See G. P. Winship, Daniel Berkeley Updike and the Merrymount Press (1947); Updike: American Printer and the Merrymount Press (1948), a symposium.
Remarkably prolific, Updike produced about a book a year, publishing 60 volumes during his lifetime as well as reams of miscellaneous writings. His other novels include The Poorhouse Fair (1959); The Centaur (1962); the sensual Couples (1968); the exotic The Coup (1978); the wickedly comic The Witches of Eastwick (1984) and its sequel, The Widows of Eastwick (2008); the epic In the Beauty of the Lilies (1995); Seek My Face (2002); and The Terrorist (2006). Among his volumes of poetry, many consisting of light verse, are The Carpentered Hen (1958), Facing Nature (1985), Americana (2001), and Endpoint and Other Poems (2009). His many superb short-story collections include Pigeon Feathers (1962), Museums and Women and Other Stories (1972), Problems (1979), The Afterlife and Other Stories (1994), My Father's Tears and Other Stories (2009), and the linked stories that feature Updike's Jewish, urban, unmarried, and writer's-blocked alter ego, Henry Bech: Bech: A Book (1970), Bech Is Back (1982), and Bech at Bay (1998). Updike also wrote the play Buchanan Dying (1974) and a variety of nonfiction—literary criticism, e.g., Hugging the Shore (1983), Odd Jobs (1991), More Matter (1999), and Due Considerations (2007); art criticism, e.g., Just Looking (1989) and Still Looking (2005); and essays on numerous subjects, e.g., Golf Dreams (1996).
See his memoirs (1989); J. Plath, ed., Conversations with John Updike (1994); studies by D. Thorburn and H. Eiland, ed. (1979), W. R, Macnaughton, ed. (1982), J. Detweiler (rev. ed. 1984), J. H. Campbell (1987), J. Newman (1988), R. M. Luscher (1993), J. A. Schiff (1998), J. Yerkes, ed. (1999), W. H. Pritchard (2000), J. De Bellis, ed. (2005), and P. J. Bailey (2006); J. De Bellis, The John Updike Encyclopedia (2000).