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Benedetto Croce

Benedetto Croce

[kraw-che]
Croce, Benedetto, 1866-1952, Italian philosopher, historian, and critic. He lived mostly in Naples, devoting himself to studying and writing. He founded and edited (1903-44) Critica, a review of literature, history, and philosophy, which in 1944 became Quaderni della critica. Croce was made a senator in 1910 and was minister of education (1920-21). A staunch opponent of Fascism, he lived in retirement until 1943, when he became a leader of the Liberal party. Croce's system of philosophy is related to the idealistic school in that spirit, monistic in manifestation, constitutes the only reality. In his works on aesthetics Croce held that an artist's mental images, communicated by physical artifacts, constitute works of art. Viewing history as an interpretation of the past, he argued that history is not only a form of thought but the culmination of philosophy. The general title of the work presenting his system is Philosophy of the Spirit (1902-17; tr. 1909-21), which is divided into four parts, Aesthetic as Science of Expression and General Linguistic, Logic as the Science of Pure Concept, Philosophy of the Practical, and History: Its Theory and Practice. Among his other works are A History of Italy, 1871-1915 (1927; tr. 1929) and History as the Story of Liberty (1938; tr. 1941).

See his essays My Philosophy (tr. 1949); M. E. Moss, Benedetto Croce Reconsidered (1987); D. Roberts, Benedetto Croce and the Uses of Historicism (1987).

Benedetto Croce

(born Feb. 25, 1866, Pescasseroli, Italy—died Nov. 20, 1952, Naples) Italian patriot, aesthetician, critic, and cultural historian. He founded La Critica, an influential journal of cultural criticism, in 1903 and was its editor until 1937. A passionate antifascist, he helped revive liberal institutions in the years following World War II, including the Liberal Party, which he led from 1943 to 1952. In 1947 he founded the Italian Institute for Historical Studies. His philosophical work has been influential in aesthetics and in studies of Giambattista Vico, which he helped to revive.

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Benedetto Croce (February 25, 1866November 20, 1952) was an Italian critic, idealist philosopher, and politician. He wrote on numerous topics, including philosophy of history and aesthetics, and was a prominent liberal, although he opposed laissez-faire free trade. His influence on Antonio Gramsci is quite notable.

Biography

Croce was born in Pescasseroli in the Abruzzo region of Italy. He came from an influential and wealthy family, and was raised in a very strict Catholic environment. Around the age of 18, he turned away from Catholicism and became an atheist, remaining so for the rest of his life. In 1883, an earthquake hit the village of Casamicciola, Ischia, where he was on holiday with his family, destroying the home they lived in. His mother, father, and only sister were all killed, while he was buried for a very long time and barely survived. After the incident he inherited his family's fortune and was able to live the rest of his life in relative leisure, enabling him to devote a great deal of time to philosophy. As his fame increased, many pushed him, against his wishes, to go into politics. He was made Minister of Public Education, and later moved to the Italian Senate, a lifelong position. He was an open critic of Italy's participation in World War I, feeling that it was a suicidal trade war. Though this made him initially unpopular, his reputation was restored after the war and he became a well-loved public figure. He was also instrumental in the Biblioteca Nazionale Vittorio Emanuele III's move to the Palazzo Reale in 1923.

Though Benedetto Croce initially supported Benito Mussolini's Fascist government (1922-24), eventually he openly opposed the Fascist Party, he remained so till his death in 1952.

The philosophy of spirit

Heavily influenced by Hegel and other German Idealists, such as Fichte, Croce produced what was called, by him, the Philosophy of Spirit. Croce was an ardent idealist, and denied any reality other than "pure concept", or simply ideas. "Pure Concept" to him are largely Plato's Ideas, and are similar to Kant's categories, which are concepts like quantity, quality, evolution, more or less any idea we have that can be described as a universal idea. He came to the conclusion that if all of reality was an idea, all of reality could be reduced to purely logical concepts, and most of his works from there on are expositions on logic. He rejected all forms of religion as not logical enough and came to view most metaphysics in the same manner. He felt that all metaphysics are simple justifications of religious ideas and not full, viable philosophical ideas. Nevertheless, he held onto his idealism.

History

Croce also held great esteem for Vico, and shared his view that history should be written by philosophers. Croce's On History sets forth the view of history as "philosophy in motion", that there is no greater "cosmic design" or ultimate plan in history, and that the "science of history" was a farce. This led him to scorn theorists like Marx and Hegel who attempted to reduce history to a few guiding principles. He largely agrees with Rousseau, saying that history is a series of lies, where we must choose the one that seems closest to the truth.

Beauty

Croce's work Breviario di estetica (The Essence of Aesthetic) appears in the form of four lessons (quattro lezioni), as he was asked to write and deliver them at the inauguration of Rice University in 1912. He declined the invitation to attend the event; however, he wrote the lessons and submitted them for translation, so that they could be read in his absence. In this brief, but dense, work, Croce sets forth his theory of art. He claimed that art was more important than science or metaphysics, since only the former edifies us. He felt that all we know can be reduced to logical and imaginative knowledge. Art springs from the latter, making it at its heart, pure imagery. All thought is based in part on this, and it precedes all other thought. The task of an artist is then to put forth the perfect image that they can produce for their viewer, since this is what beauty fundamentally is - the formation of inward, mental images in their ideal state. Our intuition is the basis of forming these concepts within us. This theory was later heavily debated by such contemporary Italian thinkers as Umberto Eco.

Selected Quotes

All history is contemporary.

Footnotes

Selected bibliography

  • Materialismo storico ed economia marxistica, 1900
  • L'Estetica come scienza dell'espressione e linguistica generale, 1902
  • Logica come scienza del concetto puro, 1909
  • Breviario di estetica, 1912
  • Saggio sul Hegel, 1912
  • Teoria e storia della storiografia, 1917
  • Racconto degli racconti (first translation into Italian from Neapolitan of Giambattista Basile's Lo cunto de li cunti), 1925
  • Manifesto of Anti-Fascist Intellectuals, 1 May, 1925 in La Critica
  • Ultimi saggi, 1935
  • La poesia, 1936
  • La storia come pensiero e come azione, 1938
  • Il carattere della filosofia moderna, 1941
  • Filosofia e storiografia, 1949

Further reading

  • Parente, Alfredo. Il pensiero politico di Benedetto Croce e il nuovo liberalismo (1944).
  • Myra Moss, Benedetto Croce reconsidered,(1987).
  • Ernesto Paolozzi, Science and Philosophy in Benedetto Croce, in "Rivista di Studi Italiani", University of Toronto, 2002.
  • Janos Keleman, A Paradoxical Truth. Croce's Thesis of Contemporary History, in "Rivista di Studi Italiani, University of Toronto, 2002.
  • Giuseppe Gembillo, Croce and the Theorists of Complexity, in "Rivista di Studi Italiani, University of Toronto, 2002.
  • Fabio Fernando Rizi, Benedetto Croce and Italian Fascism, University of Toronto Press, 2003.
  • Ernesto Paolozzi, Benedetto Croce, Cassitto, Naples, 1998 (tanslated by M. Verdicchio (2008) www.ernestopaolozzi.it)

See also

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