The premiere recording was I Musici's 1955 recording (it was that ensemble's first recording of any music). It created such interest in the work that there are now more than 120 recordings of it.
The concertos were first published in 1725 as part of a set of twelve, Vivaldi's Op. 8, entitled Il cimento dell'armonia e dell'inventione (The Contest between Harmony and Invention). The first four concertos were designated Le quattro stagioni, each being named after a season. Each one is in three movements, with a slow movement between two faster ones. At the time of writing the Four Seasons, the modern solo form of the concerto had not yet been defined (typically a solo instrument and accompanying orchestra). Vivaldi's original arrangement for solo violin with string quartet and basso continuo helped to define the form. In modern times, others have made transcriptions and arrangements to be performed on different instrumentation.
The texture of each concerto is varied, resembling its respective season. For example, "Winter" is peppered with silvery staccato notes from the high strings, calling to mind icy rain, whereas "Summer" evokes a thunderstorm in its final movement.
The four concertos were written to go along with four sonnets. Though it is not known who wrote these sonnets there is a theory that Vivaldi wrote them himself. The sonnets are as follows in the original Italian with an English translation:
| Italian | English |
|---|---|
| La Primavera | Spring |
|
Allegro Giunt' è la Primavera e festosetti La Salutan gl' Augei con lieto canto, E i fonti allo Spirar de' Zeffiretti Con dolce mormorio Scorrono intanto: Vengon' coprendo l' aer di nero amanto E Lampi, e tuoni ad annuntiarla eletti Indi tacendo questi, gl' Augelletti; Tornan' di nuovo al lor canoro incanto: Largo Allegro |
Allegro Springtime is upon us. The birds celebrate her return with festive song, and murmuring streams are softly caressed by the breezes. Thunderstorms, those heralds of Spring, roar, casting their dark mantle over heaven, Then they die away to silence, and the birds take up their charming songs once more. Largo Allegro |
| L'Estate | Summer |
|
Allegro non molto - Allegro Sotto dura Staggion dal Sole accesa Langue l' huom, langue 'l gregge, ed arde il Pino; Scioglie il Cucco la Voce, e tosto intesa Canta la Tortorella e 'l gardelino. Zeffiro dolce Spira, mà contesa Muove Borea improviso al Suo vicino; E piange il Pastorel, perche sospesa Teme fiera borasca, e 'l suo destino; Adagio e piano - Presto e forte Presto |
Allegro non molto Under a hard Season, fired up by the Sun Languishes man, languishes the flock and burns the pine We hear the cuckoo's voice; then sweet songs of the turtledove and finch are heard. Soft breezes stir the air... but threatening north wind sweeps them suddenly aside. The shepherd trembles, fearing violent storms and his fate. Adagio e piano - Presto e forte Presto |
| L'Autunno | Autumn |
|
Allegro Celebra il Vilanel con balli e Canti Del felice raccolto il bel piacere E del liquor de Bacco accesi tanti Finiscono col Sonno il lor godere Adagio molto Allegro |
Allegro Celebrates the peasant, with songs and dances, The pleasure of a bountiful harvest. And fired up by Bacchus' liquor, many end their revelry in sleep. Adagio molto Allegro |
| L'Inverno | Winter |
|
Allegro non molto Aggiacciato tremar trà nevi algenti Al Severo Spirar d' orrido Vento, Correr battendo i piedi ogni momento; E pel Soverchio gel batter i denti; Largo Allegro |
Allegro non molto To tremble from cold in the icy snow, In the harsh breath of a horrid wind; To run, stamping one's feet every moment, Our teeth chattering in the extreme cold Largo Allegro |
In addition to these sonnets, Vivaldi provided instructions such as "The barking dog" (in the second movement of "Spring"), "Languor caused by the heat" (in the first movement of "Summer"), and "the drunkards have fallen asleep" (in the second movement of "Autumn").
The Four Seasons are, therefore, tone poems. Together they are an enduring example of program music. It is often referenced in popular culture.