Powell, Adam Clayton, Jr., 1908-72, American politician and clergyman, b. New Haven, Conn. In 1937 he became pastor of the Abyssinian Baptist Church in New York City, and he soon became known as a militant black leader. He was elected to the city council of New York in 1941, and was elected for the first time to the U.S. Congress in 1945. Although a Democrat, he campaigned for President Eisenhower in 1956. As chairman of the House Committee on Education and Labor after 1960, he acquired a reputation for flamboyance and disregard of convention. In Mar., 1967, he was excluded by the House of Representatives, which had accused him of misuse of House funds, contempt of New York court orders concerning a 1963 libel judgment against him, and conduct unbecoming a member. He was overwhelmingly reelected in a special election in 1967 and again in 1968. He was seated in the 1969 Congress but fined $25,000 and deprived of his seniority. In June, 1969, the U.S. Supreme Court ruled that his exclusion from the House had been unconstitutional. Powell was defeated for reelection in 1970.
See his autobiography (1971); study by A. Jacobs (1973).
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Oehlenschläger, Adam Gottlob, 1779-1850, Danish romantic poet and dramatist. Oehlenschläger turned for themes to the sagas and to Scandinavian history; he is known as the national poet of Denmark. His poem "The Golden Horns" (1803, tr. 1913) is an original and creative treatment of myth. Other works include lyrics, epics, and a series of historical plays, the best known of which, Earl Hakon the Mighty (1807, tr. 1857), describes the decline of heathenism in Scandinavia. Other dramas are Axel and Valborg (1810, tr. 1851) and Helge (1814). In 1829, Oehlenschläger was crowned Scandinavian poet laureate.
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Naruszewicz, Adam Stanislaw, 1733-96, Polish historian. A Jesuit, he became, after the suppression of his order, bishop of Smolensk (1788) and of Lutsk (1790). At the court of Stanislaus II he held a position similar to poet laureate. Naruszewicz organized extensive historical research in the archives and wrote a history (7 vol., 1780-1824) of the Polish nation.
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Mickiewicz, Adam, 1798-1855, Polish romantic poet and playwright, b. Belorussia. He studied at the Univ. of Vilna, where he was arrested (1823) for pan-Polish activities and deported to Russia. He was permitted (1829) to travel through Europe, remaining there following the Polish uprising of 1830. Later he served as professor of literature in Lausanne (1839) and in Paris (1840-44). In the revolutionary upheavals of 1848 and again in the Crimean War he organized legions for Polish emancipation. He died in Constantinople during a cholera epidemic. Mickiewicz's poetry gave international stature to Polish literature. His powerful verse expressed a romantic view of the soul and the mysteries of life, often employing Polish folk themes. His major works include the fantastic drama
The Forefathers (1823); the philosophical poem
Konrad Wallenrod (1828);
The Books of the Polish Nation and of Polish Pilgrimage (1832); and the great epic
Pan Tadeusz (1834, tr. 1917). This poem, Mickiewicz's masterpiece, is a comprehensive and Homeric treatment of the life of the Polish gentry.
See biography by M. M. Gardner (1911, repr. 1971); studies by W. Weintraub (1954 and 1959) and M. Kridl, ed. (1951, repr. 1969).
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Meulen, Adam Frans van der, c.1632-1690, Flemish painter of battle scenes and portraits. He was invited to Paris c.1665 and accompanied Louis XIV on military campaigns, carefully recording battles in drawings that he used as preparation for his detailed paintings and tapestry designs. All of these are now of considerable historical interest. The Metropolitan Museum has Meulen's Combat of Cavalry and Encounter of Cavalry.
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Marsh, Adam, or
Adam de Marisco, d. 1259?, English Franciscan scholar. He was a student of Robert
Grosseteste. When Grosseteste became bishop, Marsh took his place in the Franciscan school at Oxford. Marsh's advice and his services as a peacemaker were constantly sought, and Grosseteste relied heavily on him. Actively supporting the reform party of Simon de
Montfort (1208?-1265), Marsh was able nevertheless to retain the confidence of Henry III. Of his writings only his letters survive.
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Marisco, Adam de: see
Marsh, Adam.
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Malik, Adam, 1917-84, Indonesian government official. A militant nationalist as a youth, he helped to found a news bureau that eventually became the official Indonesian news agency, and after World War II he fought for Indonesian independence. He entered the house of representatives in 1956 and later served as ambassador to the USSR (1959-63) and minister of commerce (1963-65) under President
Sukarno. He was (1966) a key figure in Sukarno's removal from power and became foreign minister in the new government. In this post he negotiated Indonesia's readmittance to the United Nations and a peace treaty with Malaysia, while reversing Sukarno's pro-Chinese policies. He later served as Vice President (1978-83) under President
Suharto.
