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Aimé Césaire

Aimé Césaire

[sey-zer]
Césaire, Aimé (Aimé Fernand Césaire), 1913-2008, West Indian poet and essayist who wrote in French. After studying in Paris he became concerned with the plight of blacks in what he considered a decadent Western society. With Léopold Senghor and Léon Damas he formulated the concept of négritude, which urged blacks to reject assimilation and cultivate consciousness of their own racial qualities and heritage. Césaire voiced this idea through poetry, collected in such volumes as Les armes miraculeuses (1946) and Ferrements (1960) and in the essay Discours sur le colonialisme (1950, tr. 1972). In addition to his literary output, which comprises poetry, plays, and historical essays on black leaders, Césaire helped Martinique shed the colonialism he abhorred and become (1946) a French overseas department. He held a number of government positions, including that of mayor (1945-83, 1984-2001) of Martinique's capital, Fort-de-France, and also was a member (1946-56, 1958-93) of France's National Assembly.

See his Collected Poetry (tr. 1984); studies by S. Frutkin (1973), A. J. Arnold (1981, repr. 2000), R. L. Scharfman (1987), and G. Davis (1997).

Aimé Fernand David Césaire (26 June 1913 – 17 April 2008) was a Afro-Martinican francophone poet, author and politician.

Student, Educator and Poet

Aimé Césaire was born in Basse-Pointe, Martinique. In 1931, he traveled to Paris to attend the Lycée Louis-le-Grand on an educational scholarship. In Paris, Césaire, who in 1935 passed an entrance exam for the École normale supérieure, created, with Léopold Sédar Senghor and Léon Damas, the literary review L'Étudiant Noir (The Black Student) which was a forerunner of the Négritude movement. In 1936, Césaire began work on his book-length poem Cahier d'un retour au pays natal - Notebook of a Return to My Native Land - (1939), a vivid and powerful depiction of the ambiguities of Caribbean life and culture in the New World and this upon returning home to Martinique.

Césaire married fellow Martinican student Suzanne Roussi in 1937. Together they moved back to Martinique in 1939 with their young son. Césaire became a teacher at the Lycée Schoelcher in Fort-de-France, where he taught Frantz Fanon and served as an inspiration for, but did not teach, Édouard Glissant. He would become a heavy influence for Fanon as both a mentor and a contemporary throughout Fanon's short life.

World War II

The years of World War II were ones of great intellectual activity for the Césaires. In 1941, Aimé Césaire and Suzanne Roussi founded the literary review Tropiques, with the help of other Martinican intellectuals like René Ménil and Aristide Maugée, in order to challenge the cultural status quo and alienation that then characterized Martinican identity. Many run-ins with censorship did not deter Césaire from being an outspoken defendant of Martinican identity. He also became close to French surrealist poet André Breton, who spent time in Martinique during the war. Breton contributed a laudatory introduction to the 1947 edition of Cahier d'un retour au pays natal, saying that "this poem is nothing less than the greatest lyrical monument of our times." ("ce poème [n'est] rien moins que le plus grand monument lyrique de ce temps").

Political career

In 1945, with the support of the French Communist Party, Césaire was elected mayor of Fort-de-France and député to the French National Assembly for Martinique. He was one of the principal drafters of the 1946 law on departmentalizing former colonies, a role for which independentist politicians have often criticized him.

Like many left intellectuals in France, Césaire looked in the 1930s and 1940s toward the Soviet Union as a source of human progress, virtue, and human rights, but Césaire later grew disillusioned with Communism. In 1956, after the invasion of Hungary by the Soviet Union, Aimé Césaire announced his resignation from the French Communist Party in a text entitled Lettre à Maurice Thorez. In 1958 he founded the Parti Progressiste Martiniquais.

His writings during this period reflect his passion for civic and social engagement. He wrote Discours sur le colonialisme (Discourse on Colonialism) (1953), a denunciation of European colonial racism which was published in the French review Présence Africaine. In 1960, he published Toussaint Louverture, based upon the life of the Haitian revolutionary. In 1968, he published the first version of Une Tempête, a radical adaptation of Shakespeare's play The Tempest for a black audience.

He served as President of the Regional Council of Martinique from 1983 to 1988. He retired from politics in 2001.

Later life

In 2006, he refused to meet the leader of the Union for a Popular Movement (UMP), Nicolas Sarkozy, then a probable contender for the 2007 presidential election, because the UMP had voted for the February 23, 2005 law asking teachers and textbooks to "acknowledge and recognize in particular the positive role of the French presence abroad, especially in North Africa", a law considered by many as a eulogy to colonialism and French actions during the Algerian War. President Jacques Chirac finally had the controversial law repealed

From 9 April 2008, he had serious heart troubles and was admitted to Pierre Zobda Quitman hospital in Fort-de-France. He died on 17 April 2008.

Césaire was given the honour of a state funeral, held at the State de Dillon in Fort-de-France on 20 April. President Nicolas Sarkozy was present but did not make a speech. Pierre Aliker, who served for many years as deputy mayor under Césaire, gave the funeral oration.

Legacy

Martinique's airport at Le Lamentin was renamed Martinique Aimé Césaire International Airport on 15 January 2007.

Works

Poetry

  • Cahier d'un retour au pays natal (1939), Return to my native land (bilingual edition), Paris: Présence Africaine 1968
  • Armes miraculeuses (1946)
  • Soleil cou coupé (1948)
  • Corps perdu (1950)
  • Ferrements (1960)
  • Cadastre (1961)
  • Moi, laminaire (1982)
  • Collected Poetry, University of California Press (1983)

Theatre

  • Et les Chiens se taisaient, tragédie: arrangement théâtral. Paris: Présence Africaine, 1958, 1997.
  • La Tragédie du roi Christophe. Paris: Présence Africaine, 1963, 1993. The tragedy of King Christophe, New York: Grove 1969
  • Une Tempête, adapted from The Tempest by William Shakespeare: adaptation pour un théâtre nègre. Paris: Seuil, 1969, 1997. A Tempest, New York: Ubu repertory 1986
  • Une Saison au Congo. Paris: Seuil, 1966, 2001. A season in the Congo, New York 1968, A play about Patrice Lumumba

Other writings

  • Discours sur le colonialisme, Paris: Présence Africaine, 1953.
  • Toussaint Louverture; La Révolution française et le problème colonial. Paris: Présence Africaine, 1960.

See also

References

  • Césaire, Aimé (1957). Letter to Maurice Thorez. Paris: Présence africaine. p. 7.
  • Christian Filostrat, La Négritude et la "Conscience raciale et révolutionaire sociale" d'Aimé Césaire. Présence Francophone No 21, Automne 1980. pp 119 - 130.
  • Joubert, Jean-Louis. "Césaire, Aimé." In Dictionnaire encyclopédique de la littérature française. Paris: Robert Laffont, 1999.

External links

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