Ambiguity (Am-big-u-i-ty) is the property of being ambiguous, where a word, term, notation, sign, symbol, phrase, sentence, or any other form used for communication, is called ambiguous if it can be interpreted in more than one way. Ambiguity is distinct from vagueness, which arises when the boundaries of meaning are indistinct. Ambiguity is context-dependent: the same communication may be ambiguous in one context and unambiguous in another context. For a word, ambiguity typically refers to an unclear choice between different definitions as may be found in a dictionary. A sentence may be ambiguous due to different ways of parsing the same sequence of words.
The use of multi-defined words requires the author or speaker to clarify their context, and sometimes elaborate on their specific intended meaning (in which case, a less ambiguous term should have been used). The goal of clear concise communication is that the receiver(s) have no misunderstanding about what was meant to be conveyed. An exception to this could include a politician whose "wiggle words" and obfuscation are necessary to gain support from multiple constituent (politics) with mutually exclusive conflicting desires from their candidate of choice. Ambiguity is a powerful tool of political science.
More problematic are words whose senses express closely-related concepts. “Good,” for example, can mean “useful” or “functional” (That’s a good hammer), “exemplary” (She’s a good student), “pleasing” (This is good soup), “moral” (a good person versus the lesson to be learned from a story), "righteous", etc. “I have a good daughter” is not clear about which sense is intended. The various ways to apply prefixes and suffixes can also create ambiguity (“unlockable” can mean “capable of being unlocked” or “impossible to lock”, and therefore should not be used).
Syntactic ambiguity arises when a sentence can be parsed in more than one way. “He ate the cookies on the couch,” for example, could mean that he ate those cookies which were on the couch (as opposed to those that were on the table), or it could mean that he was sitting on the couch when he ate the cookies.
Spoken language can contain many more types of ambiguities, where there is more than one way to compose a set of sounds into words, for example “ice cream” and “I scream.” Such ambiguity is generally resolved based on the context. A mishearing of such, based on incorrectly-resolved ambiguity, is called a mondegreen.
Semantic ambiguity arises when a word or concept has an inherently diffuse meaning based on widespread or informal usage. This is often the case, for example, with idiomatic expressions whose definitions are rarely or never well-defined, and are presented in the context of a larger argument that invites a conclusion.
For example, “You could do with a new automobile. How about a test drive?” The clause “You could do with” presents a statement with such wide possible interpretation as to be essentially meaningless. Lexical ambiguity is contrasted with semantic ambiguity. The former represents a choice between a finite number of known and meaningful context-dependent interpretations. The latter represents a choice between any number of possible interpretations, none of which may have a standard agreed-upon meaning. This form of ambiguity is closely related to vagueness.
Linguistic ambiguity can be a problem in law (see Ambiguity (law)), because the interpretation of written documents and oral agreements is often of paramount importance.
In literature and rhetoric, on the other hand, ambiguity can be a useful tool. Groucho Marx’s classic joke depends on a grammatical ambiguity for its humor, for example: “Last night I shot an elephant in my pajamas. What he was doing in my pajamas I’ll never know.” Ambiguity can also be used as a comic device through a genuine intention to confuse, as does Magic: The Gathering's Unhinged © Ambiguity, which makes puns with homophones, mispunctuation, and run-ons: “Whenever a player plays a spell that counters a spell that has been played[,] or a player plays a spell that comes into play with counters, that player may counter the next spell played[,] or put an additional counter on a permanent that has already been played, but not countered.” Songs and poetry often rely on ambiguous words for artistic effect, as in the song title “Don’t It Make My Brown Eyes Blue” (where “blue” can refer to the color, or to sadness).
All religions debate the orthodoxy or heterodoxy of ambiguity. Christianity and Judaism employ the concept of paradox synonymously with 'ambiguity'. Ambiguity within Christianity (and other religions) is resisted by the conservatives and fundamentalists, who regard the concept as equating with 'contradiction'. Non-fundamentalist Christians and Jews endorse Rudolf Otto's description of the sacred as 'mysterium tremendum et fascinans', the awe-inspiring mystery which fascinates humans.
