The Culture of Greece has evolved over thousands of years, with its beginnings in the Mycenaean and Minoan Civilizations, continuing most notably into Classical Greece, through the influence of the Roman Empire and its Greek Eastern successor the Byzantine Empire. The Ottoman Empire too had a significant influence on Greek culture, but the Greek war of independence is credited with revitalizing Greece and giving birth to a single entity of its multi-faceted culture throughout the ages.
Following the Revolution of 1821 (for more information, see Greek War of Independence), Greece went through a period of artistic and cultural revival. Greeks today tend to regard the years before the Revolution, those of occupation of Greece by the Ottoman Empire, as the 'years of darkness', in which cultural development was perceived to have halted completely. Despite evidence to the contrary particularly in regard of earlier Cretan Greek literature, Greece's revival following the formation of the first Hellenic Republic in 1831 is regarded by a huge majority of Greeks as marking the first rebirth of their nation.
Experience of occupation, both in the Ottoman and modern era, has left an indelible mark on the Greek psyche. In the twentieth century, the trauma of the Greek Civil War during which time the nation became the first theatre of the Cold War immediately following World War II, which itself brought a Nazi occupation of enormous privations, and the perceived interference of the U.S. in creating the Regime of the Colonels, which brutally governed Greece from 1967 to 1974, led cumulatively to the emergence of an 'Ethnos Anadelfon' (or 'Brotherless Nation') idea, emphasizing the only people Greeks could count on were themselves and their countrymen. However, from the mid-1970s onward, in parallel with Spain and Portugal, and above all following the entry of Greece into the European Union in 1981, Greece's orientation, and the aspirations of its majority, became focused around the European mainstream.
Greeks remain on the whole an extrovert and friendly people, known for their hospitality and somewhat relaxed approach to the demands and pressures of daily life, by turns common to all Southern European nations and their peoples, and in an earlier era captured by Nikos Kazantzakis' novel Zorba the Greek. Some in Greece regard this 'live and let live' approach, however, as more clearly conveyed in economic terms as a moderate work ethic; others prefer to reaffirm their position by highlighting the near sub-tropical climate of much of Greece compared to much of Northern Europe and thus the necessity for the famous afternoon 'nap'.
Because of the ravages of history, only a minor assortment of ancient Greek art has survived - most frequently in the form of sculpture and architecture and minor arts, including coin design, pottery and gem engraving. Greece also has a rich history of contemporary art from the revolution onwards.
Remains of ancient Greek architecture still survive or are well documented today alongside more modern examples.
It emphasized a Grecian cross layout, the Byzantine capitol style of column (a mixture of Ionic and Corinthian capitols) and a central dome surrounded by several smaller domes. Greece also experienced something of a Neo-Byzantine revival following the Greek Revolution, and unsurprisingly, also experienced a growth in Neo-Classical Architecture in the years following the Revolution; this came into a contact and interaction with traditional Byzantine villa architecture to produce a form specific to modern Greece.
Modern Greek architecture has followed international architectural trends. Like other modern capitals, Athens also has its fair share of Neo-classic, Modernist and Postmodernist architecture. Important Greek and international architects have designed many buildings of Athens such as Dimitris Pikionis, Stamatis Kleanthis, Ernst Ziller, Theophil Freiherr von Hansen, Patroklos Karantinos, Walter Gropius, Eero Saarinen and Mario Botta. Several new buildings were also constructed by Santiago Calatrava for the 2004 Athens Olympics, while Bernard Tschumi designed the New Acropolis Museum.
In contrast to other illustrated forms, surviving ancient Greek paintings are very rare. Greek painters worked mainly on wooden panels, and their finest works were admired for hundreds of years after their creation. However, these paintings rapidly disappeared after the 4th century AD when they were no longer adequately protected. In addition to sub-standard Roman copies, for example in Pompeii, rare surviving examples have been found in the tombs of the kings of Macedon at Vergina, at Lefcadia also in ancient Macedon, as well as Kazanlak in ancient Thrace.