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Life of Adam and Eve: see
Adam and Eve, Life of.
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La Halle, Adam de: see
Adam de la Halle.
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Krusenstern, Adam Johann von, 1770-1846, Russian navigator. From 1803 to 1806 he circumnavigated the globe. Although the voyage was undertaken to stimulate the fur trade of the Pacific coast and to revive trade with China and Japan, its real contribution was to the knowledge of the hydrography of the N Pacific coast of America. Krusenstern was director (1827-42) of the royal naval academy and was promoted to the rank of admiral. He wrote an account of his voyage (3 vol. and atlas, 1809-13; tr. 1813).
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Kraft or Krafft, Adam, c.1455-1509, German sculptor of Nuremberg. He moved from an ornamental late Gothic style toward clarity, symmetry, and a powerful use of rounded, organically constructed figures. His decorations for the Schreyer family tomb (c.1490) in the Church of St. Sebald in Nuremberg and his openwork tabernacle (1493-96) for the Church of St. Lawrence typify his earlier style. His later manner may be seen in his Stations of the Cross (1505-8; Nuremberg). Kraft was notably adept at blending architectural and sculptural forms.
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Krafft, Adam: see
Kraft, Adam.
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Hergenröther, Joseph Adam Gustav, 1824-90, German theologian and scholar, cardinal of the Roman Catholic Church. He was a professor at Munich and Würzburg. In 1879, Leo XIII made him cardinal and first prefect of the newly opened Vatican archives. Hergenröther wrote polemical works and church history. A zealous advocate of
ultramontanism, he refuted
Döllinger with
Anti-Janus (1870, tr. 1870). His historical works include
The Catholic Church and the Christian State (1876, tr. 1876) and
Manual of Universal Church History (3 vol., 1876-80). His monumental work on
Photius, written to dispel charges of papal responsibility for the Eastern schism, is fundamental, but considered by later scholars to be unfair to Photius.
See American Catholic Historical Association, Church Historians (1926).
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Gordon, Adam Lindsay, 1833-70, Australian poet, b. the Azores. In 1853 he went to South Australia, where he joined the mounted police and later became famous as a steeplechase rider and horse owner. His works include Sea Spray and Smoke Drift (1867), Ashtaroth (1867), and the vigorous Bush Ballads and Galloping Rhymes (1870). Depressed by debts, he committed suicide at 36. His collected poems were published in 1912.
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Ferguson, Adam, 1723-1816, Scottish philosopher and historian. He was professor of philosophy at the Univ. of Edinburgh (1759-85). His
Essay on the History of Civil Society (1767) criticized earlier theories of a state of nature; it was an important contribution to intellectual history and influenced Hegel. In his
Principles of Moral and Political Science (1792), Ferguson advanced the principle of perfection and attempted to reconcile self-interest and universal benevolence.
See D. Kettler, The Social and Political Thought of Adam Ferguson (1965); M. Jack, Corruption and Progress: The 18th-Century Debate (1989).
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Elsheimer, Adam, 1578-1610?, German painter. After studying in Frankfurt, Munich, and Venice, he settled in Rome and worked for Pope Paul V. He painted small pictures on copper. They were chiefly of biblical and mythological subjects with landscape backgrounds, which he executed with minute precision. He had numerous students (including Pieter Lastman, who was the teacher of Rembrandt) and is thought to have had a considerable influence on Dutch landscape painting. Elsheimer was particularly successful in rendering light effects. His Good Samaritan is in the Louvre. Tobias and Coronis are both in the National Gallery in London.
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Dollard des Ormeaux, Adam, 1635-1660, garrison commander of the fort at Ville-Marie (Montreal), b. France. He probably went to Canada in 1658. In the spring of 1660 he led a small party of Frenchmen up the Ottawa River to wage war on the Iroquois. At Long Sault Rapids he and his companions were killed after a week's defense in an improvised fort against a large band of Iroquois. Their resistance, however, probably delayed an Iroquois plan to attack New France.
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Custine, Adam Philippe, comte de, 1740-93, French general. He served in the Seven Years War and in the American Revolution. Elected to the States-General (1789), he served in the French Revolutionary Wars and in 1792 took Frankfurt and Mainz. His failure in the campaign of 1793 led to accusations of treason, and he was guillotined.
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Bartsch, Adam von (Johann Adam Bernhard von Bartsch), 1757-1821, Austrian engraver, etcher, and writer. His critical catalog, Le Peintre Graveur (21 vol., 1803-21), is still authoritative. Bartsch executed over 500 plates from his own designs and from those of others.
