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CLOTH - 6 reference results
tapa cloth: see bark cloth.
cloth of gold, fabric woven wholly or partly of gold threads. From remote times gold has been used as material for weaving either alone or with other fibers. In India tapestries were made from gold threads as fine as silk. Cloth of gold was woven on Byzantine looms from the 7th to the 9th cent. and on those of Sicily, Cyprus, Lucca, and Venice in the 10th cent. Some narrow webs were woven in England, as well as palls of gold and silver cloth. Cloths of estate were magnificent gold tissues used to canopy or cover thrones. Baldachin, or fine cloth with gold warp and silk weft, was used ceremonially and also for rich clothing. The use of gold textiles and embroideries in the Middle Ages is illustrated by the pageantry at the meeting of the Field of the Cloth of Gold (1520). Gold thread for weaving and embroidery is still made in India, Delhi alone producing many miles per annum, working in the ancient manner. Gold or silver gilt wire is drawn through holes, successively smaller, in a specially devised metal plate, and is used either round or flattened. Modern metallic cloth, known as lamé, is commonly made of a core yarn wound with a thin metal thread, or lamé. Various artificial metallic cloths are also produced.
bark cloth, primitive fabric made in tropical and subtropical countries from the soft inner bark of certain trees. It has been made and used in parts of Africa and India, the Malay Peninsula, Samoa, the Hawaiian Islands, and the Fiji Islands and perhaps reached its highest perfection in Polynesia and parts of Central America. Lengths of branches or of young stems are cut from trees, such as the fig, the breadfruit, or the paper mulberry. The outer bark is removed; the inner bark is cut in narrow strips and then alternately soaked and beaten with a grooved or carved wooden mallet, or beetle, until the fibers are well matted and become thin and flexible. Gum is sometimes added, and pieces may be joined and beaten together to form large sheets. The peeling and beetling are usually done by the men; the decorating, by the women. Patterns, often elaborate, may be sketched or may be applied by block printing or by leaves dipped in dye and pressed on the cloth. The cloth may be gummed or oiled to make it waterproof. Tapa cloth is a fine variety made in the Pacific islands. Bark cloth is used for loincloths, skirts, draperies, and wall hangings; in thick layers it makes an excellent bed. So ancient is the art of making the cloth that it is deeply involved in religious and ceremonial life. In Borneo a strip of the cloth signifies mourning. In Malawi it has traditionally formed the initiation dress of girls. In India some sects prescribe bark cloth as the dress of a religious recluse.
Field of the Cloth of Gold, locality between Guines and Ardres, not far from Calais, in France, where in 1520 Henry VIII of England and Francis I of France met for the purpose of arranging an alliance. Both kings brought large retinues, and the name given the meeting place reflects the unexampled splendor of the pageantry. The political consequences were negligible, because Henry, who had been undecided whether to support Francis or Holy Roman Emperor Charles V, had already turned toward the emperor and shortly afterward made an alliance with him.

Tapa wall drapery painted with animal clan emblems, from the Teluk Jos Sudarso (Humboldt Bay) area, elipsis

Abstract and figurative designs applied to nonwoven fabric made from bark. Also called tapa, the pieces are made by scratching or painting the designs. The most popular material is the inner bark of the paper mulberry tree. The bark is stripped off, soaked, and beaten until it is thin. Today hand-painted bark cloth is made in northern Australia, New Guinea, and parts of Melanesia. Styles and imagery vary by location, from naturalistic and stylized representations of human and animal forms to mythical beings, spirals, circles, and abstract motifs.

Learn more about bark painting with a free trial on Britannica.com.

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