William Kennedy

William Kennedy

[ken-i-dee]
Kennedy, William, 1928-, American novelist, b. Albany, N.Y., grad. Siena College, 1949. Brought up in Albany, he worked as a journalist from 1949 to 1970, and began to concentrate on writing fiction in the early 1960s. In evocative prose, with vivid characterizations and acutely observed dialog, Kennedy's novels mingle history with myth, politics with the personal, and lyricism with squalor. His work is inextricably bound up with his hometown, which has provided rich subject matter for most of his fiction, including his best-known novel, Ironweed (1983; National Book Award, Pulitzer Prize; film, 1987), the tale of an alcoholic former major-league pitcher who ekes out an existence in the city's skid-row district in the 1930s. Kennedy's other Albany cycle novels are The Ink Truck (1969), Legs (1975), Billy Phelan's Greatest Game (1978), Quinn's Book (1988), The Flaming Corsage (1996), and Roscoe (2001). He has also written other novels, essays, some of which were collected in O Albany! (1983) and Riding the Yellow Trolley Car (1993), as well as a play, screenplays, and children's books. Kennedy has taught at the State Univ. of New York at Albany since 1973.

(born Jan. 16, 1928, Albany, N.Y., U.S.) U.S. novelist and journalist. He worked as a journalist in New York and Puerto Rico before returning in 1963 to his native Albany, N.Y., which he considered the source of his literary inspiration. His novels, which are set in Albany and contain elements of local history and the supernatural, include The Ink Truck (1969), Legs (1975), Billy Phelan's Greatest Game (1978), and Ironweed (1983, Pulitzer Prize; film, 1987).

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William Kennedy Laurie Dickson (3 August 1860 – 28 September 1935) was an Anglo-Scottish inventor who devised an early motion picture camera under the employ of Thomas Edison (post-dating the work of Louis le Prince).

Biography

Dickson was born on 3 August 1860 in Minihic-sur-Rance, Brittany, France, to a mother of Scottish descent and an English father. His father, James Waite Dickson, was an artist, astronomer and linguist, claiming direct lineage from the painter Hogarth, and from Judge John Waite, the man who sentenced King Charles I to death. A gifted musician, his mother, Elizabeth Kennedy-Laurie Dickson, was related to the Lauries of Maxwellton (immortalised in the ballad Annie Laurie) and connected with the Duke of Athol and the Royal Stuarts.

Film innovator

In 1888, American inventor and entrepreneur Thomas Alva Edison conceived of a device that would do "for the Eye what the phonograph does for the Ear". In October, Edison filed a preliminary claim, known as a caveat, with the U.S. Patent Office outlining his plans for the device. In March 1889, a second caveat was filed, in which the proposed motion picture device was given a name, the Kinetoscope. Dickson, then the Edison company's official photographer, was assigned to turn the concept into a reality.

Dickson invented the first practical celluloid film for this application and decided on 35 mm for the size, a standard still used.

Dickson and his team at the Edison lab then worked on the development of the Kinetoscope for several years. The first working protoype was unveiled in May 1891 and the design of system was essentially finalized by the fall of 1892. The completed version of the Kinetoscope was officially unveiled at the Brooklyn Institute of Arts and Sciences on 9 May 1893. While not technically a projector system. It was a peep show machine showing a continuous loop of the film Dickson invented, lit by an Edison light source, viewed individually through the window of a cabinet housing its components. The Kinetoscope introduced the basic approach that would become the standard for all cinematic projection before the advent of video. It creates the illusion of movement by conveying a strip of perforated film bearing sequential images over a light source with a high-speed shutter. Dickson and his team also devised the Kinetograph, an innovative motion picture camera with rapid intermittent, or stop-and-go, film movement, to photograph movies for in-house experiments and, eventually, commercial Kinetoscope presentations.

In late 1894 or early 1895, Dickson became an ad hoc advisor to the motion picture operation of the Latham brothers, Otway and Grey, and their father, Woodville, who ran one of the leading Kinetoscope exhibition companies. Seeking to develop a movie projector system, they hired former Edison employee Eugene Lauste, probably at Dickson's suggestion. In April 1895, Dickson left Edison's employ and joined the Latham outfit. Alongside Lauste, he helped devise what would become known as the "Latham loop," allowing the photography and exhibition of much longer filmstrips than had previously been possible. The team of former Edison associates brought to fruition the Eidoloscope projector system, which would be used in the first commercial movie screening in world history on 20 May 1895. With the Lathams, Dickson was part of the group that formed the American Mutoscope and Biograph Company, before he returned permanently to work in the United Kingdom in 1897.

Dickson left Edison's company and formed his own company that produced the mutoscope, a form of hand cranked peep show movie machine. These machines produced moving images by means of a revolving drum of card illustrations, taken from an actual piece of film. They were often featured at seaside locations, showing (usually) sequences of women undressing or acting as an artist's model. In Britain, they became known as "What the butler saw" machines, taking the name from one of the first and most famous softcore reels.

Publications

  • The Biograph in Battle (Flicks Books, UK, reprinted in 1995)
  • A Brief History of the Kinetograph, the Kinetoscope and the Kinetophonograph (SMPTE Journal, Vol 21, December 1933)
  • An Authentic Life of Edison. The Life and Inventions of Thomas Alva Edison. (with Antonio Dickson, 8 volumes. New-York. Thomas Y. Crowell & Co. 1894)

References

Further reading

  • Gordon Hendricks, The Edison Motion Picture Myth (Arno Press, USA, 1972)
  • Ray Phillips, Edison’s Kinetoscope and its Films - a History to 1896 (Flicks Books,UK, 1997)
  • Charles Musser, The Emergence of Cinema: the American Screen to 1907 (Charles Scribner’s Sons, USA, 1990)
  • Charles Musser, Before the Nickelodeon: Edwin S Porter and the Edison Manufacturing Company (University of California Press, USA, 1991)
  • Eileen Bowser, The Transformation of Cinema, 1907-1915 (Charles Scribner’s Sons, USA, 1990)
  • John Barnes, Filming the Boer War (Bishopsgate Press, UK,1992)
  • Richard Brown and Barry Anthony, A Victorian Film Enterprise:The History of the British Mutoscope and Biograph Company (Flicks Books, UK,1997)

See also

External links

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