The idiom of Florence, one of the Tuscan dialects of Italian, became dominant from the end of the 13th cent. to the middle of the 14th cent., largely owing to the growing prestige of the city of Florence and the literary works written in the Florentine dialect during that period. These literary works included Dante's Divine Comedy and the vernacular writings of Petrarch and Boccaccio. Thus, although Italian had—and still has—a great many dialects, it was the culturally important idiom of Florence that in time gave rise to modern standard Italian. The dialect of the Italian capital, Rome, also has influenced modern standard Italian. The Roman alphabet is used for Italian. The employment of diacritics is limited to the grave (̀) and acute (´) accents, which sometimes serve to make clear where the stress of a word is to fall (as in caffè="coffee"); they also serve to distinguish between homonyms (as with ne = "of it" or "of them," but né … né = "neither … nor"). The pronunciation of the language follows the spelling very closely. Italian is often described both as the language of art and music and as the language best suited to singing. Since the Renaissance its general cultural importance has been considerable.
See I. Iordan et al., An Introduction to Romance Linguistics (1970); A. L. Lepschy and G. C. Lepschy, The Italian Language Today (1977); M. Harris and N. Vincent, The Romance Languages (1988).