Metonymy involves the use of the name of a subcomponent part as an abbreviation, or jargon, for the name of the whole object (for example "wheels" to refer to a car, or "flowers" to refer to beautiful offspring, an entire plant, or a collection of blooming plants). In modern vocabulary critical semiotics, metonymy encompasses any potentially-ambiguous word substitution that is based on contextual contiguity (located close together), or a function or process that an object performs, such as "sweet ride" to refer to a nice car. Metonym miscommunication is considered a primary mechanism of linguistic humour.
Apter and Desselles (2001) for example, found a strong correlation with such attributes and factors like a greater preference for safe as opposed to risk based sports, a preference for endurance type activities as opposed to explosive activities, a more organized and less casual lifestyle, greater care and precision in descriptions, a lower sensitivity to emotional and unpleasant words, a less acute sense of humour, engaging a smaller variety of sexual practices than their more risk comfortable colleagues, a lower likelihood of the use of drugs, pornography and drink, a greater likelihood of displaying obsessional behaviour.
In the field of leadership David Wilkinson (2006) found strong correlations between an individual leaders reaction to ambiguous situations and the Modes of Leadership they use, the type of creativity (Kirton (2003) and how they relate to others.
Creators of algorithmic languages try to avoid ambiguities. Many algorithmic languages (C++, MATLAB, Fortran) require the character * as symbol of multiplication. The language Mathematica allows the user to omit the multiplication symbol, but requires square brackets to indicate the argument of a function; square brackets are not allowed for grouping of expressions. Fortran, in addition, does not allow use of the same name (identifier) for different objects, for example, function and variable; in particular, the expression f=f(x) is qualified as an error.
The order of operations may depend on the context. In most programming languages, the operations of division and multiplication have equal priority and are executed from left to right. Until the last century, many editorials assumed that multiplication is performed first, for example, is interpreted as ; in this case, the insertion of parentheses is required when translating the formulas to an algorithmic language. In addition, it is common to write an argument of a function without parenthesis, which also may lead to ambiguity. Sometimes, one uses italics letters to denote elementary functions. In the scientific journal style, the expression means product of variables , , and , although in a slideshow, it may mean .
Comma in subscripts and superscripts sometimes is omitted; it is also ambiguous notation. If it is written , the reader should guess from the context, does it mean a single-index object, evaluated while the subscript is equal to product of variables , and , or it is indication to a three-valent tensor. The writing of instead of may mean that the writer either is stretched in space (for example, to reduce the publication fees, or aims to increase number of publications without considering readers. The same may apply to any other use of ambiguous notations.
, which by convention means , though it might be thought to mean since means .
, which arguably should mean but would commonly be understood to mean
A highly confusing term is gain. For example, the sentence "the gain of a system should be doubled", without context, means close to nothing.
It may mean that the ratio of the output voltage of an electric circuit to the input voltage should be doubled.
It may mean that the ratio of the output power of an electric or optical circuit to the input power should be doubled.
It may mean that the gain of the laser medium should be doubled, for example, doubling the population of the upper laser level in a quasi-two level system (assuming negligible absorption of the ground-state).
The term intensity is ambiguous when applied to light. The term can refer to any of irradiance, luminous intensity, radiant intensity, or radiance, depending on the background of the person using the term.
Also, confusions may be related with the use of atomic percent as measure of concentration of a dopant, or resolution of an imaging system, as measure of the size of the smallest detail which still can be resolved at the background of statistical noise. See also Accuracy and precision and its talk.
The Berry paradox arises as a result of systematic ambiguity in the meaning of terms such as "definable" or "nameable". Terms of this kind give rise to vicious circle fallacies. Other terms with this type of ambiguity are: satisfiable, true, false, function, property, class, relation, cardinal, and ordinal.
Assuming appropriate pseudorandom number generator in quantum physics, spacelike transmission of classical information could emerge in idealized setups.(Report)
Jun 01, 2008; I. INTRODUCTION True randomness is assumed, e.g., in the Copenhagen interpretation of quantum theory and in many world quantum...