Surviving examples of the ancient Greek sculpture are more common, particularly the works of the Greek master sculptors, such as Phidias and Praxiteles. These artists and their followers were frequently emulated by the Romans. However, the Christians of the 4th and 5th centuries viewed the destruction of pagan idols as an act of piety. Many ancient marble sculptures were burned to form lime in the Middle Ages, and most bronze statues were melted down for their metal. The marble statues that escaped destruction were spared as they were either buried and forgotten, or in the case of bronzes, lost at sea.
In the Byzantine period, religious art was the dominant theme, with highly-decorated mosaics and icons adorning religious buildings. The Renaissance artist, El Greco (Domenikos Theotocopoulos), responded to Byzantine and 16th century Mannerist art, producing sculpture and paintings with a liberated form, light and colour that inspired 20th century artists such as Pablo Picasso and Jackson Pollock.
Moreover, an important and often pioneering role was played by artists from Ionian islands in the 18th and the beginning of the 19th century, who exploited developments of the Italian Renaissance and baroque ateliers. As efforts persisted with new directions and objectives, Greek artists emerging in the world during the first decades of the 19th century reconnected Greek art with its ancient tradition, as well as with the quests of the European ateliers, especially those of the Munich School, with defining examples of the Greek contemporary art of the period including the work of Theodoros Vryzakis and Nikiphoros Lytras. The British-Greek Marie Spartali became the pre-eminent female artist of the Pre-Raphaelite era.
In the early twentieth century Demetrios Galanis, a contemporary and friend of Picasso, achieved wide recognition in France and lifelong membership of the Academie Francaise following his acclaim by the critic Andre Malreaux as an artist capable "of stirring emotions as powerful as those of Giotto" . Later in the century Nikos Engonopoulos achieved international recognition with his surrealist conceptions both of painting and poetry, while in the late 1960s Dimitris Mytaras and Yiannis Psychopedis became associated with European critical realism.
Greece has continued an ancient sculptural tradition well into the Modernist and Post-Modernist eras, with contributors including philosopher Costas Axelos and the more famous Constantine Andreou, recipient of the French Legion of Honor.
Ancient Greece was also renowned for its pottery, which included everything from drinking vessels to urns. Black-figure pottery, in which the decorations appear as black silhouettes over a red background, are highly representative of early Greek craftsmanship. Later forms include red-figure pottery and white-figure pottery. Greek Pottery is ancient and interesting.
The Greeks did not view coin design as a major art form. Nevertheless, the durability and abundance of coins have designated them as one of the most important sources of knowledge about Greek aesthetics. Coins were invented in Lydia during the 7th century BC, but were first extensively used by the Greeks, who set the canon of coin design which has been followed ever since, this form of art is of particular importance when studying the Byzantine era.
Cinema first appeared in Greece in 1897 but the first actual theater was built later in 1907. The first production began in 1914 as the Asty Film company was founded and the production of long films begun. Golfo (Γκόλφω), a well known traditional love story, is the first Greek long movie, although there were several minor productions such as newscasts before this point.
Greek cinema has had a varied history, going from points of relative stagnation to some very memorable productions. The 1920s to the end of the 1940s were host to some relatively notable films, such as Έρως και κύματα (1928 directed by D. Gaziadis), and Applause (Χειροκροτήματα) (1944, directed by G. Tzavelas), and most notably in 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.
The Golden age of Greek cinema is universally considered to be the 1950s - in which production rose to a height of 60 films a year, and in which productions such as Stella, directed by one of Greece's most famous directors Michael Cacoyannis, shot to prominence internationally as well in Greece and Cyprus. Notable actors and directors from this period include Alekos Sakelarios, Nikos Tsiforos, Ellie Lambeti, Dinos Iliopoulos and Irene Papas. Cacoyannis in particular continued this tradition well into the 1960s with his production of Alexis Zorbas, becoming a winner of 3 Academy awards.
