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bessie sea man

Troll

[trohl]

A troll is a fearsome member of a race of creatures from Norse mythology. Originally more or less the Nordic equivalents of giants, although often smaller in size, the different depictions have come to range from the fiendish giants – similar to the ogres of England (also called Trolls at times, see Troller's Gill) – to a devious, more human-like folk of the wilderness, living underground in hills, caves or mounds. In the Faroe islands, Orkney and Shetland tales, trolls are called trows, adopted from the Norse language when these islands were settled by Vikings.

Nordic literature, art and music from the romantic era and onwards has adapted trolls in various manners – often in the form of an aboriginal race, endowed with oversized ears and noses. From here, as well as from Scandinavian fairy tales such as Three Billy Goats Gruff, trolls have achieved international recognition, and in modern fantasy literature and role-playing games, trolls are featured to the extent of being stock characters.

Scandinavian folklore

History

The usage of the word troll has developed over time. It might have had the original meaning of supernatural or magical with an overlay of malignant and perilous. Another likely suggestion is that it means "someone who behaves violently". In old Swedish law, trolleri was a particular kind of magic intended to do harm. It should also be noted that North Germanic terms such as trolldom (witchcraft) and trolla/trylle (perform magic tricks) in modern Scandinavian languages does not imply any connection with the mythical being. Moreover, in the sources for Norse mythology, troll can signify any uncanny being, including but not restricted to the Norse giants (jötnar).

In Skáldskaparmál, the poet Bragi Boddason encounters a troll-woman who hails him with this verse (in Old Norse):

Troll kalla mik
tungl sjötrungnis,
auðsug jötuns,
élsólar böl,
vilsinn völu,
vörð náfjarðar,
hvélsvelg himins –
hvat's troll nema þat?
They call me Troll;
Gnawer of the Moon,
Giant of the Gale-blasts,
Curse of the rain-hall,
Companion of the Sibyl,
Nightroaming hag,
Swallower of the loaf of heaven.
What is a Troll but that?

The ambiguous original sense of the word troll appears to have lived on for some time after the Old Norse literature was documented. This can be seen in terms such as sjötrollet (the sea troll) as a synonym for havsmannen (the sea man) – a protective spirit of the sea and a sort of male counterpart to the female sjörå (see huldra).

There are many places in Scandinavia that are named after trolls, such as the Swedish town Trollhättan (Troll's bonnet) and the legendary mountain Trollkyrka (Troll church). The most famous in Norway are Trollfjorden, Trollheimen, Trollhetta, Trollstigen, Trolltindan and Trollveggen.

The Jætte Trolls

Gradually, forming of two main traditions regarding the use of troll can be discerned. In the first tradition, the troll is large, brutish and a direct descendant from the Norse jötnar. They are often described as ugly or having beastly features like tusks or cyclopic eyes. This is the tradition which has come to dominate fairy tales and legends (see below), but it is also the prominent concept of troll in Norway. As a general rule, what would be called a "troll" in Norway would in Denmark and Sweden be a "giant" (jætte or jätte, related to jötunn/jotunn in Jotunheimen).

In some Norwegian accounts, such as the middle age ballade Åsmund Frægdegjevar, the trolls live in a far northern land called Trollebotten – the concept and location of which seems to coincide with the Old Norse Jötunheimr.

The Vitterfolk Trolls

The second tradition is most prominent in southern Scandinavia. Conversely, what would be called trolls in southern Sweden and Denmark would be called huldrefolk in Norway and vitterfolk in northern Sweden. The south-Scandinavian term probably originate in a generalization of the terms haugtrold (mound-troll) or bergtroll (mountain-troll), as trolls in this tradition are residents of the underground.

These trolls have a human-like appearance. Sometimes they had a tail hidden in their clothing, but even that is not a definite. Many of these trolls had a single lock of hair that no human could comb, whereas the rest was generally messy. A frequent way of telling a human-looking troll in folklore is to look at what it is wearing: Troll women in particular were often too elegantly dressed to be human women moving around in the forest. They could attract human males to do their bidding, or simply as mates or pets. Later these would be found wandering, decades later, with no memory of what had happened to them in a troll woman's care.

More often than not, though, the trolls kept themselves invisible, and then they could travel on the winds, such as the wind-troll Ysätters-Kajsa, or sneak into human homes. Sometimes you could only hear them speak, shout and make noise, or the sound of their cattle. Similarly, if you were out in the forest and smelled food cooking, you knew you were near a troll dwelling. The trolls were also great shapeshifters, taking shapes of objects like fallen logs or animals like cats and dogs. A fairly frequent notion is that the trolls liked to appear as rolling balls of yarn.