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Adam, Robert, 1728-92, and
James Adam, 1730-94, Scottish architects, brothers. They designed important public and private buildings in England and Scotland and numerous interiors, pieces of furniture, and decorative objects. Robert possessed the great creative talents, with his brother James serving chiefly as his assistant. Robert Adam designed his buildings to achieve the most harmonious relation between the exterior, the interior, and the furniture. His light, elegant, and essentially decorative style was a free, personal reconstitution of antique motifs. He drew upon numerous sources including earlier English Palladian architecture, French and Italian Renaissance architecture, and the antique monuments themselves as he knew them through publications and personal investigation. Adam himself contributed an important study,
Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia (1764). For decorative painting, Adam employed such artists as Angelica Kauffmann and Antonio Zucchi. The Adam manner gained great favor in his day, and designs in the Adam style have never ceased to appear. Especially interesting examples of Adam planning and decoration are Osterly Park, Middlesex (1761-80); Syon House, Middlesex (1762-69); and Luton Hoo, Bedfordshire (1768-75). The brothers wrote
Works in Architecture of Robert and James Adam (3 vol., 1778-1822). Robert was architect to the king from 1762 until 1768, when he was succeeded by James. Robert Adam was buried in Westminster Abbey.
See J. Fleming, Robert Adam and His Circle (1962) and D. Stillman, The Decorative Work of Robert Adam (1966); D. Yarwood, Robert Adam (1970).
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Adam, James: see
Adam, Robert.
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Adam, Adolphe Charles, 1803-56, French composer of the popular song Cantique de Noël. He composed more than 50 stage works, including comic operas such as Le Postillon de Longjumeau (1836) and the ballet Giselle (1841).
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Adam le Bossu: see
Adam de la Halle.
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Adam de la Halle or
Adam le Bossu, c.1240-1287, French dramatist and poet-musician, one of the great
trouvères. Many of his songs and polyphonic motets are preserved, as is the pastoral comedy with music
Le Jeu de Robin et Marion (c.1283). Another work,
Jeu d'Adam ou de la feuillée (1262), was one of the earliest forerunners of comic opera.
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Adam and Eve, Life of, early Jewish work included in the collection known as the Old Testament
Pseudepigrapha. It was probably written in Hebrew between 100
B.C. and
A.D. 100. Based on the Old Testament story, it supplements the original. It has been interpreted to teach that Eve was the source of Adam's sin and that she was responsible for the Fall.
See J. H. Charlesworth, The Old Testament Pseudepigrapha (Vol. II, 1985); E. Pagels, Adam, Eve, and the Serpent (1988).
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Adam, [Heb.,=man], in the Bible, the first man. In the Book of Genesis, God creates humankind in his image as a species of male and female, giving them dominion over other life. Elsewhere in Genesis, however, Adam is the personal name of the first man for whom the created order is then fashioned. From his body,
Eve is made to be his helper and partner. After the Fall, i.e., their disobedience, they are expelled from the Garden of
Eden. The Qur'an depicts Adam's creation and fall. These traditions led to the monotheistic ideas regarding
sin and
grace. For examples of Jewish and Islamic legends about the biblical accounts, see
Lilith and
Pseudepigrapha.
Higher criticism regards chapters 1-4 of Genesis as the re-workings of Babylonian and Canaanite myths concerning creation. While the myths stress human servitude to the gods, Genesis places humankind at the center of the created order, over which it exercises dominion as God's agent.
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Adam, in the Bible, town on the upper Jordan.
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Adam Smith, paste medallion by James Tassie, 1787; in the Scottish National Portrait Gallery, elipsis
(baptized June 5, 1723, Kirkcaldy, Fife, Scot.—died July 17, 1790, Edinburgh) Scottish social philosopher and political economist. The son of a customs official, he studied at the Universities of Glasgow and Oxford. A series of public lectures in Edinburgh (from 1748) led to a lifelong friendship with
David Hume and to Smith's appointment to the Glasgow faculty in 1751. After publishing
The Theory of Moral Sentiments (1759), he became the tutor of the future Duke of Buccleuch (1763–66); with him he traveled to France, where Smith consorted with other eminent thinkers. In 1776, after nine years of work, Smith published
An Inquiry into the Nature and Causes of the Wealth of Nations, the first comprehensive system of political economy. In it he argued in favour of an economic system based on individual self-interest that would be led, as if by an “invisible hand,” to achieve the greatest good for all, and posited the
division of labour as the chief factor in economic growth. A reaction to the system of
mercantilism then current, it stands as the beginning of
classical economics.
The Wealth of Nations in time won him an enormous reputation and would become virtually the most influential work on economics ever published. Though often regarded as the bible of
capitalism, it is harshly critical of the shortcomings of unrestrained free enterprise and monopoly. In 1777 Smith was appointed commissioner of customs for Scotland, and in 1787 rector of the University of Glasgow.
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(born May 5, 1846, Wola Okrzejska, Pol.—died Nov. 15, 1916, Vevey, Switz.) Polish novelist. In 1869 he began to publish critical works showing the influence of positivism. He worked as a newspaperman and published successful short stories before producing the great trilogy consisting of With Fire and Sword (1884), The Deluge (1886), and Pan Michael (1887–88). Describing Poland's struggles against Cossacks, Tatars, Swedes, and Turks, the novels stress Polish heroism in a vivid style of epic clarity and simplicity. The widely translated Quo Vadis? (1896), set in Rome under Nero, established his international reputation. He received the Nobel Prize for Literature in 1905.
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(born March 22, 1785, Dent, Yorkshire, Eng.—died Jan. 27, 1873, Cambridge, Cambridgeshire) English geologist. A pioneer in the establishment of geology as a university discipline (Trinity College, Oxford), he named the Cambrian Period and (with Roderick Murchison) the Devonian Period. His grandnephew, the zoologist Adam Sedgwick (1854–1913), first established the evolutionary link between the annelids and the arthropods.
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(born Nov. 29, 1908, New Haven, Conn., U.S.—died April 4, 1972, Miami, Fla.) U.S. politician. In 1937 he succeeded his father as pastor of the Abyssinian Baptist Church in Harlem, New York City, and built its membership to 13,000. Elected to the New York City Council in 1941, he became the first African American to serve on that body. In the U.S. House of Representatives (1945–67, 1969–71), he sponsored much social-welfare legislation, including a minimum wage act, antipoverty acts, and bills providing federal aid to education. Known for his flamboyance and his lack of concern for House decorum, he was the target of a libel suit and was investigated for financial misconduct. In 1967 the House voted to exclude him, but the U.S. Supreme Court later ruled that the House's action was unconstitutional.
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(born Dec. 24, 1798, Zaosye, near Nowogródek, Belorussia, Russian Empire—died Nov. 25, 1855, Constantinople, Tur.) Polish poet. A lifelong apostle of Polish national freedom and one of Poland's greatest poets, Mickiewicz was deported to Russia for his revolutionary activities in 1823. His Poetry, 2 vol. (1822–23), was the first major Polish Romantic work; it contained two parts of Forefathers' Eve, a cycle combining folklore and mystic patriotism. Mickiewicz left Russia in 1829 and eventually settled in Paris. There he wrote The Books of Our Pilgrimage (1832), a prose interpretation of the history of the Poles; and his masterpiece, the poetic epic Pan Tadeusz (1834), which describes the life of the Polish gentry in the early 19th century.
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(baptized March 18, 1578, Frankfurt am Main—died Dec. 11, 1610, Rome, Papal States) German painter and printmaker. After studying in Frankfurt, he went to Rome in 1600 and began producing images of Italian Classical subjects, nocturnal scenes, and landscapes. He painted on small copper plates and executed drawings and etchings. He frequently depicted illumination by firelight, candlelight, and moonlight. His Flight into Egypt (1609) was the first painting to depict the constellations accurately. An important figure in the development of 17th-century landscape painting, he greatly influenced Dutch, Italian, and French artists. He died at age 32.
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(born July 3, 1728, Kirkcaldy, Fife, Scot.—died March 3, 1792, London, Eng.) Scottish architect and designer. Son of the architect William Adam, he apprenticed in his father's offices. He traveled in Europe in 1754–58, studying architectural theory and Roman ruins. On his return to London, he and his brother James (1732–94) developed an essentially decorative style—known as the Adam style—that was marked by a new lightness and freedom in the use of the Classical elements of architecture. This style is most remembered for its application in interiors, which were characterized by contrasting room shapes and delicate Classical ornaments. Robert Adam's executed works, mainly remodeled interiors and exteriors of private houses, include Osterley Park (1761–80) in Middlesex and Kedleston Hall (circa 1765–70) in Derbyshire. Other works include the Adelphi development in London (1768–72) and the University of Edinburgh (1789). He was also a leading furniture designer; his style, popularized by designer George Hepplewhite, was meant to harmonize with his interior architecture down to the last detail.
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In the Judeo-Christian and Islamic traditions, the parents of the human race. Genesis gives two versions of their creation. In the first, God creates “male and female in his own image” on the sixth day. In the second, Adam is placed in the Garden of Eden, and Eve is later created from his rib to ease his loneliness. For succumbing to temptation and eating the fruit of the forbidden tree of knowledge of good and evil, God banished them from Eden, and they and their descendants were forced to live lives of hardship. Cain and Abel were their children. Christian theologians developed the doctrine of original sin based on the story of their transgression; in contrast, the Quran teaches that Adam's sin was his alone and did not make all people sinners.
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