Since this period Greek cinema has been relatively stop and go in its consistency, apart from films such as Loafing and Camouflage (Λούφα και Παραλλαγή), which hit a popular nerve of the continual Greek and Turkish standoffs in the Aegean using comedy. Other political themes touched on in recent film include immigration from Albania, for example "Μετέωρο βήμα του πελαργού, Το" (1991) (in English: The Suspended Step of the Stork) directed by Theo Angelopoulos.
Theo Angelopoulos is widely regarded as one of the greatest cinematographers of our time. He has won a number of international film awards including the Palme d'Or at Cannes in 1998 for his movie (Mia aioniotita kai mia mera).
Most recently, films such as Politiki kouzina (A Touch of Spice in English) and the sex taboo comedy 'Safe Sex' have signalled an upward trend in the quality of Greek cinema; this can be largely correlated to an unmatched period of economic prosperity in Greece, which has led to an increased cultural output acrss all parts of the Arts, both physical and visual.
The Greek language is the official language of the Hellenic Republic and has a total of 15 million speakers worldwide; it is an Indo-European language. The Greek language is particularly remarkable in the depth of its continuity from its beginnings in pre-history as the Linear A script associated with Minoan civilization, on to the more recognizable Linear B script, and then eventually the dialects of Ancient Greek, of which Attic Greek bears the most resemblance to Modern Greek. The history of the language spans 3000 years.
Greek has had enormous impact on other languages both directly on the Romance languages, and indirectly through its influence on the emerging Latin language during the early days of Rome. Signs of this influence, and its many developments, can be seen throughout the family of Western European languages.
More recently, the rise of internet-based communication services as well as cell phones have caused a distinctive form of Greek written partially, and sometimes fully in Latin characters to emerge; this is known as Greeklish, a form that has spread across the Greek diaspora and even to the two nations with majority Greek speaking populations, Cyprus and Greece. To date there have been no publications in "Greeklish" .
Katharévousa is a purified form of the Greek Language midway between modern and ancient forms set in train during the early 19th century by Greek intellectual and revolutionary leader Adamantios Korais, intended to return the Greek language closer to its ancient form. Its influence, in recent years, evolved toward a more formal role, and it came to be used primarily for official purposes such as diplomacy, politics and other forms of official documentation. It has nevertheless had significant effects on the Greek language as it is still written and spoken today, and both vocabulary and grammatical and syntactical forms have re-entered Modern Greek via Katharevousa.
There are a variety of dialects of the Greek language; the most notable include Cappadocian, Cypriot Greek, Pontic Greek, the Griko language spoken in Southern Italy, and Tsakonian, still spoken in the modern prefecture of Arcadia and widely noted as a surviving regional dialect of Doric Greek .
Greece has a remarkably rich and resilient literary tradition, extending over 2800 years and through several eras. The Classical era is that most commonly associated with Greek Literature, beginning in 800 BCE and maintaining its influence through to the beginnings of Byzantine period, whereafter the influence of Christianity began to spawn a new development of the Greek written word. The many elements of a millennia-old tradition are reflected in Modern Greek literature, including the works of the Nobel laureates Odysseus Elytis and George Seferis.
Classical Greece is also judged the birthplace of theatre. Aeschylus introduced the ideas of dialogue and interacting characters to playwriting and in doing so, he effectively invented "drama": his Oresteia trilogy of plays is judged his crowning achievement. Other refiners of playwriting were Sophocles and Euripides. Aristophanes, a comic playwright, defined and shaped the idea of comedy as a theatrical form.
Herodotus and Thucydides are often attributed with developing the modern study of history into a field worthy of philosophical, literary, and scientific pursuit. Polybius first introduced into study the concept of military history.
Philosophy entered literature in the dialogues of Plato, while his pupil Aristotle, in his work the Poetics, formulated the first set criteria for literary criticism. Both these literary figures, in the context of the broader contributions of Greek philosophy in the Classical and Hellenistic eras, were to give rise to idea of Political Science, the study of political evolution and the critique of governmental systems.