Whereas the large, ogrish trolls often appear as a solitary being, the "small" trolls were thought to be social beings who lived together, much like humans except out in the forest. They kept animals, cooked and baked, were excellent at crafts and held great feasts. Like many other species in Scandinavian folklore, they were said to reside in underground complexes, accessible from underneath large boulders in the forests or in the mountains. These boulders could be raised upon pillars of gold. In their living quarters, they hoard gold and treasures. Opinion varied as to whether or not the trolls were thoroughly bad or not, but often they treated people as they were treated. Trolls could cause great harm if vindictive or playful, though, and regardless of other things they were always heathen. Trolls were also great thieves, and liked to steal from the food that the farmers had stored. They could enter the homes invisibly during feasts and eat from the plates so that there was not enough food, or spoil the making of beer and bread so that it failed or did not end up plentiful enough.

The trolls sometimes abducted people to live as slaves or at least prisoners among them. These poor souls were known as bergtagna ("those taken to/by the mountain"), which also is the Scandinavian word for having been spirited away. To be bergtagen does not only refer to the disappearance of the person, but also that upon returning, he or she has been struck with insanity or apathy caused by the trolls. Anyone could be taken by the trolls, even cattle, but at the greatest risk were women who had given birth but not yet been taken back to the church.

Occasionally, the trolls would even steal a new-born baby, leaving their own offspring – a (bort)byting ("changeling") – in return.

To ward off the trolls you could always trust in Christianity: Church bells, a cross or even words like "Jesus" or "Christ" would work against them. Like other Scandinavian folklore creatures they also feared iron. Apart from that they were hunted by Thor, one of the last remnants of the old Norse mythology, who threw Mjolnir, his hammer, causing lightning bolts to kill them. Though Mjolnir was supposed to return to Thor after throwing, the imprints of his hammer could later be found in the earth (actually Stone Age axes) and be used as protective talismans.

In Swedish everyday folklore trolls often were blamed for bad luck or accidents - in the north of Sweden the "vittra" often played this role. In some parts of Sweden they still, when things go wrong, say: "Det går troll i det här" meaning "It walks/goes troll in this" meaning that something brings or has extraordinary misfortune coming with it. For example: If everything goes wrong in a project you can say: "Det verkar som om det går troll i det här projektet" meaning "It looks like there it goes/are walking trolls in this project".

Fairytales and legends

While the everyday folklore consisted mostly of short anecdotes describing things that had (supposedly) happened to local people, fairytales are narratives that rarely claim to be true in the same way. Many of the fairytales featuring trolls were written in the late 19th century to early 20th century, reflecting the romanticism of the time, and published in fairytale collections like Tomtar och Troll. These tales, and illustrations by artists like John Bauer and Theodor Kittelsen, would come to form the ideas most people have of trolls today.

Legends from the Middle Ages and earlier also feature a kind of trolls of more horrifying dimensions. This might reflect a past view of trolls as distinctly bad creatures that would soften in later folklore (see the above), or just be another example of fantastic tales demanding fantastic dimensions.

In fairytales and legends trolls are less the people living next to humans and more frightening creatures. Particularly in these tales they come in any size and can be as huge as giants or as small as dwarfs. They are often regarded as having poor intellect (especially the males, whereas the females may be quite cunning), great strength, big noses, long arms, and as being hairy and not very beautiful (Once again, females often constitute the exception, with female trolls frequently being comely). In Scandinavian fairy tales trolls sometimes turn to stone if exposed to sunlight, a myth generally attributed to pareidolia found in naturally eroded rock outcrops.

Asbjørnsen and Moe's collection feature a number of traditional fairy tales where trolls hold princesses captive, such as The Three Princesses of Whiteland, Soria Moria Castle, and Dapplegrim, and two where trolls invade homes on Christmas Eve to make merry, Tatterhood and The Cat on the Dovrefell. Female trolls may conspire to force the prince to marry their daughters, as in East of the Sun and West of the Moon, or practice witchcraft, as in The Witch in the Stone Boat, where a troll usurps a queen's place, or The Twelve Wild Ducks, where she turns twelve princes into wild ducks. In other tales, the hero matches wits with the troll: Boots and the Troll, and Boots Who Ate a Match With the Troll.

The following excerpts from the Danish Ballad of Eline of Villenskov describe the physical aspects of trolls within Scandinavian mythology:

There were seven and a hundred Trolls,
They were both ugly and grim,
A visit they would the farmer make,
Both eat and drink with him.

Out then spake the tinyest Troll,
No bigger than an emmet was he,
Hither is come a Christian man,
And manage him will I surelie

Nordic art, music and literature

Edvard Grieg, a prominent Norwegian composer of the later 19th century, wrote several pieces on trolls, including a score based on Henrik Ibsen's Peer Gynt, with the famous In the Hall of the Mountain King, and March Of The Trolls. Regarding his motivations, Grieg wrote: "The peculiar in life was what made me wild and mad...dwarf power and untamed wildness...audacious and bizarre fantasy." Grieg's former home, Troldhaugen ("The Troll's Hill"), is now a museum.

Like Grieg, conductor Johan Halvorsen was a nationalist Norwegian composer. He wrote, The Princess and the Giant Troll, The Trolls enter the Blue Mountain, and Dance of the Little Trolls. Geirr Tveitt was heavily influenced by Grieg's romanticism and cultural exploration of Scandinavian folklore and Norwegian folk-music. Tveitt's Troll Tunes, includes works such as Troll-Tuned Hardanger Fiddle, and The Boy With The Troll-Treasure. Tragically, 80% of Tveitt's oeuvre was destroyed in a fire.

