DeLillo, Don, 1936-, American novelist, b. New York City, grad. Fordham Univ. (1958). DeLillo is an accomplished prose stylist with a dark vision and mordant wit. In a steady stream of novels beginning with
Americana (1971), he has explored the anomie and violence of contemporary America—rock music and drugs in
Great Jones Street (1973), science and mathematics in
Ratner's Star (1976), terrorism in
Players (1977), spying in
Running Dog (1978), and political corruption in
The Names (1982). His
White Noise (1985), the story of Hitler studies professor Jack Gladney and a meditation on the fear of death, was followed by
Libra (1988), a fictional portrait of Lee Harvey
Oswald and
Mao II (1991), about CIA activities in Greece. DeLillo's longest, most complicated, and most highly praised novel is
Underworld (1997). In its sweep of time from 1951 to 1992, its panorama of American characters and landscapes, and its uniquely descriptive language, it portrays the vastness and variety of the ways Americans lived in the mid- to late 20th cent. This brilliant behemoth was followed by two relatively minor works—
The Body Artist (2001), a dark and brief quasi-ghost story, and
Cosmopolis (2003), a satire focused on a Manhattan billionaire. His next novel,
Falling Man (2007), details the effects of 9/11 on a middle-class Manhattanite who experienced the World Trade Center attack and on his estranged wife and son. DeLillo is also a playwright.
See Conversations with Don DeLillo (2005), ed. by T. DePietro; studies by T. LeClair (1987), F. Lentricchia (1991), D. Keesey (1993), H. Ruppersburg and T. Engles, ed. (2000), M. Osteen (2000), D. Cowart (2002), H. Bloom, ed. (2003), J. Kavadlo (2004), P. Boxall (2005), J. Dewey (2006), and E. A. Martucci (2007).
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