See his reminiscences, The World Does Move (1928); biography by J. L. Woodress (1955, repr. 1969); study by K. J. Fennimore (1974).
See biographies by G. S. Railton (2d ed. 1912), H. Begbie (1920), St. J. Ervine (2 vol., 1934), H. C. Steele (1954), E. Bishop (1964), and R. Collier (1965); R. Hattersley, Blood and Fire (2000).
See S. Kimmel, The Mad Booths of Maryland (2d ed. 1969).
On Good Friday, Apr. 14, 1865, Booth, having learned that Lincoln planned to attend Laura Keene's performance of Our American Cousin at Ford's Theater in Washington on that evening, plotted the simultaneous assassination of the President, Vice President Andrew Johnson, and Secretary of State William H. Seward. Lewis Thornton Powell, who called himself Payne, guided by David E. Herold, seriously wounded Seward and three others at Seward's house. George A. Atzerodt, assigned to Johnson, lost his nerve. The main act the egomaniacal Booth naturally reserved for himself. His crime was committed shortly after 10 P.M., when he entered the presidential box unobserved, suddenly shot Lincoln, and vaulted to the stage (breaking his left leg in the process) shouting "Sic semper tyrannis!" [thus always to tyrants] "The South is avenged!" He then went behind the scenes and down the back stairs to a waiting horse upon which he made his escape. Not until Apr. 26, after a hysterical two-week search by the army and secret service forces, was he discovered, hiding in a barn on Garrett's farm near Bowling Green, Caroline co., Va. The barn was set afire and Booth was either shot by his pursuers or shot himself rather than surrender. Although it has been said that no dead body was ever more definitely identified, the myth—completely unsupported by evidence—that Booth escaped has persisted. For the fate of others involved, see Surratt, Mary Eugenia.
See memoir by his sister, Asia Booth Clarke (1930, repr. 1971, 1996); biographies by R. G. Gutman and K. O. Gutman (1979) and G. Samples (1982); M. W. Kauffman, American Brutus: John Wilkes Booth and the Lincoln Conspiracies (2004).
See biography by P. W. Wilson (1948).
See his letters, ed. by D. J. Watermeier (1971); recollections by his daughter E. B. Grossman (1894, repr. 1969); biographies by E. Ruggles (1953), W. Winter (1893, repr. 1968), and R. Lockridge (1932, repr. 1971); C. H. Shattuck, The Hamlet of Edwin Booth (1969).
See his selected writings (1967); study by T. Simey and M. Simey (1960).
(born July 29, 1869, Indianapolis, Ind., U.S.—died May 19, 1946, Indianapolis) U.S. novelist and dramatist. He became known for satirical and sometimes romanticized pictures of Midwesterners in humorous portrayals of boyhood and adolescence that include the young-people's classics Penrod (1914), Seventeen (1916), and Gentle Julia (1922). The trilogy Growth (1927) includes The Magnificent Ambersons (1918, Pulitzer Prize; film, 1942), which traces the decline of a once-powerful and prominent family. Alice Adams (1921; film, 1923, 1935), a searching character study, is perhaps his most finished novel.
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(born April 10, 1829, Nottingham, Nottinghamshire, Eng.—died Aug. 20, 1912, London) British religious leader, founder and general (1878–1912) of the Salvation Army. At age 15 he underwent a religious conversion and became a revivalist preacher. In 1849 he went to London, where he became a regular preacher of the Methodist New Connection (1852–61) and then an independent revivalist. Aided by his wife, Catherine Mumford Booth (1829–90), a fellow preacher and social worker, he founded the Christian Mission in 1865, which in 1878 became the Salvation Army. He traveled worldwide to lecture and organize branches of the Army. His proposals for remedying social ills received widespread acceptance and the encouragement of Edward VII.
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(born May 10, 1838, near Bel Air, Md., U.S.—died April 26, 1865, near Port Royal, Va.) U.S. actor and assassin of Pres. Abraham Lincoln. Born into a family of famous actors, he achieved success in Shakespearean roles but resented the greater acclaim enjoyed by his brother, Edwin Booth. A fanatical believer in slavery and the Southern cause, he made plans with co-conspirators to abduct Lincoln; after several failed attempts, he vowed to destroy the president and his cabinet. On April 14, 1865, he shot Lincoln during a performance at Ford's Theatre. Though he broke his leg jumping from the president's box, he was able to escape on horseback to a Virginia farm. Tracked down, he refused to surrender and was shot, either by a soldier or by himself.
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Edwin Booth, photograph by Bradley and Rulofson
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