Grand Traité d’Instrumentation et d’Orchestration Modernes, abbreviated in
English as the
Treatise on Instrumentation (sometimes
Treatise on Orchestration) is a technical study of
Western musical instruments, written by
Hector Berlioz. It was first published in 1844 after being serialised in many parts prior to this date, and had a chapter added by Berlioz on
conducting in 1855. The text was later revised by
Richard Strauss in 1904 to include more modern instruments. The book discusses the various technical aspects of instruments, such as chromatic range, tone quality, and limitations. An explanation of the role of particular instruments within the
orchestra is also provided. The book also provides orchestral excerpts from
classical scores to give examples of techniques discussed. These examples are often of works by Berlioz himself, while
Mozart,
Wagner,
Beethoven, and
Gluck are also frequently cited.
Many composers studied the work closely, such as Mussorgsky, Mahler, R. Strauss, and Rimsky-Korsakov.
Instruments discussed
Strings:
Plucked strings:
Keyboards:
Wind instruments:
Brass instruments:
Voices: (Soprano, Alto, Tenor, Bass etc.)
Percussion:
New instruments:
Other topics discussed
The orchestra - an overview of how the orchestra functions as a whole, and its development throughout history.
On conducting - a brief discussion of conducting practices in Europe during Berlioz's day. It should be noted that Berlioz was also known as a great conductor in his time, in addition to a composer.
References
External links