The riot started after an incident on April 6 when a Christian Russian boy, Mikhail Rybachenko, was found murdered in the town of Dubossary (now Dubăsari), about 25 miles north of Chişinău. Although it was clear that the boy had been murdered by a relative (who was later found), the Russian-language anti-Semitic newspaper Бессарабец (Bessarabetz, meaning "Bessarabian"), published by Pavel Krushevan, insinuated that he was murdered by the Jews. Another newspaper, Свет (Svet, "Light"), used the ages-old blood libel against the Jews (alleging that the boy had been killed to use his blood in preparation of matzo).
The Kishinev pogrom spanned three days of rioting against the Jews. Forty-seven (some put the figure at 49) Jews were killed, 92 severely wounded, 500 slightly wounded and over 700 houses looted and destroyed. The Times published a forged dispatch by Vyacheslav von Plehve, the Minister of Interior, to the governor of Bessarabia, which supposedly gave orders not to stop the rioters, but, in any case, no attempt was made by the police or military to intervene to stop the riots until the third day. This non-intervention is an argument in support of the opinion that the pogrom was sponsored or, at least, tolerated by the state.
The New York Times described the first Kishinev pogrom:
Actual casualty figures ended up being approximately 49.
A second pogrom took place on October 19-20, 1905. This time the riots began as political protests against the Tsar, but turned into an attack on Jews wherever they could be found. By the time the riots were over, 19 Jews were killed and 56 were injured. Jewish self-defense leagues, organized after the first pogrom, stopped some of the violence, but were not wholly successful.
Despite a world outcry, only two men were sentenced to seven and five years and twenty-two were sentenced for one or two years. This pogrom was instrumental in convincing tens of thousands of Russian Jews to leave to the West and eventually to the land of Israel.
A large number of artists and writers addressed the Chişinău pogrom. Russian authors such as Vladimir Korolenko wrote about the pogrom in House 13, while Tolstoy and Gorky wrote condemnations blaming the Russian government — a change from the earlier pogroms of the 1880s, when most members of the Russian intelligentsia were silent. It also had a major impact on Jewish art and literature. Playwright Max Sparber took the Kishinev pogrom as the subject for one of his earliest plays. Poet Chaim Bialik wrote "In the City of Slaughter," about the perceived passivity of the Jews in the face of the mobs: