Ghiberti

Ghiberti, Lorenzo, c.1378-1455, Florentine sculptor. He received his early training in the workshop of Bartoluccio. In 1401 he entered the competition for a bronze portal for the baptistery in Florence. He won the contest against his closest rival, Brunelleschi. Their trial panels, depicting The Sacrifice of Isaac, are now in the Bargello. From 1403 to 1424 Ghiberti worked on the north portal. The door was designed to match the earlier portal by Andrea Pisano. Consequently, Ghiberti had to work within the limits of the ornate quatrefoil framework of the Gothic period. The reliefs depicted scenes from the life of Jesus and representations of the Evangelists and the Fathers of the Church. During these years Ghiberti also executed several imposing statues for the Church of Orsanmichele: St. John the Baptist, St. Matthew, and St. Stephen. In 1424 he took a short trip to Venice. On his return to Florence he began to design the east portal of the baptistery. He devoted some 23 years to this project, during which time his workshop became one of the leading centers of Florentine activity. Ghiberti was allowed more freedom in the execution of this portal, and within ten square panels he adapted the recent innovations in art. He employed various grades of relief most effectively, from the round to the almost flat schiacciato technique. The new system of perspective was skillfully used in the architectural setting of three reliefs, Isaac, Joseph, and Solomon. The Florentines proudly named his portal the Gates of Paradise. Five of the ten panels were torn off the doors by the flood of 1966 and restored with the aid of exact replicas from San Francisco, Calif. To protect them from the elements and pollution, the original panels were replaced on the doors by replicas in 1990. Ghiberti was asked to supervise the building of the Cathedral dome, but he was unsuccessful in this endeavor. In his last years he wrote an important book, the Commentarii (tr. by Ludwig Goldscheider, 1949), which contains an analysis of earlier art and an account of his own life. This is the earliest surviving autobiography by an artist.

(born circa 1378, Pelago—died Dec. 1, 1455, Florence) Italian sculptor, goldsmith, and designer active in Florence. He was trained as a goldsmith and painter. In 1402 he won a competition for the commission to make a pair of bronze doors for the Baptistery of Florence Cathedral, defeating Filippo Brunelleschi. The honour brought him immediate fame and prominence. Work on the doors lasted from 1403 to 1424. In 1425 he was asked to make a second pair, known as the Gates of Paradise, which he completed in 1452. The reliefs on the first door are the major sculptural works of the International Gothic style in Italy; those on the second, in a more advanced style, are among the finest examples of Italian Renaissance art. Among his other commissions were three bronze statues for Or San Michele (1413–29) and two reliefs for the Baptistery of Siena Cathedral (1417–27). He directed a large workshop with many assistants, including Donatello and Paolo Uccello. His treatise on art history and theory includes the earliest surviving autobiography of an artist.

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(born circa 1378, Pelago—died Dec. 1, 1455, Florence) Italian sculptor, goldsmith, and designer active in Florence. He was trained as a goldsmith and painter. In 1402 he won a competition for the commission to make a pair of bronze doors for the Baptistery of Florence Cathedral, defeating Filippo Brunelleschi. The honour brought him immediate fame and prominence. Work on the doors lasted from 1403 to 1424. In 1425 he was asked to make a second pair, known as the Gates of Paradise, which he completed in 1452. The reliefs on the first door are the major sculptural works of the International Gothic style in Italy; those on the second, in a more advanced style, are among the finest examples of Italian Renaissance art. Among his other commissions were three bronze statues for Or San Michele (1413–29) and two reliefs for the Baptistery of Siena Cathedral (1417–27). He directed a large workshop with many assistants, including Donatello and Paolo Uccello. His treatise on art history and theory includes the earliest surviving autobiography of an artist.

Learn more about Ghiberti, Lorenzo with a free trial on Britannica.com.

St. John the Baptist (1412–1416) is a bronze statue by Lorenzo Ghiberti located in one of the 14 niches of the Orsanmichele in Florence, Italy. The statue of the Saint was commissioned by the cloth merchant's guild, the Arte di Calimala. The artist's use of the unnaturalistic but elegant curves in the hair and drapery of the saint show the influence of the International Gothic style prevalent in Italy at the time the work was created. The work was successfully cast in a single piece, making it the first bronze statue of its size to be cast in a single piece for at least several hundred years in Italy.

References

• Hartt, Frederick and Wilkins , David G. History of Italian Renaissance Art. Upper Saddle River, NJ: Pearson Prentice Hall, 2006.
• Sculpture, Western Encyclopædia Britannica. 2007. Encyclopædia Britannica Online, accessed 18 November 2007.