25 results for: Expressionism

Dictionary Entries (3 more entries. View all »)
Dictionary.com Unabridged (v 1.1)Cite This Source
Ex·pres·sion·ism    Audio Help   [ik-spresh-uh-niz-uhm] Pronunciation Key
–noun
1.Fine Arts.
a.(usually lowercase) a manner of painting, drawing, sculpting, etc., in which forms derived from nature are distorted or exaggerated and colors are intensified for emotive or expressive purposes.
b.a style of art developed in the 20th century, characterized chiefly by heavy, often black lines that define forms, sharply contrasting, often vivid colors, and subjective or symbolic treatment of thematic material.
c.German, Ex·pres·si·o·nis·mus    Audio Help   [eks-pres-ee-oh-nis-moos] Pronunciation Key. modern art, esp. the experimental or nonacademic styles of contemporary art.
2.(often lowercase) Theater. a style of playwriting and stage presentation stressing the emotional content of a play, the subjective reactions of the characters, symbolic or abstract representations of reality, and nonnaturalistic techniques of scenic design.
3.Literature. a technique of distorting objects and events in order to represent them as they are perceived by a character in a literary work.
4.(usually lowercase) a phase in the development of early 20th-century music marked by the use of atonality and complex, unconventional rhythm, melody, and form, intended to express the composer's psychological and emotional life.

[Origin: 1905–10; < G Expressionismus See expression, -ism]

Ex·pres·sion·ist, noun, adjective
Ex·pres·sion·is·tic, adjective
Ex·pres·sion·is·ti·cal·ly, adverb
Dictionary.com Unabridged (v 1.1)
Based on the Random House Unabridged Dictionary, © Random House, Inc. 2006.

Encyclopedia Articles (20 more entries. View all »)
Columbia Electronic EncyclopediaCite This Source


expressionism, term used to describe works of art and literature in which the representation of reality is distorted to communicate an inner vision. The expressionist transforms nature rather than imitates it.

In Art

In painting and the graphic arts, certain movements such as the Brücke (1905), Blaue Reiter (1911), and new objectivity (1920s) are described as expressionist. In a broader sense the term also applies to certain artists who worked independent of recognized schools or movements, e.g., Rouault, Soutine, and Vlaminck in France and Kokoschka and Schiele in Austria—all of whom made aggressively executed, personal, and often visionary paintings. Gauguin, Ensor, Van Gogh, and Munch were the spiritual fathers of the 20th-century expressionist movements, and certain earlier artists, notably El Greco, Grünewald, and Goya exhibit striking parallels to modern expressionistic sensibility. See articles on individuals, e.g., Ensor.

Bibliography

See C. Zigrosser, The Expressionists (1957); F. Whitford, Expressionism (1970); J. Willett, Expressionism (1970); W. Pehnt, Expressionist Architecture (1973).

In Literature

In literature, expressionism is often considered a revolt against realism and naturalism, seeking to achieve a psychological or spiritual reality rather than record external events in logical sequence. In the novel, the term is closely allied to the writing of Franz Kafka and James Joyce (see stream of consciousness). In the drama, Strindberg is considered the forefather of the expressionists, though the term is specifically applied to a group of early 20th-century German dramatists, including Kaiser, Toller, and Wedekind. Their work was often characterized by a bizarre distortion of reality. Playwrights not closely associated with the expressionists occasionally wrote expressionist drama, e.g., Karel Čapek's R.U.R. (1921) and Eugene O'Neill's The Emperor Jones (1921). The movement, though short-lived, gave impetus to a free form of writing and of production in modern theater.

Bibliography

See E. Krispyn, Style and Society in German Literary Expressionism (1964); P. Vogt et al., Expressionism: A German Intuition, 1905-1920 (1980); P. Rabbe, ed., The Era of German Expresionism (tr. 1986); J. Weinstein, The End of Expressionism (1989).

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