See The Selected Letters of William Walton (2002) ed. by M. Hayes; biographies by N. Tierny (1984), S. Walton (1988), M. Kennedy (1989, repr. 1998), and S. Lloyd (2002); H. Burton and M. Murray, William Walton: The Romantic Loner: A Centenary Portrait Album (2002); studies by F. S. Howes (rev. ed. 1974) and S. R. Craggs (1999); At the Haunted End of the Day … A Profile of Sir William Walton (video documentary, 1987).
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See J. Lowe, ed., Ted Turner Speaks (1999); biographies by P. Bibb (1993) and K. Auletta (2004).
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See studies by H. Aptheker (1943 and 1968), E. Foner (1971), J. Duff and P. Mitchell, ed. (1971), K. S. Greenberg, ed. (2003), and S. French (2004); C. Burnett, dir., Nat Turner: A Troublesome Property (documentary film, 2004).
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In 1802, Turner made a trip to the Continent, where he painted his famous Calais Pier (National Gall., London). From then on he traveled constantly in England or abroad, making innumerable direct sketches from which he drew material for his studio paintings in oil and watercolor. Turner showed a remarkable ability to distill the best from the tradition of landscape painting and he helped to further elevate landscape (and seascape) as important artistic subject matter. The influence of the Dutch masters is apparent in his Sun Rising through Vapor (National Gall., London). In the vein of the French classical landscape painter, Claude Lorrain, he produced the Liber Studiorum (1807-19), 70 drawings that were later reproduced by engraving under Turner's supervision. Among the paintings evocative of Claude's style are his Dido Building Carthage (National Gall., London) and Crossing the Brook (Tate Gall., London). Despite his early and continued success Turner lived the life of a recluse. As his fame grew he maintained a large gallery in London for exhibition of his work, but continued to live quietly with his elderly father.
Turner's painting became increasingly abstract as he strove to portray light, space, and the elemental forces of nature. Characteristic of his later period are such paintings as The Fighting Téméraire and Rain, Steam, and Speed (both: National Gall., London). His late Venetian works, which describe atmospheric effects with brighter colors, include The Grand Canal (Metropolitan Mus.) and Approach to Venice (National Gall., Washington, D.C.). Turner encountered violent criticism as his style became increasingly free, but he was passionately defended by Sir Thomas Lawrence and the youthful Ruskin. Visionary, revolutionary, and extremely influential, these late paintings laid the groundwork for impressionism, postimpressionism, abstract expressionism, color-field painting, and a myriad of other art movements of the late 19th and 20th cents. Turner's will, which was under litigation for many years, left more than 19,000 watercolors, drawings, and oils to the British nation. Most of these works are in the National Gallery and the Tate Gallery, London. Many of Turner's oils have deteriorated badly.
See his watercolors (ed. by M. Butlin, 1962); catalog by A. J. Finberg (1968); biographies by A. J. Finberg (2d ed. 1961), J. Lindsay (1966), A. Bailey (1998), J. Woodhouse (2000), and J. Hamilton (2003); studies by J. Rothenstein and M. Butlin (1964), L. Gowing (1966), J. Gage (1969), and W. Gaunt (1971); M. Butlin and E. Joll, The Paintings and Drawings of J. W. M. Turner (1987); W. S. Rodner, J. M. W. Turner: Romantic Painter of the Industrial Revolution (1997); G. Finley, Angel in the Sun: Turner's Vision of History (1999); I. Warrell, Turner and Venice (2004).
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Licensed from Columbia University Press
See The Early Writings of Frederick Jackson Turner (1938, repr. 1969); R. Hofstadter, Progressive Historians (1968); R. A. Billington, Frederick Jackson Turner (1973).
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Licensed from Columbia University Press
See biography by G. F. Palgrave (1899).
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See his autobiography, My Life and Times (1971).