Few Norwegian illustrators or painters have managed to capture these strange creatures and the enchanted atmosphere of Norwegian nature on paper and canvas as successfully as Theodor Kittelsen. Kittelsen's art and artistic use of the medium of drawing, with black and white extremities and scales of gray in between, are in a class of their own in Norwegian art. Theodor Kittelsen was fascinated by this shadowy world populated by supernatural siren beings and spirits. Walking in the forests and fields, he could see them everywhere: in the mists over the marches, in the twilight surrounding fallen pine trunks and in the dripping fir trees on rainy days.

In Swedish children's literature, trolls are not naturally evil, but primitive and misunderstood. Their misdeeds are due to a combination of basic and common human traits, such as envy, pride, greed, naïveté, ignorance and stupidity. In some early 20th century fairy tales, by Elsa Beskow, trolls are also depicted as an aboriginal race of hunters and gatherers who are fleeing the encroaching human civilization. Where man makes a road, the trolls disappear.

Young Scandinavian children usually understand the concept of trolls, and a way to teach children to brush their teeth is to tell them to get rid of the very small "tooth trolls" that otherwise will make holes in their teeth. This is a pedagogic device used to explain bacteria by the Norwegian author Thorbjørn Egner in his story Karius and Baktus.

The Swedish-speaking Finnish author Tove Jansson has reached a world-wide audience with her Moomintrolls.

There is some speculation that the famous story Rumpelstiltskin originated from a troll folk tale which bears many similarities. While the original story of the troll involves a preacher contracting a troll to build a church as opposed to a woman needing to spin straw into gold, the central element of a bargain which is satisfied by guessing the name of the involved party, and the subsequent death of the troll or being whose name is guessed is central to both stories. (see Fin (troll))

All the music of folk metal bands Finntroll and Trollfest are based on Trolls, presented as a naturalist, alcohol-loving and viciously anti-Christian and anti-human race.

Gallery

Gallery of trolls as imagined by various Nordic artists.

See also:

Proposed Origins of the Myth

A possible explanation for the troll myth is that the trolls represent the remains of the forefather-cult which was ubiquitous in Scandinavia until the introduction of Christianity in the 10th and 11th centuries. In this cult the forefathers were worshipped in sacred groves, by altars or by gravemounds. One of the customs associated with this practice was to sit on top of a gravemound at night, possibly in order to make contact with the deceased. With the introduction of Christianity however, the religious elite sought to demonize the pagan cult, and denounced the forefathers as evil. For instance, according to Magnus Håkonsen's laws from 1276 it is illegal to attempt to wake the "mound-dwellers". It is in these laws that the word troll appears for the first time, denoting something heathen and generally unfavourable.

This fits with the trolls in Norse sagas who are often the restless dead, to be wrestled with or otherwise laid to rest.

Trolls in America

Scandinavian folk-tales involving trolls such as "Three Billy Goats Gruff" are familiar to other European and European-derived cultures. In the US and Canada, the old belief in trolls is paralleled by a modern belief in Bigfoot and Sasquatch.

Many statues of trolls adorn the downtown business district of Mount Horeb, Wisconsin, leading to the town being dubbed The Troll Capital. There is also a park on the northeast side of Fargo, North Dakota which is named Trollwood.

Residents of the Upper Peninsula of Michigan, known as Yoopers, refer to their lower-peninsula counterparts as "trolls," because they live "Under the Bridge" (Referring to the Mackinac Bridge.)

Northern Central California (Sacramento, Stockton, Lodi, Modesto, Yuba City and Marysville) hispanic residents tell their children tales of the "Colupe" (KOH-LOOPIE) the little man that lives in the walls which comes out at night stealing away the breath of its sleeping victims. This story was made famous in Stephen King's movie "Cat's Eye".

See also

References

  • Folktro från förr, Ebbe Schön (2001), ISBN 91-7203-420-3
  • Troll och människa, Ebbe Schön (1999), ISBN 91-27-06873-0
  • Svensk folktro A-Ö, Ebbe Schön (1998), ISBN 91-518-2892-8
  • Trollmakter og godvette, Olav Bø (1987), ISBN 82-521-2923-4
  • Camilla Asplund Ingemark's, The Genre of Trolls. The Case of a Finland-Swedish Folk Belief Tradition is the first doctoral dissertation in Finland on traditional forest trolls. Her research describes trolls according to the folklore of Swedish-speaking Finns. Ingemark compares the style and content of troll tales in folklore with biblical stories.

References

External links

  • Trollmoon – The Scandinavian Troll in Art and Folklore
  • The Moomin Trove - comprehensive lists of Tove Jansson's Moomin books
  • http://www.trollshop.net/trolls Norway based website with articles and stories about Trolls
  • Art Passions – Images from Bland Tomtar Och Troll, and other illustrations from Norse mythology

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