Robbins, Jerome, 1918-98, American choreographer and dancer, b. New York City as Jerome Wilson Rabinowitz. Robbins began his career dancing in musicals (1937). In 1940 he joined the Ballet Theatre and in 1948 became associate artistic director of the
New York City Ballet. The first ballet he choreographed,
Fancy Free (1944), was expanded into the musical
On the Town. Robbins gained distinction as the exuberantly innovative choreographer of such Broadway musicals as
High Button Shoes (1947) and
The King and I (1951). Ultimately creating an evolved and organic kind of show that was more a work of art than a humble entertainment, he choreographed and directed the musicals
Peter Pan (1954),
West Side Story (1957),
Gypsy (1959), and
Fiddler on the Roof (1964). Meanwhile, during the 1940s and 50s he periodically returned to the New York City Ballet, where he created such works as
Interplay (1945),
Facsimile (1946),
The Cage (1951),
Fanfare (1953),
The Concert (1956), and
Moves (1959). Essentially leaving the world of musicals after the enormous success of
Fiddler, he returned to the City Ballet and in the following years choreographed such works as
Dances at a Gathering (1969), probably his finest ballet;
Goldberg Variations (1971);
Ives, Songs (1988); and
Brandenburg (1997). From 1983 to 1990 Robbins was the City Ballet's co-ballet master in chief with Peter
Martins, and many of his 66 ballets continue to be performed by the company.
See biographies by G. Lawrence (2001), D. Jowitt (2004), and A. Vaill (2006); C. Conrad, Jerome Robbins: That Broadway Man, That Ballet Man (2001); R. E. Long, Broadway, The Golden Years (2001).
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