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(born March 29, 1902, Oldham, Lancashire, Eng.—died March 8, 1983, Ischia, Italy) British composer. His parents were musicians, and he learned to sing and play piano and violin early. He established his reputation at age 19 by setting to jazzy music the whimsical poetry of Edith Sitwell (see Sitwell family); Façade (1923) premiered with the poet reading her poetry through a megaphone. Walton's later works include Belshazzar's Feast (1931), two symphonies (1935, 1960), and concertos for viola, violin, and cello (1929, 1939, 1956). His scores for Laurence Olivier's films of Henry V (1944), Hamlet (1947), and Richard III (1955) became well known; he also wrote coronation marches for George VI and Elizabeth II.
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(born Nov. 19, 1938, Cincinnati, Ohio, U.S.) U.S. broadcasting entrepreneur. He took over his father's Atlanta-based advertising firm after the latter's 1963 suicide and restored it to profitability. In 1970 he bought the Atlanta television station WJRJ (later WTBS), which in 1975 became the superstation of the Turner Broadcasting System, broadcasting via satellite to cable systems nationwide. An avid sportsman, he purchased professional baseball and basketball franchises in Atlanta, and in 1977 he piloted his yacht, Courageous, to victory in the America's Cup race. He expanded his broadcasting empire with the 1980 launch of the Cable News Network (CNN) and the 1986 purchase of MGM/UA Entertainment (MGM) and its library of more than 4,000 movies. He married Jane Fonda in 1991 (divorced 2001). In 1996 he merged his broadcasting system with Time Warner and became its vice-chairman (see AOL Time Warner). In 2003 he resigned as vice-chairman of AOL Time Warner.
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(born Oct. 2, 1800, Southampton county, Va., U.S.—died Nov. 11, 1831, Jerusalem, Va.) U.S. insurrectionist. Born into slavery, he became convinced of his mission to lead American slaves out of bondage and developed a scheme to capture the armoury at Jerusalem, Va. He took an eclipse of the sun as a sign to act (1831) and began his insurrection by killing his master's family. He led 75 slaves as they killed about 60 whites on a two-day march to Jerusalem. About 3,000 state militia and local whites defeated the insurrectionists, who were captured or killed. Turner eluded arrest for six weeks but was found, tried, and hanged. Alarmed by the uprising, Southern states passed legislation forbidding the education, movement, or assembly of slaves.
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Detail of a self-portrait by J.M.W. Turner, oil on canvas, 1798; in the Tate Gallery, London.
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(born Nov. 14, 1861, Portage, Wis., U.S.—died March 14, 1932, San Marino, Calif.) U.S. historian. He taught at the University of Wisconsin and at Harvard University. Deeply influenced by his Wisconsin childhood, Turner rejected the doctrine that U.S. institutions could be traced mainly to European origins, and he demonstrated his theories in a series of essays. In “The Significance of the Frontier in American History” (1893) he asserted that the American character had been shaped by frontier life and the end of the frontier era. Later he focused on sectionalism as a force in U.S. development. His essays were collected in The Frontier in American History (1920) and Significance of Sections in American History (1932, Pulitzer Prize).
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Chromosomal disorder (from the presence of only one sex chromosome, X, in all or some of the body's cells) that causes abnormal sexual development in females. The syndrome may include absent or undeveloped ovaries, underdeveloped secondary sex characteristics, low hairline, webbed neck, shield-shaped chest with wide-spaced nipples, and kidney and heart malformations with coarctation (narrowing) of the aorta. It may not be recognized until a girl fails to undergo puberty at a normal age. Estrogen treatment results in puberty, adult appearance, and normal sex drive but not fertility. Surgery can correct malformations.
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(born Sept. 28, 1824, Great Yarmouth, Norfolk, Eng.—died Oct. 24, 1897, London) English critic and poet. He spent many years in the civil service's education department and taught poetry at Oxford. His Golden Treasury of English Songs and Lyrics (1861), a comprehensive, well-chosen, and carefully arranged lyric anthology, influenced the poetic taste of several generations and was important in popularizing the works of William Wordsworth.
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