Coda as a section of a movement
The presence of a coda as a structural element in a musical movement is especially clear in works written in particular musical forms. In a sonata form movement, the recapitulation section will generally follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus any music coming after this termination will be perceived as extra material; i.e. as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme.
Codas were commonly used in both sonata form and variation movements during the Classical era. One of the ways that Beethoven extended and intensified Classical practice was to expand the coda sections, producing a final section sometimes of equal musical weight to the foregoing exposition, development and recapitulation sections and completing the musical argument. For one famous example, see Symphony No. 8 (Beethoven).
The musical function of codas
Charles Burkhart (2005, 12) suggests that the reason codas are common, even necessary, is that in the climax of the main body of a piece a "particularly effortful passage", often an expanded phrase, is often created by "working an idea through to its structural conclusions" and that after all this momentum is created a coda is required to "look back" on the main body, allow listeners to "take it all in", and "create a sense of balance."
In music notation
In music notation, the coda symbol is used as a navigation marker, similarly to the dal Segno sign. It looks like a set of crosshairs. It is encountered mainly in transcriptions of popular music, and is used where the exit from a repeated section is within that section rather than at the end. The instruction "To Coda" indicated that the performer is to jump to the separate section headed with the symbol.
Cauda
Cauda, the Latin root of coda, is used in the study of conductus of the 12th and 13th centuries. The cauda was a long melisma on one of the last syllables of the text, repeated in each strophe. Conducti were traditionally divided into two groups, conductus cum cauda and conductus sine cauda (Latin: "conductus with cauda", "conductus without cauda"), based on the presence of the melisma. The cauda thus provided a conclusionary role, also similar to the modern coda.Codetta
Codetta (Italian for "little tail," the diminutive form) has a similar purpose to the coda, but on a smaller scale, concluding a section of a work instead of the work as a whole. Typically, a codetta concludes the exposition and recapitulation sections of a work in sonata form, following the second (modulated) theme, or the closing theme (if there is one). Thus, in the exposition, it usually appears in the secondary key, but in the recapitulation, in the primary key. The codetta ordinarily closes with a perfect cadence in the appropriate key, confirming the tonality. If the exposition is repeated, the codetta is also, but sometimes it has its ending slightly changed, depending on whether it leads back to the exposition or into the development sections.Codas in popular music
Many songs in rock and other genres of popular music have sections identifiable as codas. A coda in these genres is sometimes referred to as an outro and in jazz and worship music as a tag. See also fade out.
See also
Notes
References
- Burkhart, Charles. "The Phrase Rhythm of Chopin's A-flat Major Mazurka, Op. 59, No. 2" in Stein, Deborah (2005). Engaging Music: Essays in Music Analysis. New York: Oxford University Press, ISBN 0-19-517010-5.
- Rosen, Charles (1988) Sonata Forms, 2nd edition. New York: Norton.
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Codependence is described as a disease that originates in dysfunctional families where children learn to overcompensate for their parent's disorders and develop an excessive sensitivity to other's needs. The term "dysfunctional family" originally referred only to families with patterns of interaction associated with alcoholism. It is now, however, recognized as a disease occurring in family systems based on "denial" or "shame-based rules." This includes a wide-spectrum of pathological emotional interactions in families, but there is always an avoidance of confrontation and inability to resolve conflict. This is sometimes described in terms like "enmeshment" or "blurred ego boundaries." Adult children of dysfunctional families often suffer from a sense of confusion and deprivation that has continued into their adult life — a feeling of "not knowing what normal is" — that has become an anguished desire to recover something emotionally missing in their upbringing. Co-Dependents Anonymous was formed to help individuals who grew up in all forms of dysfunctional families, not just those involving alcoholism or substance abuse.
Codependence can be defined as a "process addiction" — an addiction to certain mood-altering behaviors, other such examples being: eating disorders, gambling, sexual activity, overwork, and shopping. Process addiction can be seen as a unifying principle, providing those in CoDA with a language to describe their disease. Codependence has been suggested as an underlying disease pervasive in all forms of addiction.
CoDA created a 38-item Likert-type checklist allowing one to evaluate how codependent they are. Possible scores range from 38 to 190, with higher scores representing greater codependence. The results of this instrument are strongly related to those of the Spann-Fischer Codependency scale and other such tests measuring codependence.
CoDA has one book approved for use as standard literature in the organization, titled Co-Dependents Anonymous. In addition, there are two more CoDA-endorsed books including a workbook and a book of daily meditations.
See also
References
External links
- Co-Dependents Anonymous
- Co-Dependents Anonymous United Kingdom
- Co-Dependents Recovery Society (Canada)
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Music
- Coda (music), a passage which brings a movement or piece to a conclusion through prolongation
- Coda (album), a 1982 album by rock group Led Zeppelin
- Coda (Mexican band), a rock band from Mexico
Television
- Coda (Voyager episode), an episode of Star Trek: Voyager
Comics & Games
- CODA System, a role-playing game system developed and published by Decipher, Inc.
- Coda (Wildstorm), a group of female warriors in Wildstorm comics
- Coda (board game), a code-breaking board game also known as DaVinci Code
Computing
- Coda (file system), a very stable filesystem from Carnegie Mellon University
- Coda (web development software), a shareware application developed by Panic
- CODA (company), a UK subsidiary of Unit 4 Agresso, producing financial software
Other
- Syllable coda, in linguistics, the final consonant(s) of a syllable
- Coda (company), provides accounting and procurement systems, financial analysis tools and consultancy services
- For poetic coda, see caudate sonnet.
CODA is a four-letter acronym for:
- Co-Dependents Anonymous, a twelve-step program
- Child of deaf adult, a hearing person who was raised by a deaf parent or guardian
- CEBAF On-line Data Acquisition, where CEBAF is an acronym for continuous electron beam accelerator facility
- Air Defense Operations Center in Brazil; in portuguese, "Centro de Operações de Defesa Aérea"
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