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ANGLO - 7 reference results
Anglo-Saxons, name given to the Germanic-speaking peoples who settled in England after the decline of Roman rule there. They were first invited by the Celtic King Vortigern, who needed help fighting the Picts and Scots. The Angles (Lat. Angli), who are mentioned in Tacitus' Germania, seem to have come from what is now Schleswig in the later decades of the 5th cent. Their settlements in the eastern, central, and northern portions of the country were the foundations for the later kingdoms known as East Anglia, Mercia, and Northumbria. The Saxons, a Germanic tribe who had been continental neighbors of the Angles, also settled in England in the late 5th cent. after earlier marauding forays there. The later kingdoms of Sussex, Wessex, and Essex were the outgrowths of their settlements. The Jutes, a tribe about whom very little is known except that they probably came from the area around the mouths of the Rhine, settled in Kent (see Kent, kingdom of) and the Isle of Wight. The Anglo-Saxons eventually formed seven separate kingdoms known as the heptarchy. The term "Anglo-Saxons" was first used in Continental Latin sources to distinguish the Saxons in England from those on the Continent, but it soon came to mean simply the "English." The more specific use of the term to denote the non-Celtic settlers of England prior to the Norman Conquest dates from the 16th cent. In more modern times it has also been used to denote any of the people (or their descendants) of the British Isles.

See P. H. Blair, An Introduction to Anglo-Saxon England (1954, repr. 1962); F. M. Stenton, Anglo-Saxon England (3d ed. 1971); D. M. Wilson, The Anglo-Saxons (rev. ed. 1971); D. J. V. Fisher, The Anglo-Saxon Age, 400-1042 (1973); G. R. Owen, Rites and Religions of the Anglo-Saxons (1985); M. J. Whittock, The Origins of England, 410-600 (1986).

Anglo-Saxon literature, the literary writings in Old English (see English language), composed between c.650 and c.1100.

See also English literature.

Poetry

There are two types of Old English poetry: the heroic, the sources of which are pre-Christian Germanic myth, history, and custom; and the Christian. Although nearly all Old English poetry is preserved in only four manuscripts—indicating that what has survived is not necessarily the best or most representative—much of it is of high literary quality. Moreover, Old English heroic poetry is the earliest extant in all of Germanic literature. It is thus the nearest we can come to the oral pagan literature of Germanic culture, and is also of inestimable value as a source of knowledge about many aspects of Germanic society. The 7th-century work known as Widsith is one of the earliest Old English poems, and thus is of particular historic and linguistic interest.

Beowulf, a complete epic, is the oldest surviving Germanic epic as well as the longest and most important poem in Old English. It originated as a pagan saga transmitted orally from one generation to the next; court poets known as scops were the bearers of tribal history and tradition. The version of Beowulf that is extant was composed by a Christian poet, probably early in the 8th cent. However, intermittent Christian themes found in the epic, although affecting in themselves, are not integrated into the essentially pagan tale. The epic celebrates the hero's fearless and bloody struggles against monsters and extols courage, honor, and loyalty as the chief virtues in a world of brutal force.

The elegiac theme, a strong undercurrent in Beowulf, is central to Deor, The Wanderer, The Seafarer, and other poems. In these works, a happy past is contrasted with a precarious and desolate present. The Finnsburgh fragment, The Battle of Maldon, and The Battle of Brunanburh (see Maldon and Brunanburh), which are all based on historical episodes, mainly celebrate great heroism in the face of overwhelming odds. In this heroic poetry, all of which is anonymous, greatness is measured less by victory than by perfect loyalty and courage in extremity.

Much of the Old English Christian poetry is marked by the simple belief of a relatively unsophisticated Christianity; the names of two authors are known. Cædmon—whose story is charmingly told by the Venerable Bede, who also records a few lines of his poetry—is the earliest known English poet. Although the body of his work has been lost, the school of Cædmon is responsible for poetic narrative versions of biblical stories, the most dramatic of which is probably Genesis B.

Cynewulf, a later poet, signed the poems Elene, Juliana, and The Fates of the Apostles; no more is known of him. The finest poem of the school of Cynewulf is The Dream of the Rood, the first known example of the dream vision, a genre later popular in Middle English literature. Other Old English poems include various riddles, charms (magic cures, pagan in origin), saints' lives, gnomic poetry, and other Christian and heroic verse.

