Nureyev, Rudolf, 1938-93, Russian ballet dancer, b. near Irkutsk, Siberian USSR (now Russia). Nureyev studied in Ufa and Leningrad (now St. Petersburg), and in 1958 he became a soloist with the Kirov Ballet. In 1961 he defected from the Soviet Union while on tour in Paris. The leading classical ballet dancer of his generation, Nureyev was noted for his overpowering stage presence and his exceptionally athletic skill and fiery grace. His major roles included the leads in La Bayadère, Les Sylphides, Giselle, Swan Lake, Romeo and Juliet, Le Corsaire, Raymonda, and Sleeping Beauty. As a guest artist with the Royal Ballet, London, and elsewhere Nureyev appeared with many celebrated ballerinas, most notably as partner to Margot Fonteyn. He revised and staged several ballets, including the Marius Petipa version of Don Quixote (1966), and from 1983 to 1989 he was the ballet director of the Paris Opéra. Nureyev also danced in a number of works by modern-dance choreographers, including Glen Tetley and Paul Taylor; frequently appeared on television; was the star and subject of a feature-length film; and had a limited-run Broadway show (1974-75).

(born March 17, 1938, Irkutsk, Russia, U.S.S.R.—died Jan. 6, 1993, Paris, Fr.) Russian ballet dancer. After studying ballet in Leningrad (1955–58), he joined the Kirov Ballet as a soloist. He defected during the company's tour to Paris in 1961. Thereafter he danced as a guest artist with many companies, especially the Royal Ballet, where he regularly partnered Margot Fonteyn. His performances, combining an intensely romantic sensibility with stunning muscularity and technique, made him an international star. He choreographed new versions of Romeo and Juliet, Manfred, and The Nutcracker. From 1983 to 1989 he was artistic director of the Paris Opéra Ballet.

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(born March 17, 1938, Irkutsk, Russia, U.S.S.R.—died Jan. 6, 1993, Paris, Fr.) Russian ballet dancer. After studying ballet in Leningrad (1955–58), he joined the Kirov Ballet as a soloist. He defected during the company's tour to Paris in 1961. Thereafter he danced as a guest artist with many companies, especially the Royal Ballet, where he regularly partnered Margot Fonteyn. His performances, combining an intensely romantic sensibility with stunning muscularity and technique, made him an international star. He choreographed new versions of Romeo and Juliet, Manfred, and The Nutcracker. From 1983 to 1989 he was artistic director of the Paris Opéra Ballet.

Learn more about Nureyev, Rudolf (Hametovich) with a free trial on Britannica.com.

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