Transmodernity consists of a set of criticisms aimed at theories it perceives as advocating relativism, pessimism, nihilism, and counter-Enlightenment, by embracing with a limited capacity foundationalism, absolutism, optimism, and universalism.
It draws elements from both modernism and postmodernism, and can therefore be seen as an amended and more tolerant form of modernization. Transmodernity is a loose term describing a development of thought that seeks a synthesis of the best of 'pre-modern,' 'modern,' and 'postmodern' reality.
Transmodernism appears to be in part influenced by the esoteric movements that sprang from the Renaissance. It is also influenced by the Transcendental movement and admires the American philosophy of mid-nineteenth century writers like Emerson and the Transcendentalists. Transmodernism often continues today in the rise of new religions and spiritualism. Its tendencies are also felt in humanitic and transpersonal psychology. It is thought to be 'leading edge and often subject to change'.
Transmodernism reacts against both modernism and postmodernism by opposing the wholesale secularization of society. It criticizes the rejection of all traditional worldviews and their truths as unproven, false, or of no importance. It encompasses social movements confluent with traditional systems of philosophy, religion, and morality. These movements often find themselves at odds with modernism and postmodernism, yet the Transmodernism sees tradition as self-propelled and adaptable at its own independent pace. There is room for both modernity and tradition.
 Ecological sustainability, beyond environmentalism: If you can name an aspect of ecology and sustainability, they are emphatically for it, and are leading the way. Cultural Creatives demonstrate awareness of a large range of issues, including wanting to rebuild neighborhoods and communities, ecological sustainability and limits to growth, seeing nature as sacred, wanting to stop corporate polluters, being anti-big-business, wanting voluntary simplicity, being willing to pay to clean up the environment and to stop global warming.
 Globalism: Two of the top values for Cultural Creatives are xenophilism (love of travel to foreign places, of foreigners and the exotic) and ecological sustainability, which strongly includes concern for the planetary ecology and stewardship, and population problems.
 Feminism, women's issues, relationships, family: The fact that Cultural Creatives are 60 percent women is a major key to understanding this subculture. Much of the focus on women's issues in politics comes from them-including concerns about violence and abuse of women and children, desire to rebuild neighborhoods and community, desire to improve caring relationships, and concerns about family (though they are no more family-oriented than most North Americans, it is near the top in their list of values).
 Altruism, self-actualization, alternative health care, spirituality and spiritual psychology: This is a complex of highly interrelated beliefs and values centered on the inner life. In reality, this is a new sense of the sacred that incorporates personal growth psychology and the spiritual and service to others as all one orientation. It also includes a stronger trend toward holistic health and alternative health care as part of this complex.
 Well-developed social conscience and social optimism: Contrary to some social critics, an emphasis on the personal does not exclude the political or social conscience, though individuals may focus on them in sequence. Cultural Creatives are engaged in the world just as much as in personal and spiritual issues. Rebuilding and healing society is related to healing ourselves, physically and spiritually. With that goes a guarded social optimism.