The verse form for Old English poetry is an alliterative line of four stressed syllables and an unfixed number of unstressed syllables broken by a caesura and arranged in one of several patterns. Lines are conventionally end-stopped and unrhymed. The form lends itself to narrative; there is no lyric poetry in Old English. A stylistic feature in this heroic poetry is the kenning, a figurative phrase, often a metaphorical compound, used as a synonym for a simple noun, e.g., the repeated use of the phrases whale-road for sea and twilight-spoiler for dragon (see Old Norse literature).

Prose

Old English literary prose dates from the latter part of the Anglo-Saxon period. Prose was written in Latin before the reign of King Alfred (reigned 871-99), who worked to revitalize English culture after the devastating Danish invasions ended. As hardly anyone could read Latin, Alfred translated or had translated the most important Latin texts. He also encouraged writing in the vernacular. Didactic, devotional, and informative prose was written, and the Anglo-Saxon Chronicle, probably begun in Alfred's time as an historical record, continued for over three centuries. Two preeminent Old English prose writers were Ælfric, Abbot of Eynsham, and his contemporary Wulfstan, Archbishop of York. Their sermons (written in the late 10th or early 11th cent.) set a standard for homiletics.

A great deal of Latin prose and poetry was written during the Anglo-Saxon period. Of historic as well as literary interest, it provides an excellent record of the founding and early development of the church in England and reflects the introduction and early influence there of Latin-European culture.

Bibliography

See G. P. Krapp and E. V. K. Dobbie, ed., The Anglo-Saxon Poetic Records (6 vol., 1932-53); G. K. Anderson, The Literature of the Anglo-Saxons (1949, repr. 1962); S. B. Greenfield, A Critical History of Old English Literature (1965); C. L. Wrenn, A Study of Old English Literature (1967); J. D. Niles, Old English Literature in Context (1981).

Anglo-Saxon Chronicle, collective name given several English monastic chronicles in Anglo-Saxon, all stemming from a compilation made from old annals and other sources c.891. Although the work was thought for some time to have been commissioned by King Alfred, there is no positive evidence to substantiate this claim; his encouragement of learning, however, undoubtedly inspired the compilation of the chronicle. The original chronicle was later edited with additions, omissions, and continuations by monks in various monasteries. The account begins with the start of the Christian era and extends to 1154. Much of the very early material is drawn from Bede's history. From the period of the wars between Saxons and Danes onward, most of the annals are original and are the sole source for information about certain events. The writing is generally in sparse prose, but some poems are inserted, notably the stirring "Battle of Brunanburh" (see Brunanburh). The four chronicles recognized as distinct are called the Winchester Chronicle, the Abingdon Chronicle, the Worcester Chronicle, and the Peterborough Chronicle.

See C. Plummer, ed., Two of the Saxon Chronicles Parallel (1892-99); D. Whitelock et al., ed., The Anglo-Saxon Chronicle (1962); C. Clark, ed., The Peterborough Chronicle (2d ed. 1970); G. N. Farmonsway, ed. and tr. Anglo-Saxon Chronicle (1978).

Anglo-Norman literature, body of literature written in England, in the French dialect known as Anglo-Norman, from c.1100 to c.1250. Initiated at the court of Henry I, it was supported by the wealthy, French-speaking aristocracy who controlled England after the Norman conquest. The dominant literary forms were histories, sacred and secular biographies, and homilies; romance and fiction were relatively scarce. Perhaps the most important historian was Geoffrey Gaimer, whose two-part history of England, Histoire des Bretons and Estorie des Engles, was written in verse. Philippe of Thaün, the earliest known Anglo-Norman poet, was noted for the moral allegory the Bestiaire. Of secular works, Thomas's Tristan (c.1170) is notable both artistically and as an early source for the Tristram and Isolde legend.

See M. D. Legge, Anglo-Norman Literature and Its Background (1963).

Anglo-Catholic movement: see Oxford movement.
or Dutch Wars

Four naval conflicts between England and the Dutch Republic in the 17th–18th century. The First (1652–54), Second (1665–67), and Third (1672–74) Anglo-Dutch Wars all arose from commercial rivalry between the two nations, and victories by England established its naval might. The two countries had been allied for a century when the Fourth Anglo-Dutch War (1780–84) broke out over Dutch interference in the American Revolution. By 1784 the Dutch Republic had declined dramatically in power and prestige.

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