Moving into the twentieth century, the modern Greek literary tradition spans the work of Constantine P. Cavafy, considered a key figure of twentieth century poetry, Giorgos Seferis (whose works and poems aimed to fuse the literature of Ancient and Modern Greece) and Odysseas Elytis, both of whom won the Nobel Prize for Literature. Nikos Kazantzakis is also considered a dominant figure, with works such as The Last Temptation of Christ and The Greek Passion receiving international recognition. Vassilis Vassilikos is widely translated.
Pagean Classical Athens may be suggested to have heralded some of the same religious ideas that would later be promoted by Christianity, such as Aristotle's invocation of a perfect God, and Heraclitus' Logos. Plato considered there were rewards for the virtuous in the heavens and punishment for the wicked under the earth; the soul was valued more highly than the material body, and the material world was understood to be imperfect and not fully real (illustrated in Socrates's allegory of the cave).
The Greek Orthodox Church, largely because of the importance of Byzantium in Greek history, as well as its role in the revolution, is a major institution in modern Greece. Its roles in society and larger role in overarching Greek culture are very important; a number of Greeks attend Church at least once a month or more and the Orthodox Easter holiday holds special significance.
The Church of Greece also retains limited political influence through the fact the Greek constitution does not have an explicit separation of Church and State; a debate suggested by more conservative elements of the church in the early 2000s about identification cards and whether religious affiliation might be added to them highlights the friction between state and church on some issues; the proposal unsurprisingly was not accepted. A widely publicised set of corruption scandals in 2004 implicating a small group of senior churchmen also increased national debate on introducing a greater transparency to the church-state relationship.
Greek Orthodox Churches dot both the villages and towns of Greece and come in a variety of architectural forms, from older Byzantine churches, to more modern white brick churches, to newer cathedral-like structures with evident Byzantine influence. Greece (as well as Cyprus), also polled as, ostensibly, one of the most religious countries in Europe, according to Eurostat; however, while the church has wide respect as a moral and cultural institution, a contrast in religious belief with Protestant northern Europe is more obvious than one with Catholic mediterranean Europe.
Greece also has a significant minority of Muslims in Eastern Thrace (numbering around 100-150,000), with their places of worship guaranteed since the 1923 Treaty of Lausanne. The Greek state has fully approved the construction a main mosque for the more recent muslim community of Athens under the freedom of religion provisions of the Greek constitution.
The Greek world is widely regarded as having given birth to scientific thought by means of observation, thought, and development of a theory without the intervention of a supernatural force. Thales, Anaximander and Democritus were amongst those contributing significantly to the establishment of this tradition. It is also, and perhaps more commonly in the western imagination, identified with the dawn of Western Philosophy, as well as a mapping out of the Natural Sciences. Greek developments of mathematics continued well up until the decline of the Byzantine Empire. In the modern era Greeks continue to contribute to the fields of Science, Mathematics and Philosophy.
The tradition of philosophy in Ancient Greece accompanied its literary development. Greek learning had a profound influence on Western and Middle Eastern civilizations. The works of Socrates, Plato, Aristotle, and other Greek philosophers profoundly influenced Classical thought, the Islamic Golden Age, and the Renaissance.
In medicine, doctors still refer to the Hippocratic oath, instituted by Hippocrates, regarded as foremost in laying the foundations of medicine as a science. Galen built on Hippocrates' theory of the four humours, and his writings became the foundation of medicine in Europe and the Middle East for centuries. The physicians Herophilos and Paulus Aegineta were pioneers in the study of anatomy, while Pedanius Dioscorides wrote an extensive treatise on the practice of pharmacology.
The period of Classical Greece (from 800BC until the rise of Macedon, a Greek state in the north) is that most often associated with Greek advances in science. Thales of Miletus is regarded by many as the father of science; he was the first of the ancient philosophers to seek to explain the physical world in terms of natural rather than supernatural causes. Pythagoras was a mathematician often described as the "father of numbers"; it is believed that he had the pioneering insight into the numerical ratios that determine the musical scale, and the Pythagorean theorem is commonly attributed to him. Diophantus of Alexandria, in turn, was the "father of algebra". Many parts of modern geometry are based on the work of Euclid, while Eratosthenes was one of the first scientific geographers, calculating the circumference of the earth and conceiving the first maps based on scientific principles.
