rare bass flute. Seealso shakuhachi.

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In the post-Napoleonic era, the consensus among the European monarchies favoring preservation of the territorial and political status quo. The term assumed the responsibility and the right of the great powers to intervene in states threatened by internal rebellion. The powers discussed such intervention at several congresses, including those of Aix-la-Chapelle, Troppau, Laibach, and Verona.

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