Thomas Gainsborough

Gainsborough, Thomas, 1727-88, English portrait and landscape painter, b. Sudbury. In 1740 he went to London and became the assistant and pupil of the French engraver Hubert Gravelot. He was also influenced in his youth by the painter Francis Hayman and studied the landscapes of the great 17th-century Dutch artists. In 1745 he returned to Sudbury, later moving to Ipswich and finally to Bath, where he gradually acquired a large and lucrative portrait practice rivaling that of his contemporary Sir Joshua Reynolds. Gainsborough is celebrated for the elegance, vivacity, and refinement of his portraits, which were greatly influenced in style by the work of Van Dyck. Some of these portray old-money aristocrats, but more are from the newly wealthy and highly cultured middle-class elite. Gainsborough had little taste for the society of his sitters, however, and spent much spare time painting his favorite subject, landscape, entirely for his own pleasure. These works were among the first great landscapes painted in England. As a colorist Gainsborough has had few rivals among English painters.

In his last years Gainsborough excelled in fancy pictures, a pastoral genre that featured idealized subjects (e.g., The Mall, 1783; Frick Coll., New York City). He painted all parts of his pictures himself, an unusual practice for his day. He left a large collection of landscape drawings, which influenced the development of 19th-century landscape art. He is well represented in the national galleries of London, Ireland, and Scotland; in the Wallace Collection, London; and in many private collections. Examples of Gainsborough's work may be seen in the Metropolitan Museum and the museums of Cincinnati, Boston, Philadelphia, and St. Louis. Outstanding among his well-known works are Perdita (Wallace Coll., London), The Blue Boy (Huntington Art Gall., San Marino, Calif.), and Lady Innes (Frick Coll.).

(baptized May 14, 1727, Sudbury, Eng.—died Aug. 2, 1788, London) British painter. At 13 he left his native Suffolk to study in London. By circa 1750, back in Suffolk, he had established a reputation in portraiture and landscape painting. He painted landscapes for pleasure; portraiture was his profession. In 1759 he moved to the fashionable spa of Bath, where his works would be seen by a wider and wealthier public. In 1768 he became a founding member of the Royal Academy of Art. He developed an elegant, formal portrait style inspired by Anthony Van Dyck, whose influence can be seen in such portraits as his famous Blue Boy (1770). In 1774 he moved to London and became a favourite of the royal family, preferred above the official court painter, Joshua Reynolds. His love of landscape came from studying 17th-century Dutch artists and later Peter Paul Rubens, whose influence is evident in The Watering Place (1777). His output was prodigious; he produced many landscape drawings in various media, and in his later years he also created images of seascapes, pastoral subjects, and children.

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Thomas Gainsborough (christened 14 May 1727 – died 2 August 1788) was one of the most famous portrait and landscape painters of 18th century Britain.

Life and work

Suffolk

Thomas Gainsborough was born in Sudbury, Suffolk, England. His father was a weaver involved with the wool trade. At the age of thirteen he impressed his father with his pencilling skills so that he let him go to London to study art in 1740. In London he first trained under engraver Hubert Gravelot but eventually became associated with William Hogarth and his school. One of his mentors was Francis Hayman. In those years he contributed to the decoration of what is now the Thomas Coram Foundation for Children and the supper boxes at Vauxhall Gardens.

In the 1740s, Gainsborough married Margaret Burr, an illegitimate daughter of the Duke of Beaufort, who settled a £200 annuity on the couple. The artist's work, then mainly composed of landscape paintings, was not selling very well. He returned to Sudbury in 1748–1749 and concentrated on the painting of portraits.

In 1752, he and his family, now including two daughters, moved to Ipswich. Commissions for personal portraits increased, but his clientele included mainly local merchants and squires. He had to borrow against his wife's annuity.

Bath

In 1759, Gainsborough and his family moved to Bath. There, he studied portraits by van Dyck and was eventually able to attract a better-paying high society clientele. In 1761, he began to send work to the Society of Arts exhibition in London (now the Royal Society of Arts, of which he was one of the earliest members); and from 1769 on, he submitted works to the Royal Academy's annual exhibitions. He selected portraits of well-known or notorious clients in order to attract attention. These exhibitions helped him acquire a national reputation, and he was invited to become one of the founding members of the Royal Academy in 1769. His relationship with the academy, however, was not an easy one and he stopped exhibiting his paintings there in 1773.

London

In 1774, Gainsborough and his family moved to London to live in Schomberg House, Pall Mall. In 1777, he again began to exhibit his paintings at the Royal Academy, including portraits of contemporary celebrities, such as the Duke and Duchess of Cumberland. Exhibitions of his work continued for the next six years.

In 1780, he painted the portraits of King George III and his queen and afterwards received many royal commissions. This gave him some influence with the Academy and allowed him to dictate the manner in which he wished his work to be exhibited. However, in 1783, he removed his paintings from the forthcoming exhibition and transferred them to Schomberg House.

In 1784, royal painter Allan Ramsay died and the King was obliged to give the job to Gainsborough's rival and Academy president, Joshua Reynolds, however Gainsborough remained the Royal Family's favorite painter. At his own express wish, he was buried at St. Anne's Church, Kew, where the Family regularly worshipped.

In his later years, Gainsborough often painted relatively simple, ordinary landscapes. With Richard Wilson, he was one of the originators of the eighteenth-century British landscape school; though simultaneously, in conjunction with Joshua Reynolds, he was the dominant British portraitist of the second half of the 18th century.

He died of cancer on 2 August 1788 at the age of 61.

Technique

Gainsborough painted more from his observations of nature (and human nature) than from any application of formal academic rules. The poetic sensibility of his paintings caused Constable to say, "On looking at them, we find tears in our eyes and know not what brings them." He himself said, "I'm sick of portraits, and wish very much to take my viol-da-gam and walk off to some sweet village, where I can paint landskips (sic) and enjoy the fag end of life in quietness and ease."

His most famous works, such as Portrait of Mrs. Graham; Mary and Margaret: The Painter's Daughters; William Hallett and His Wife Elizabeth, nee Stephen, known as The Morning Walk; and Cottage Girl with Dog and Pitcher, display the unique individuality of his subjects.

Gainsborough's only known assistant was his nephew, Gainsborough Dupont.

In Fiction

• Kitty (1945) is a notable fictional film about Gainsborough, portrayed by Cecil Kellaway.
• Gainsborough has an important posthumous role in the alternate history novel The Two Georges by Harry Turtledove.

See also

• English school of painting
• British art
• List of British painters
• Humphrey Gainsborough
• Holywells Park, Ipswich
• Thomas Gainsborough paintings
• Western painting

Further reading

• Thomas Gainsborough’s 'Lost' Portrait of Auguste Vestri, Martin Postle
• The Letters of Thomas Gainsborough (Paul Mellon Centre for Studies), John Hayes

External links

• Webmuseum Paris: Thomas Gainsborough
• Victoria and Albert Museum collection