The Hellenistic period, following Alexander's conquests, continued and built upon this knowledge. Hipparchus is considered the pre-eminent astronomical observer of the ancient world, and was probably the first to develop an accurate method for the prediction of solar eclipse, while Aristarchus of Samos was the first known astronomer to propose a heliocentric model of the solar system, though the geocentric model of Ptolemy was more commonly accepted until the seventeenth century. Ptolemy also contributed substantially to cartography and to the science of optics. For his part Archimedes was the first to calculate the value of π and a geometric series, and also the earliest known mathematical physicist discovering the law of buoyancy, as well as conceiving the irrigation device known as Archimedes' screw.
The Byzantine period remained largely a period of preservation in terms of classical Greco-Roman texts; there were, however, significant advances made in the fields of medicine and historical scholarship. Theological philosophy also remained an area of study, and there was, while not matching the achievements of preceding ages, a certain increase in the professionalism of study of these subjects, epitomized by the founding of the University of Constantinople.
Isidore of Miletus and Anthemius of Tralles, the architects of the famous Hagia Sophia in Constantinople, also contributed towards mathematical theories concerning architectural form, and the perceived mathematical harmony needed to create a multi-domed structure. These ideas were to prove a heavy influence on the Ottoman architect Sinan in his creation of the Blue Mosque, also in Constantinople. Tralles in particular produced several treatises on the Natural Sciences, as well as his other forays into mathematics such as Conic Sections.
The gradual migration of Greeks from Byzantium to the Italian city states following the decline of the Byzantine Empire, and the texts they brought with them combined with the academic positions they held, was a major factor in lighting the first sparks of the Italian Renaissance.
Greeks continue to contribute to science and technology in the modern world. John Argyris, a Greek mathematician and engineer, is responsible for the invention of finite element analysis and the direct stiffness method, relative to physics. Mathematician Constantin Carathéodory worked in the fields of real analysis, the calculus of variations, and measure theory in the early 20th century, and went on to assist Albert Einstein in the mathematical part of his theory of relativity. Biologist Fotis Kafatos pioneers in the field of molecular cloning and genomics; Dimitris Nanopoulos is a noted theoretical physicist, having made significant contributions to the fields of particle physics and cosmology. In medicine, Georgios Papanikolaou contributed heavily to the development of cancer screening with his Pap smear. The Greek car designer Alec Issigonis created the iconic Mini automobile, while the computer scientist Michael Dertouzos was amongst the pioneers of the internet. Nicolas Negroponte chairman of the Massachusetts Institute of Technology Media Lab is one of the founders of the program One Laptop Per Child, a non-profit organisation aiming to extend Internet access in developing countries.
Greece has a continuous history of native dances reaching from antiquity till the modern era. It began in the Minoan period.
Ancient Greeks believed that dancing was invented by the gods and therefore associated it with religious ceremony. They believed that the gods offered this gift to select mortals only, who in turn taught dancing to their fellow-men.
Periodic evidence in ancient texts indicates that dance was held in high regard, in particular for its educational qualities. Dance, along with writing, music, and physical exercise, was fundamental to the education system and many classical authors extol its virtues as means of cultivating physical and spiritual wellbeing.
Though we have only a few precise descriptions of Byzantine dances, it is known they were often "intertwined". The leader of the dance was called the koryphaios or chorolektes, and it was he who began the song and ensured that the circle was maintained. Efstathios of Thessaloniki mentions a dance which commenced in a circle and ended with the dancers facing one another. When not dancing in a circle the dancers held their hands high or waved them to left and right. They held cymbals (very like the zilia of today) or a kerchief in their hands, and their movements were emphasized by their long sleeves. As they danced, they sang, either set songs or extemporized ones, sometimes in unison, sometimes in refrain, repeating the verse sung by the lead dancer. The onlookers joined in, clapping the rhythm or singing. Professional singers, often the musicians themselves, composed lyrics to suit the occasion.
