Leipzig collegia musica, consisting mostly of university students, enjoyed a succession of particularly illustrious directors, including Johann Kuhnau (1688), Telemann (1702), and Bach (1729-1737), who composed several concertos and dramme per musica for weekly performances at Zimmerman's coffeehouse and for "extraordinary" concerts. Telemann went on to promote professional concerts by Frankfurt and Hamburg collegia in the late 1720s, thus fostering the emergence of public subscription concerts in Germany. With the Moravian emigration, American collegia sprang up beginning in 1744 in Pennsylvania, Maryland, Ohio, and the Carolinas.
In 1909, Hugo Riemann refounded the Leipzig collegium within the University, initiating a widespread modern trend in German and American universities to foster the performance of early music on original instruments or replicas. The term collegium musicum has thus come to be associated in large measure with university ensembles that perform early music, though from a historical perspective, the term need not imply any restriction in repertory.
Historical ensembles by that name include:
Modern ensembles by that name include: