Updike's father was a school teacher and is widely believed to be the model for the teacher in one of his early novels, The Centaur. His father continued to act as a substitute teacher in the area well into the 1960s.
Updike's work reflects an utter fascination with every aspect of the village–like atmosphere of his small home town, itself an outlying area of Reading, Pennsylvania, a place he would transform into Alton, Pa., in his novels. The buildings, the streets, the dignity and determination with which the adults went about their business were all subjects of great interest and concern. Much of Shillington retains the way it looked during Updike's childhood. The movie theater is closed and has been converted into a discount store and there are more places to shop as one heads into or away from Reading, but the character of the place remains largely intact. A key event in his life was the decision by his parents to move away from Shillington and into the relative isolation of the nearby countryside, a place where his parents, and later his mother alone, lived until their deaths. It is possible that the experience of living in the country as an only child, along with childhood illness, provided the basis by which his natural talents as a writer were gathered and energized toward the idea of writing as a career. His work certainly reflects the habits of mind of one who has spent the greatest portion of his time in contemplation and study.
Updike also enjoys working in series: In addition to the four Harry 'Rabbit' Angstrom novels, a recurrent Updike alter-ego is the moderately well-known, unprolific Jewish novelist and eventual Nobel laureate Henry Bech, chronicled in three comic short-story cycles: Bech: A Book (1970), Bech is Back (1981) and Bech At Bay: A Quasi-Novel (1998). His stories involving the socially-conscious (and socially successful) couple "The Maples" are widely considered to be autobiographical, and several were the basis for a television movie entitled Too Far To Go starring Michael Moriarty and Blythe Danner which was broadcast on NBC. Updike stated that he chose this surname for the characters because he admired the beauty and resilience of the tree.
Updike stated at the dawn of his career an intention to publish one book a year, and advancing years have slowed down neither his production nor inventiveness. In 1994 he rewrote the tale of Tristan and Isolde (Brazil); a multi-generational saga about religion and entertainment In the Beauty of the Lilies, 1996) and a science fiction novel (Toward the end of time, 1997). In Seek My Face (2002) he explored the post-war art scene. In Villages (2004), Updike returned to the familiar territory of infidelities in New England. His twenty-second and most recent novel, Terrorist, the story of a fervent, eighteen-year-old extremist Muslim in New Jersey, was published in June 2006; his sixth collection of non-fiction, "Due Considerations," appeared in the fall of 2007.
A large anthology of short stories from his literary career, titled The Early Stories 1953–1975 (2003) won the 2004 PEN/Faulkner Award for Fiction. He wrote in its preface that his career's intention had been to "give the mundane its beautiful due."
Updike has worked in a wide array of genres, including fiction, poetry, essay, and memoir. His lone foray into drama, Buchanan Dying: a play, apparently constituted something of a reversal, since in a 1968 interview Updike claimed that "[t]he unreality of painted people standing on a platform saying things they've said to each other for months is more than I can overlook." He further said: "From Twain to James and Faulkner to Bellow, the history of novelists as playwrights is a sad one."
In 2006 Updike was awarded the Rea Award for the Short Story for outstanding achievement in that genre.
Updike has four children and currently lives in Beverly Farms, Massachusetts with his second wife, Martha. In his memoir,Self Consciousness, Updike writes a letter to his Grandsons Anoff and Kwame, about the Updike family history, and asks that they not be ashamed of their skin. (His grandsons are half black, their father being from West Africa.) He also has a grandson named Trevor.
Updike is one of the most exquisite masters of prose style produced by 20th century America. Yet, his novels have been faulted for lacking any sense of action or character development. It appears at times that his ability to spin lovely phrases of delicate beauty and nuance overwhelm his desire to tell a simple, important story in the lives of his characters. Updike's novels raise the question of whether beauty of expression, the lyrical telling of a captured moment of human time is, itself, enough to justify a great work of art. In contrast, his short stories are seen by many as masterful in every respect, both for their prose style that approaches poetic expression and for the stories they convey. Some critics believe that had Updike produced only short stories and poems, his role in American letters would be even more celebrated. But it is Updike's novels that have brought him the greatest fame and attention and which resulted in his appearance on the covers of TIME magazine two times during his career, the earliest occasion (1968) being when TIME was still considered an authoritative source on what was of signal importance in contemporary American society. Updike's prodigious output of prose, poetry, criticism, essays and personal recollections mark him as one of the most prolific Americans of any generation.
"Men are all heart and Women are all body. I don't know who has the brains. God maybe." (Rabbit, Run)
"The great thing about the dead, they make space." (Rabbit is Rich)
"Rabbit loves men, uncomplaining with their bellies and cross-hatched red necks, embarrassed for what to talk about when the game is over, whatever the game is. What a threadbare thing we make of life! Yet what a marvelous thing the mind is, they can't make a machine like it; and the body can do a thousand things there isn't a factory in the world can duplicate the motion." (Rabbit is Rich)
"Fortune's hostage, heart's desire, a granddaughter. His. Another nail in his coffin. His." (Rabbit is Rich)
"Tell your mother, if she asks, that maybe we'll meet some other time. Under the pear trees, in Paradise." (Rabbit at Rest)
"Of plants tomatoes seemed the most human, eager and fragile and prone to rot." (The Witches of Eastwick)
"We all dream, and we all stand aghast at the mouth of the caves of our deaths; and this is our way in. Into the nether world." (The Witches of Eastwick)
"An Irish temper makes you appreciate Lutherans." (Terrorist)
"Fenway Park, in Boston, is a lyric little bandbox of a ballpark." ("Hub Fans Bid Kid Adieu," The New Yorker, 1960)
"Gods do not answer letters." ("Hub Fans Bid Kid Adieu," The New Yorker, 1960)
"He had met the little death that awaits athletes. He had retired." ("Hub Fans Bid Kid Adieu," The New Yorker, 1960)
"My mother had dreams of being a writer and I used to see her type in the front room. The front room is also where I would go when I was sick so I would sit there and watch her." (2004 interview with Academy of Achievement (source: http://www.achievement.org/autodoc/page/upd0int-1))
"Black is a shade of brown. So is white, if you look." (Brazil)
"Freedom is a blanket which, pulled up to the chin, uncovers the feet." (The Coup)
"Fame is a mask that eats into the face." (Self-Consciousness)
"Masturbation! Thou saving grace note upon the baffled chord of self. (A Month of Sundays)
"America is a vast conspiracy to make you happy." ("How To Love America (And Leave It At The Same Time)" [Problems And Other Stories])