Byzantine instruments included the guitar, single, double or multiple flute, sistrum, timpani (drum), psaltirio, Sirigs, lyre, cymbals, keras and kanonaki.
Popular dances of this period included the Syrtos, Geranos, Mantilia , Saximos, Pyrichios, and Kordakas . Some of these dances have their origins in the ancient period and are still enacted in some form today.
Greece is one of the few places in Europe where the day-to-day role of folk dance is sustained. Rather than functioning as a museum piece preserved only for performances and special events, it is a vivid expression of everyday life. Occasions for dance are usually weddings, family celebrations, and paneyeria (Patron Saints' name days). Dance has its place in ceremonial customs that are still preserved in Greek villages, such as dancing the bride during a wedding and dancing the trousseau of the bride during the wedding preparations. The carnival and Easter offer more opportunities for family gatherings and dancing. Greek taverns providing live entertainment often include folk dances in their program.
Regional characteristics have developed over the years because of variances in climatic conditions, land morphology, and people's social lives. In later years, wars, international pacts and consequent movement of populations, and even movements of civil servants around the country, intermingled traditions. People learned new dances, adapted them to their environment, and included them in their feasts. Kalamatianos and Tsamikos are considered panhellenic dances and are danced all over the world in diaspora communities. Others have also crossed boundaries and are known beyond the regions where they originated; these include theKaragouna from Thessaly, the Pentozalis from Crete, the Zonaradikos from Thrace, the Tik from Pontos, and the Balos from the Aegean Islands.
The avant-garde choreographer, director and dancer Dimitris Papaioannou was responsible for the critically successful Opening Ceremony of the 2004 Olympic Games, with a conception that reflected the classical influences on modern and experimental Greek dance forms.
Greece has a diverse and highly influential musical tradition, with ancient music influencing the Roman Empire, and Byzantine liturgical chants and secular music influencing the Renaissance. Modern Greek music combines these elements, as well as influences from the Middle East, to carry Greeks' interpretation of a wide range of musical forms.
The history of music in Greece begins once more, as one might expect, with the music of ancient Greece, largely structured on the Lyre and other supporting string instruments of the era. Beyond the well-known structural legacies of the Pythagorean scale, and the related mathematical developments it upheld to define western classical music, relatively little is understood about the precise character of music during this period; we do know, however, that it left, as so often, a strong mark on the culture of Rome. What has been gleaned about the social role and character of ancient Greek music comes largely from pottery and other forms of Greek art.
The music of Greek Byzantium is also of major significance to the history and development of European music, as liturgical chants became the foundation and stepping stone for music of the Renaissance (see: Renaissance Music). It is also certain that Byzantine music included an extensive tradition of instrumental court music and dance; any other picture would be both incongruous with the historically and archaeologically documented opulence of the Eastern Roman Empire. There survive a few but explicit accounts of secular music. A characteristic example are the accounts of pneumatic organs, whose construction was furthest advanced in the eastern empire prior to their development in the west following the Renaissance.
A range of domestically and internationally known composers and performers across the musical spectrum have found success in modern Greece, while traditional Greek music is noted as a mixture of influences from indigenous culture with those of west and east. Turkish and Ottoman elements can be most clearly heard in the traditional songs, dhimotiká, as well as the modern bluesy rembétika music. The best-known Greek musical instrument is the bouzouki. "Bouzouki" is a descriptive Turkish name, but the instrument itself is in fact of Greek rather than Turkish origin. It derives from the ancient Greek lute known as the pandoura, a kind of guitar, clearly visible in ancient statues, especially female figurines of the "Tanagraies" playing cord instruments.
Famous present-day Greek musicians include the central figure of 20th century European modernism Iannis Xenakis, a composer, architect and theorist. Maria Callas, Mikis Theodorakis, Dimitris Mitropoulos, Manos Hadjidakis, and Vangelis also lead twentieth-century Greek contributions, alongside Nikos Skalkottas, Demis Roussos, Nana Mouskouri, Firewind (led by internationally renowned guitarist Gus G.), Rotting Christ and Anna Vissi.
