Watteau, Jean-Antoine, 1684-1721, French painter of Flemish descent, b. Valenciennes. Until 1704 poverty forced him to work in the shops of mediocre artists, where he produced genre and devotional subjects. In 1704-8 he studied in the studio of Claude Gillot, an adept painter of scenes of theatrical life, which later became the subject of some of Watteau's finest paintings, such as Love in the Italian Theatre and Love in the French Theatre (both: Berlin). In 1708-9 Watteau worked with the decorator Claude Audran. Watteau attracted the attention of eminent patrons in his last years, including the comte de Caylus, his biographer, and in 1717 he was made a full member of the Académie royale. The Embarkation for Cythera (1717; Louvre) is characteristic of his art; it is a delicate, courtly fantasy, represented in warm and shimmering pastel tones that place him among the great colorists of all time. A lyric, Giorgionesque quality pervades his airy, gay, and sensuous scenes, which have a poignancy that none of his followers attained. Out of the most fleeting aspects of life he created an enduring and individual art. His exquisite paintings influenced fashion and garden design in the 18th cent. Other outstanding works include Gilles (Louvre), Perspective (Mus. of Fine Arts, Boston), Mezzetin (Metropolitan Mus.), and Gersaint's Shop Sign (1719; Berlin). Watteau was also a superb draftsman. Many of his exquisite drawings are known only from engravings.

(born Oct. 10, 1684, Valenciennes, France—died July 18, 1721, Nogent-sur-Marne) French painter. Son of a roof tiler in Valenciennes, he was apprenticed to a local artist. At 18 he moved to Paris, where he worked for a series of painters; one of them was a theatrical scenery painter, and much of Watteau's work consequently embraced the artifice of the theatre, particularly the commedia dell'arte and the ballet. His works typified the lyrically charming and graceful Rococo style. The greatest, his Pilgrimage to the Island of Cythera, depicts pilgrims setting out for (or departing from) the mythic island of love and was his presentation piece when he was inducted into the academy in 1717. The academicians, unable to fit him into any of the recognized categories, welcomed him as a painter of fêtes galantes (“elegant festivities”), an important new genre to which countless later Rococo pictures belong.

Learn more about Watteau, (Jean-) Antoine with a free trial on Britannica.com.

See Antoine Watteau