Education in Greece is compulsory for all children 6-15 years old; namely, it includes Primary (Dimotiko) and Lower Secondary (Gymnasio) Education. The school life of the students, however, can start from the age of 2.5 years (pre-school education) in institutions (private and public) called "Vrefonipiakoi Paidikoi Stathmi" (creches). In some Vrefonipiakoi Stathmoi there are also Nipiaka Tmimata (nursery classes) which operate along with the Nipiagogeia (kindergartens).
Post-compulsory Secondary Education, according to the reforms of 1997 and 2006, consists of two main school types: Genika Lykeia (General Upper Secondary Schools) and the Epaggelmatika Lykeia (Vocational Upper Secondary Schools), as well as the Epaggelmatikes Sxoles (Vocational Schools) . Musical, Ecclesiastical and Physical Education Gymnasia and Lykeia are also in operation.
Post-compulsory Secondary Education also includes the Vocational Training Institutes (IEK), which provide formal but unclassified level of education. These Institutes are not classified as an educational level, because they accept both Gymnasio (lower secondary school) and Lykeio (upper secondary school) graduates according to the relevant specializations they provide. Public higher education is divided into Universities and Technological Education Institutes (TEI). Students are admitted to these Institutes according to their performance at national level examinations taking place at the second and third grade of Lykeio. Additionally, students are admitted to the Hellenic Open University upon the completion of the 22 year of age by drawing lots.
Nea Dimokratia (New Democracy), the Greek conservative right political party, has claimed that it will change the law so that private universities gain recognition. Without official recognition, students who have an EES degree are unable to work in the public sector. PASOK took some action after EU intervention, namely the creation of a special government agency which certifies the vocational status of certain EES degree holders, however their academic status still remains a problem. The issue of full recognition is still an issue of debate among Greek politicians.
Greece is a Parliamentary Republic with a president assuming a more ceremonial role than in some other republics, and the Prime Minister chosen from the leader of the majority party in the parliament. Greece has a codified constitution and a written Bill of Rights embedded within it. The current Prime Minister is Kostas Karamanlis.
The politics of the third Hellenic Republic have been dominated by two main political parties, the self proclaimed socialists of PASOK and the conservative New Democracy. Until recently PASOK had dominated the political scene, presiding over favourable growth rates economically but in the eyes of critics failing to deliver where unemployment and structural issues such as market liberalization were concerned.
New Democracy's election to government in 2004 has led to various initiatives to modernize the country, such as the education university scheme above as well as labour market liberalization. Politically there has been massive opposition to some of these moves owing to a large, well organized workers' movement in Greece, which distrusts the right wing administration and neo-liberal ideas. The population in general appears to accept many of the initiatives, reflected in governmental support; on the economic front many are so far warming to the reforms made by the administration, which have been largely rewarded with above average Eurozone growth rates. New Democracy were re-elected in September 2007.
A number of other smaller political parties exist. They include the third largest party (the Communist Party), which still commands large support from many rural working areas as well as some of the immigrant population in Greece, as well as the far-right Popular Orthodox Rally, with the latter, while commanding a mere three and a half per cent of votes, seeking to capitalise on opposition in some quarters regarding Turkey's EU accession and any tension in the Aegean. There is also a relatively small, but well organized anarchist movement, though its status in Greece has been somewhat exaggerated by media overseas.
The political process is energetically and openly participated in by the people of Greece, while public demonstrations are a continual feature of Athenian life; however, there have been criticisms of a governmental failure to sufficiently involve minorities in political debate and hence a sidelining of their opinions. In general, politics is regarded as an acceptable subject to broach on almost every social occasion, and Greeks are often very vocal about their support (or lack of it) for certain policy proposals, or political parties themselves - this is perhaps reflected in what many consider the rather sensationalist media on both sides of the political spectrum; although this is a feature of most European tabloids.